Bebop Spoken There

John McLaughlin: ''It was then that Coltrane came along and single-handedly brought this dimension of spirituality into jazz. It was a pivotal experience to me.'' (DownBeat September, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18957 (and counting) posts since we started blogging 18 years ago. 821 of them this year alone and, so far this month (Sept. 30.) 100.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

October.

Tue 06: Alan Law @ The Ticket Office, Whitley Bay. 2:00pm. Free. Alan Law (piano) w. Paul Grainger (double bass).
Tue 06: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Murray Oak, Paul Grainger, John Bradford.
Tue 06: Customs House Big Band @ The Masonic Hall, Ferryhill. 7:30pm. Free.
Tue 06: Black is the Color of My Voice @ Northern Stage, Newcastle. 7:30pm. Apphia Campbell’s one-woman stage play inspired by Nina Simone. First night of two.

Wed 07: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free. Wed 07: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 07: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 07: Black is the Color of My Voice @ Northern Stage, Newcastle. 7:30pm. Apphia Campbell’s one-woman stage play inspired by Nina Simone. Second night of two.

Thu 08: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 08: Pete Tanton’s Chet Set @ Newcastle Arts Centre. 7:30pm. Free (donations).
Thu 08: Indigo Jazz Voices w. Little Big Band @ The Globe, Newcastle. 7:45pm. £5.00.

Fri 09: Dean Stockdale Trio @ Bishop Auckland Methodist Church. 1:00pm. £9.00. Dean Stockdale (piano); Mick Shoulder (double bass); John Bradford (drums).
Fri 09: John Rowland Trio @ Jesmond Library, Newcastle. 1:00pm. £5.00.
Fri 09: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 09: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 09: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 09: Shalala @ The Globe, Newcastle.

Sat 10: Catfish Keith @ Cluny 2, Newcastle. 7:30pm (doors). £19.00. + bf. Jumpin’ Hot Club.

Sun 11: Am Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 11: Michael Young Trio @ The Engine Room, Sunderland. 2:30pm. Free. Feat. guest Jack ‘Banjo’ Courtney (trumpet).
Sun 11: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 11: Harry Christelis Quartet @ The Globe, Newcastle. 8:00pm. A Jazz Co-op-JNE co-promotion.

Mon 12: Jack Pearce Quintet @ Yamaha Music School, Blyth. 1:00pm.
Mon 12: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.

Saturday, July 25, 2020

Peter Green dies at 73

The efforts of Chris Barber, Alexis Korner and others paved the way for American blues greats to visit Britain and Peter Greenbaum, from Bethnal Green, like many others of the post war 'baby boom' generation, developed an interest in the blues. Eric Clapton left the Bluesbreakers and John Mayall offered the job to Greenbaum, or rather, Peter Green.

Replacing Clapton couldn't have been an easy gig yet, in no time, Green, along with Mick Fleetwood, founded Fleetwood Mac and the rest, as they say, is history. To some there are two Fleetwood Macs - Peter Green's Fleetwood Mac and Fleetwood Mac. Green achieved fame, if not fortune, quit the band he co-founded, then left the music business, for many years struggling with mental health issues as his former band mates sought, and found, fortune. 

Green resurfaced from time to time and in the nineties played his first indoor gigs in many years, the first of them at a sold-out South Shields' Cellar Club. Your correspondent was there that night and, in truth, the man was a shadow of his former self. Peter Green died today (July 25) at the age of just 73.    
Russell

3 comments :

Roly Veitch said...

Sad news. A select breed of musicians have that indefinable something that makes them very special. It's in their touch, their feel, the deep emotion they convey. You can often respond to it in hearing just a few notes. Peter Green was one of them.

Steve T said...

A one-off, he named his band after the drummer and bass player and, when the money came rolling in, he was set to spread it around when his peers changed their minds and started hoarding, and still are.
He was one of the few rock guitarists who attracted praise from their blues forebears, from BB to Joe Louis Walker though, for me, he only got his swagger on when he turned his attention to Hendrix and the Clapton of Cream, turning Fleetwood Mac into perhaps the missing link between them and Led Zeppelin.
He also played in Durham on his return tour, but I had no desire to see him a pale shadow of his former self - legend has it, it was the Grateful Dead's Jerry Garcia who delivered the acid that pickled his brain for the rest of his life - and I only really like three of their records, though Oh Well is absolutely one of the all-time greatest rock records ever made (Rattlesnake Shake and Green Manilishi are the others); but avoid the proto prog of the album version and head straight for the single off any compilation.

NeilC said...

Such a talent up there with Clapton, Page , Hendrix in the guitar greats so sad he had the breakdown at a time when he was gaining the richly deserved recognition afforded to the greats. He had such a clean style of playing , he had some success after that enforced break with Splinter playing smaller venues unlike the huge arenas Mac went on to play . I don't know but I imagine he preferred those intimate venues . A very sad loss

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