Bebop Spoken There

John McLaughlin: ''It was then that Coltrane came along and single-handedly brought this dimension of spirituality into jazz. It was a pivotal experience to me.'' (DownBeat September, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18957 (and counting) posts since we started blogging 18 years ago. 821 of them this year alone and, so far this month (Sept. 30.) 100.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

October.

Tue 06: Alan Law @ The Ticket Office, Whitley Bay. 2:00pm. Free. Alan Law (piano) w. Paul Grainger (double bass).
Tue 06: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Murray Oak, Paul Grainger, John Bradford.
Tue 06: Customs House Big Band @ The Masonic Hall, Ferryhill. 7:30pm. Free.
Tue 06: Black is the Color of My Voice @ Northern Stage, Newcastle. 7:30pm. Apphia Campbell’s one-woman stage play inspired by Nina Simone. First night of two.

Wed 07: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free. Wed 07: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 07: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 07: Black is the Color of My Voice @ Northern Stage, Newcastle. 7:30pm. Apphia Campbell’s one-woman stage play inspired by Nina Simone. Second night of two.

Thu 08: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 08: Pete Tanton’s Chet Set @ Newcastle Arts Centre. 7:30pm. Free (donations).
Thu 08: Indigo Jazz Voices w. Little Big Band @ The Globe, Newcastle. 7:45pm. £5.00.

Fri 09: Dean Stockdale Trio @ Bishop Auckland Methodist Church. 1:00pm. £9.00. Dean Stockdale (piano); Mick Shoulder (double bass); John Bradford (drums).
Fri 09: John Rowland Trio @ Jesmond Library, Newcastle. 1:00pm. £5.00.
Fri 09: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 09: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 09: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 09: Shalala @ The Globe, Newcastle.

Sat 10: Catfish Keith @ Cluny 2, Newcastle. 7:30pm (doors). £19.00. + bf. Jumpin’ Hot Club.

Sun 11: Am Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 11: Michael Young Trio @ The Engine Room, Sunderland. 2:30pm. Free. Feat. guest Jack ‘Banjo’ Courtney (trumpet).
Sun 11: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 11: Harry Christelis Quartet @ The Globe, Newcastle. 8:00pm. A Jazz Co-op-JNE co-promotion.

Mon 12: Jack Pearce Quintet @ Yamaha Music School, Blyth. 1:00pm.
Mon 12: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.

Friday, July 24, 2020

Paul Edis: Live stream #19 - July 24

Paul Edis (piano, vocals)

If it's Friday and it's one o'clock that can mean only one thing...Paul Edis live streaming from his London home. Pianist Edis has been entertaining his online audience for, wait for it...eighteen weeks! Today's edition, #19, would be the penultimate stream, next week (July 31) being the last one before our host takes a short break.

Ten numbers today ranging from Frank Loesser to Bud Powell with a couple of original compositions, a vocal number and an unlikely request the filling in between. Loesser's If I Were a Bell for starters, Kenny Dorham's Blue Bossa, typical Edis, typically brilliant. Horace Silver's Barbara stumped our online host as to who Barbara was. 'Babs' was none other than Mrs Silver. 

Today's unlikely request came from an unlikely source. Lance Liddle, BSH's Editor-in-Chief requested Light My Fire. The Doors' psychedelic, bombastic opus hasn't figured much, if at all, in the eleven or so years of LL's award-winning online jazz journal. Perhaps LL would care to explain himself...

Cole Porter's You'd Be So Nice to Come Home To, Edis' There Will Be Time (requested by John and Kathleen), Coltrane's Syeeda's Song Flute (Edis noting the evident similarity to Monk's Well, You Needn't), we were deep into the hour-long performance and still without a repeat. Nineteen weeks and not once has PE gone for the easy option!

Merry Monk, a blues of sorts, came about when PE played a lunchtime gig at the Merry Monk pub just off Market Place in Bishop Auckland (BSH was in attendance that day, November 2019). Today's live stream was a world premiere of sorts, a cyberspace world premiere, a world some of us have inhabited for too long. Fear not, real, live gigs, gigs with an audience, are shortly to resume* 

Two more numbers would take us up to the hour mark; Jerome Kern's Dearly Beloved (lyrics Johnny Mercer) featured Edis' vocals for the first and only time this week and, to close, our host set about Bud Powell's Bouncing with Bud and in the process produced a bop canon quote-laden finale. Tune in next week at one o'clock for more of the same, it'll be your last online Friday lunchtime appointment with Paul Edis for a little while. 

* Abbie Finn is to play a gig on Sunday in the gardens of St James' and St Basil's Church in Fenham, Newcastle. Drummer Abbie will be joined by Harry Keeble (tenor sax) and bassist Paul Grainger. It's a three o'clock start, admission is free although a generous donation wouldn't go amiss.   
Russell.  

1 comment :

Lance said...

Well, it seems I've been called here. Will my two kings beat Russell's two aces? Maybe, maybe not. I like The Doors but, my choice of Light My Fire was based more upon the rich harmonies of the José Feliciano version and the powerhouse blast Woody Herman gave it on his LP of the same name. I visualised Paul treating it as a kind of Ramsey Lewis style interpretation which he did indeed touch upon. It didn't matter - I think it was a challenge which he handled admirably.

Russell, I'll draw one and raise you ten!

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