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Bebop Spoken There

Steve Coleman: ''If you don't keep learning, your mind slows down. Use it or lose it''. (DownBeat, January 2025).

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

17719 (and counting) posts since we started blogging 17 years ago. 39 of them this year alone and, so far, 39 this month (Jan. 15).

From This Moment On ...

January 2025

Mon 20: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 21: ???

Wed 22: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 22: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 22: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 22: Pasadena Roof Orchestra @ Fire Station, Sunderland. 7:30pm.

Thu 23: Vieux Carré Jazzmen @ The Holystone, Whitley Road, Holystone. 1:00pm. Free. Fortnightly.
Thu 23: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £4.00. Subject: Obituaries 2024.
Thu 23: Jason Isaacs @ St James’ STACK, Newcastle. 4:30-6:30pm. Free. Vocalist Isaacs working with backing tapes.
Thu 23: Pedal Point Trio @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

Fri 24: Zoë Gilby Quartet @ The Gala, Durham. 1:00pm.
Fri 24: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 24: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 24: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 24: Creakin’ Bones & the Sunday Dinners @ Lindisfarne Social Club, Wallsend. 9:00pm. Admission: TBC. Jazz, blues , jump jive, rock ‘n’ roll.

Sat 25: Boys of Brass @ St James’ STACK, Newcastle. 3:30-5:30pm. Free.
Sat 25: New '58 Jazz Collective @ Jackson's Wharf, Hartlepool. 6:30pm (doors). Free. A Burns' Night event. Jazz, swing, funk, soul, blues etc.
Sat 25: Edison Herbert Trio @ The Vault, Darlington. 7:00pm. Free.
Sat 25: Jack & Jay’s Songbook @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

Sun 26: Musicians Unlimited @ Jackson’s Wharf, Hartlepool. 1:00pm. Free.
Sun 26: Graham Hardy Eclectic Quartet @ Queen’s Hall, Hexham. 3:00pm.
Sun 26: Ruth Lambert Trio @ The Juke Shed, Union Quay, North Shields. 3:00pm. Free.
Sun 26: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 26: Jazz Jam Sandwich! @ Prohibition Bar, Newcastle. 7:00pm. A ‘Jar on the Bar’ gig.
Sun 26: Tweed River Jazz Band @ Barrels Ale House, Berwick-upon-Tweed. 7:30pm. Free.
Sun 26: Gratkowski, Tramontana, Beresford, Affifi @ The Globe, Newcastle. 8:00pm. £12.00. JNE.
Sun 26: Jazz Jam @ Fabio’s, Saddler St., Durham. 8:00pm. Free. A Durham University Jazz Society promotion. All welcome.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Friday, July 24, 2020

Paul Edis: Live stream #19 - July 24

Paul Edis (piano, vocals)

If it's Friday and it's one o'clock that can mean only one thing...Paul Edis live streaming from his London home. Pianist Edis has been entertaining his online audience for, wait for it...eighteen weeks! Today's edition, #19, would be the penultimate stream, next week (July 31) being the last one before our host takes a short break.

Ten numbers today ranging from Frank Loesser to Bud Powell with a couple of original compositions, a vocal number and an unlikely request the filling in between. Loesser's If I Were a Bell for starters, Kenny Dorham's Blue Bossa, typical Edis, typically brilliant. Horace Silver's Barbara stumped our online host as to who Barbara was. 'Babs' was none other than Mrs Silver. 

Today's unlikely request came from an unlikely source. Lance Liddle, BSH's Editor-in-Chief requested Light My Fire. The Doors' psychedelic, bombastic opus hasn't figured much, if at all, in the eleven or so years of LL's award-winning online jazz journal. Perhaps LL would care to explain himself...

Cole Porter's You'd Be So Nice to Come Home To, Edis' There Will Be Time (requested by John and Kathleen), Coltrane's Syeeda's Song Flute (Edis noting the evident similarity to Monk's Well, You Needn't), we were deep into the hour-long performance and still without a repeat. Nineteen weeks and not once has PE gone for the easy option!

Merry Monk, a blues of sorts, came about when PE played a lunchtime gig at the Merry Monk pub just off Market Place in Bishop Auckland (BSH was in attendance that day, November 2019). Today's live stream was a world premiere of sorts, a cyberspace world premiere, a world some of us have inhabited for too long. Fear not, real, live gigs, gigs with an audience, are shortly to resume

Two more numbers would take us up to the hour mark; Jerome Kern's Dearly Beloved (lyrics Johnny Mercer) featured Edis' vocals for the first and only time this week and, to close, our host set about Bud Powell's Bouncing with Bud and in the process produced a bop canon quote-laden finale. Tune in next week at one o'clock for more of the same, it'll be your last online Friday lunchtime appointment with Paul Edis for a little while. 

Abbie Finn is to play a gig on Sunday in the gardens of St James' and St Basil's Church in Fenham, Newcastle. Drummer Abbie will be joined by Harry Keeble (tenor sax) and bassist Paul Grainger. It's a three o'clock start, admission is free although a generous donation wouldn't go amiss.   
Russell.  

1 comment :

Lance said...

Well, it seems I've been called here. Will my two kings beat Russell's two aces? Maybe, maybe not. I like The Doors but, my choice of Light My Fire was based more upon the rich harmonies of the José Feliciano version and the powerhouse blast Woody Herman gave it on his LP of the same name. I visualised Paul treating it as a kind of Ramsey Lewis style interpretation which he did indeed touch upon. It didn't matter - I think it was a challenge which he handled admirably.

Russell, I'll draw one and raise you ten!

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