Bebop Spoken There

Gary Bartz: ''Music is nature's gift to man. It's the only religion. We're living in a terrible era, but what a beautiful thing music is. Look how it brings us together like religion is supposed to; and with no language barriers.'' (Jazzwise September, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18897 (and counting) posts since we started blogging 18 years ago. 761 of them this year alone and, so far this month (Sept. 11.) 40.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

September.

Mon 14: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 15: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Ben Lawrence, Paul Grainger, Bailey Rudd.

Wed 16: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 16: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 16: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 17: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 17: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £5.00.
Thu 17: Front Porch Blues @ The Black Swan, Newcastle. 7:30pm. Free.
Thu 17: Miles 100 @ The Globe, Newcastle. 8:00pm. £12.00., £10.00., £7.00. Jack Courtney (trumpet); Sue Ferris (tenor sax); Tom Atkinson (guitar); Alan Law (piano); Deon Krishnan (bass); Jeff Armstrong (drums). A night of Miles Davis.
Thu 17: Amphitrio @ Pilgrim, Newcastle. 7:30pm. £7.00. Andrei Petrache (piano); Mike Alex (double bass); Philip Goron (drums).

Fri 18: Danny Lownes’ Hot Club @ The Lit & Phil, Newcastle. 1:00pm. £8.00. SOLD OUT!
Fri 18: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 18: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 18: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 18: Mark Williams Trio @ Sunderland Minster. 7:30pm. Old Black Cat Jazz Club.
Fri 18: Emma Fisk’s Hot Club du Nord @ St Cuthbert’s Centre, Crook. 7:30pm. £10.00., £5.00. student.
Fri 18: Rivkala + Beccy Sloan @ Pilgrim, Newcastle. 7:30pm (doors). £10.00.

Sat 19: Tees Bay Swing Band @ The Blacksmith’s Arms, Hartlepool. 1:30pm. Free. Open rehearsal. All welcome.
Sat 19: Sing Jazz! workshop @ The Globe, Newcastle. 2:00-5:00pm. £27.50. Tutor: Alexia Gardner: Nina Simone. Enrol at: learning@jazz.coop.
Sat 19: Ray Stubbs’ R&B All Stars @ Billy Bootleggers, Newcastle. 7:00pm. Free.

Sat 19: Tees Bay Swing Band @ The Blacksmith’s Arms, Hartlepool. 1:30pm. Free. Open rehearsal. All welcome.

Sun 20: More Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 20: Michael Young Trio @ The Engine Room, Sunderland. 2:30pm. Free.
Sun 20: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.

Friday, July 24, 2020

Paul Edis: Live stream #19 - July 24

Paul Edis (piano, vocals)

If it's Friday and it's one o'clock that can mean only one thing...Paul Edis live streaming from his London home. Pianist Edis has been entertaining his online audience for, wait for it...eighteen weeks! Today's edition, #19, would be the penultimate stream, next week (July 31) being the last one before our host takes a short break.

Ten numbers today ranging from Frank Loesser to Bud Powell with a couple of original compositions, a vocal number and an unlikely request the filling in between. Loesser's If I Were a Bell for starters, Kenny Dorham's Blue Bossa, typical Edis, typically brilliant. Horace Silver's Barbara stumped our online host as to who Barbara was. 'Babs' was none other than Mrs Silver. 

Today's unlikely request came from an unlikely source. Lance Liddle, BSH's Editor-in-Chief requested Light My Fire. The Doors' psychedelic, bombastic opus hasn't figured much, if at all, in the eleven or so years of LL's award-winning online jazz journal. Perhaps LL would care to explain himself...

Cole Porter's You'd Be So Nice to Come Home To, Edis' There Will Be Time (requested by John and Kathleen), Coltrane's Syeeda's Song Flute (Edis noting the evident similarity to Monk's Well, You Needn't), we were deep into the hour-long performance and still without a repeat. Nineteen weeks and not once has PE gone for the easy option!

Merry Monk, a blues of sorts, came about when PE played a lunchtime gig at the Merry Monk pub just off Market Place in Bishop Auckland (BSH was in attendance that day, November 2019). Today's live stream was a world premiere of sorts, a cyberspace world premiere, a world some of us have inhabited for too long. Fear not, real, live gigs, gigs with an audience, are shortly to resume

Two more numbers would take us up to the hour mark; Jerome Kern's Dearly Beloved (lyrics Johnny Mercer) featured Edis' vocals for the first and only time this week and, to close, our host set about Bud Powell's Bouncing with Bud and in the process produced a bop canon quote-laden finale. Tune in next week at one o'clock for more of the same, it'll be your last online Friday lunchtime appointment with Paul Edis for a little while. 

Abbie Finn is to play a gig on Sunday in the gardens of St James' and St Basil's Church in Fenham, Newcastle. Drummer Abbie will be joined by Harry Keeble (tenor sax) and bassist Paul Grainger. It's a three o'clock start, admission is free although a generous donation wouldn't go amiss.   
Russell.  

1 comment :

Lance said...

Well, it seems I've been called here. Will my two kings beat Russell's two aces? Maybe, maybe not. I like The Doors but, my choice of Light My Fire was based more upon the rich harmonies of the José Feliciano version and the powerhouse blast Woody Herman gave it on his LP of the same name. I visualised Paul treating it as a kind of Ramsey Lewis style interpretation which he did indeed touch upon. It didn't matter - I think it was a challenge which he handled admirably.

Russell, I'll draw one and raise you ten!

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