Total Pageviews

Bebop Spoken There

Dave Puddy: "Eventually we paid our entrance money [to Eel Pie Island] and fought our way to one of the many bars where we could buy our Newcastle Brown and retire to the back of the heaving dancefloor. There must have been lights somewhere, but my memory remains of being in some dark cavernous wonderland." - (Just Jazz July 2020)

Dave Rempis:Ten years from now, I can see musicians streaming concerts in real time and charging a minimal amount for people to watch.” - (DownBeat September 2013)

Archive.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

Postage

11,618 (and counting) posts since we started blogging just over 12 years ago. 753 of them this year alone and, so far, 17 this month (July 5).

Today

As we all know there are no live gigs taking place in the immediate future. However, any links to jazz streaming that are deemed suitable - i.e. with a professional approach - will be considered for posting.

Wednesday, July 01, 2020

Album review: John Fedchock NY Sextet - Into the Shadows

John Fedchock (trombone); Scott Wendholt (trumpet/flugel); Walt Weiskopf (tenor sax); Allen Farnham (piano); David Finck (bass); Eric Halvorson (drums).

"Straight from the shoulder, unpretentious jazz" is how Jazz Journal described the Fedchock NY Sextet and I won't argue with that.  Nor will I disagree with the Boston Post Gazette's description as "A lineup of dazzling New York post-bop talent" for this is everything it says on the tin, maybe a bit more. 

Standards and originals arranged and composed by the trombonist/leader provide the setting for this, his tenth album.


There have been many great sextets on both the East and West Coasts of America and, although Fedchock has undoubtedly studied and absorbed the teachings of both schools, what has emerged is respectful without plagiarism. It is jazz for today - let tomorrow take care of itself.

Fedchock has the lovely dry sound that typifies modern trombone players operating, at times, with the fluency of a valve trombonist.  His arrangements, particularly of the standards (I Should Care, Nature Boy and Star Eyes), are harmonic masterpieces. 

His cohorts are of equal standing. Wendholt as lyrical as early Chet with the fire of the late Roy Hargrove. Weiskopf would have held his own with the Blue Note greats. Farnham has had an illustrious career recording with Mel Tormé and as longtime accompanist to the late Susannah McCorkle. David Finck has albums under his own name and Halvorson is near the top of every leader's list.

To re-quote the opening sentence - "Straight from the shoulder, unpretentious jazz"
Amen.
Lance.

Available July 17 on Summit Records.

1 comment :

Russell said...

The Strictly Smokin' Big Band has one or two of Fedchock's charts in the pad and the American is a friend of Steve Walker's Big Band Bash programme (on Coastal Sound Radio tonight at 8:00pm).

Blog Archive