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Bebop Spoken There

Steve Coleman: ''If you don't keep learning, your mind slows down. Use it or lose it''. (DownBeat, January 2025).

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

17719 (and counting) posts since we started blogging 17 years ago. 39 of them this year alone and, so far, 39 this month (Jan. 15).

From This Moment On ...

January 2025

Mon 20: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 21: ???

Wed 22: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 22: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 22: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 22: Pasadena Roof Orchestra @ Fire Station, Sunderland. 7:30pm.

Thu 23: Vieux Carré Jazzmen @ The Holystone, Whitley Road, Holystone. 1:00pm. Free. Fortnightly.
Thu 23: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £4.00. Subject: Obituaries 2024.
Thu 23: Jason Isaacs @ St James’ STACK, Newcastle. 4:30-6:30pm. Free. Vocalist Isaacs working with backing tapes.
Thu 23: Pedal Point Trio @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

Fri 24: Zoë Gilby Quartet @ The Gala, Durham. 1:00pm.
Fri 24: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 24: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 24: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 24: Creakin’ Bones & the Sunday Dinners @ Lindisfarne Social Club, Wallsend. 9:00pm. Admission: TBC. Jazz, blues , jump jive, rock ‘n’ roll.

Sat 25: Boys of Brass @ St James’ STACK, Newcastle. 3:30-5:30pm. Free.
Sat 25: New '58 Jazz Collective @ Jackson's Wharf, Hartlepool. 6:30pm (doors). Free. A Burns' Night event. Jazz, swing, funk, soul, blues etc.
Sat 25: Edison Herbert Trio @ The Vault, Darlington. 7:00pm. Free.
Sat 25: Jack & Jay’s Songbook @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

Sun 26: Musicians Unlimited @ Jackson’s Wharf, Hartlepool. 1:00pm. Free.
Sun 26: Graham Hardy Eclectic Quartet @ Queen’s Hall, Hexham. 3:00pm.
Sun 26: Ruth Lambert Trio @ The Juke Shed, Union Quay, North Shields. 3:00pm. Free.
Sun 26: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 26: Jazz Jam Sandwich! @ Prohibition Bar, Newcastle. 7:00pm. A ‘Jar on the Bar’ gig.
Sun 26: Tweed River Jazz Band @ Barrels Ale House, Berwick-upon-Tweed. 7:30pm. Free.
Sun 26: Gratkowski, Tramontana, Beresford, Affifi @ The Globe, Newcastle. 8:00pm. £12.00. JNE.
Sun 26: Jazz Jam @ Fabio’s, Saddler St., Durham. 8:00pm. Free. A Durham University Jazz Society promotion. All welcome.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Thursday, July 09, 2020

To 33 or not to 33? That is the question

The April edition of JazzTimes which I've belatedly got around to reading cover to cover rather the peripheral glance I initially gave it includes an interesting article on the pros and cons of digital v analogue/CD v LP etc. which I know some of our contributors feel strongly about.

This got me to thinking about where I stood in this debate and, to tell you the truth, I don't know!


When I first started listening to music it was via 78rpm single shellac records on a wind-up gramophone. There was lots of surface noise and, as I'd frequently bought them second hand, often much worse! But, did this deter me from the enjoyment? It didn't, I knew no different. Likewise, I'd also listen to jazz on the radio via some obscure continental station or the American Forces Network (AFN) station broadcast from Munich. Again, against all odds and despite the atmospherics, the music shone through.

I remember reading a novel, I can't remember the author - it may have been Peter de Polnay but probably wasn't. In the book, a couple are listening to a very average performance by, I'm guessing, an out of tune violinist playing a well-known concerto. The woman says, "Isn't that dreadful?" To which the man replies, "No, irrespective of the performance, I only hear what it should sound like." Those may not have been the exact words but I can relate them to the present day.

When stereo came along, I recall a salesman coming into the music shop where I worked with a demo record in which a bowling ball could be heard rolling from one side of the room to the other. We all gasped in awe although, with the odd exception, when applied to music I remained quite happy with mono recordings.

I was also quite happy with LPs until CDs came along and, suddenly, the long player with its beautiful artwork and easy to read sleeve notes became passé - file alongside piano rolls and cylinders.

The way things are going, CDs will soon be joining them as streaming and downloading become the norm. And yet, we now hear that cassette tapes are making a comeback and a recent Lockjaw and Johnny Griffin recording has been dished up on reel to reel so who knows?

Let's hear your views.
Lance

1 comment :

Ann Alex said...

I'm all for CDs for most listening as I sometimes can't manage streaming, but each mode has good points. You can pinpoint the exact place to replay something on an old fashioned cassette but you have to go to the whole track on a CD. Vinyl is somehow more 'immediate' and the artwork is appealing. I can understand people hearing music 'as it should be' on an imperfect recording. After all, how did Beethoven compose after he became deaf? He must have heard the music in his head.

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