Bebop Spoken There

Melissa Aldana: ''Having to play a ballads album, which is something very revealing for a saxophone player, would help me to question some new aspects of how to go deeper into sound." (DownBeat May, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18621 (and counting) posts since we started blogging 18 years ago. 485 of them this year alone and, so far this month (June 14) 37

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

June

Tue 23: Alan Law Trio @ The Ticket Office, Whitley Bay. 2:00pm. Free.
Tue 23: Jude Murphy & Dan Stanley @ The Black Swan, Newcastle. 7:30pm. Free.

Wed 24: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 24: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 24: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 25: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 25: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £5.00. Subject: Forgotten Ones & Any Quintets.
Thu 25: Edgar Ho Trio @ Newcastle Arts Centre. 7:30pm. Free. Brilliant alto sax, piano & double bass trio. Unmissable!
Thu 25: Paul Skerritt @ Angels' Share, St George's Terrace, Jesmond, Newcastle NE2 2SX. 8:00pm. Free. Booking advised (0191 200 1975). Skerritt w. backing tapes.

Fri 26: Finn-Keeble Group @ The Gala, Durham. 1:00pm. £9:00.
Fri 26: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 26: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 26: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 26: Clark Tracey @ Live Theatre, Newcastle. 7:30pm. Newcastle Jazz Festival. £26.00. Day 1/2.

Sat 27: OUTRI @ Live Theatre, Newcastle. 1:00pm. £13.01. 1:00-1:45pm. Newcastle Jazz Festival. Day 2/2.
Sat 27: House of the Black Gardenia + Magpies of Swing @ The Cumberland Arms, Newcastle. 2:00pm. Free.
Sat 27: Mark Toomey Quartet @ Live Theatre, Newcastle. 2:15-3:15pm. £13.01. Newcastle Jazz Festival. Day 2/2.
Sat 27: Alexia Gardner Quintet @ Live Theatre, Newcastle. 3:45-4:45pm. £13.01. Newcastle Jazz Festival. Day 2/2.
Sat 27: Rory Ingham @ Live Theatre, Newcastle. 5:30-6:30pm. £19.51. Newcastle Jazz Festival. Day 2/2. Ingham w. Dean Stockdale, Ian Paterson, Dave McKeague.
Sat 27: Castillo Nuevo Trio @ Revoluçion de Cuba, Newcastle. 5:30pm. Free.
Sat 27: Laura Jurd @ Live Theatre, Newcastle. 8:00pm. £26.00. Newcastle Jazz Festival. Day 2/2. Sat 27: Brass Fiesta @ Revoluçion de Cuba, Newcastle. 10:30pm. Free.

Sun 28: Musicians Unlimited: Big Band Blast @ West Hartlepool RFC. 1:00-3:00pm . Free.
Sun 28: More Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 28: Paul Skerritt @ Hibou Blanc, Newcastle. 2:00pm. Free. Table reservations (0191 261 8000). Skerritt w. backing tapes.
Sun 28: Tim Kliphuis Trio @ St Mary’s Church, Wooler. 3:00pm. £18.00., £6.00. A Wooler Arts Summer Concerts event. Tim Kliphuis (violin); Nigel Clark (guitar); Roy Percy (double bass).
Sun 28: Ruth Lambert Trio @ Juke Shed, North Shields. 3:00pm. Free.
Sun 28: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 28: An Evening of Jazz @ St James’ Church, Copper Chare, Morpeth. 7:30pm. Tickets: £10.00 from 01670 788869 or 01670 519923. Mid Northumberland Chorus (MD Robin Forbes, Emma Straughan, piano) w. jazz trio featuring Edgar Ho, Oscar Ho & Dave McKeague & special guest Emily Masser. Performance inc. Bob Chilcott’s A Little Jazz Mass + George Shearing’s Songs & Sonnets.
Sun 28: Led Bib @ The Globe, Newcastle. 8:00pm. £15.00., £12.00. JNE.

Mon 29: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.

Thursday, July 09, 2020

To 33 or not to 33? That is the question

The April edition of JazzTimes which I've belatedly got around to reading cover to cover rather the peripheral glance I initially gave it includes an interesting article on the pros and cons of digital v analogue/CD v LP etc. which I know some of our contributors feel strongly about.

This got me to thinking about where I stood in this debate and, to tell you the truth, I don't know!


When I first started listening to music it was via 78rpm single shellac records on a wind-up gramophone. There was lots of surface noise and, as I'd frequently bought them second hand, often much worse! But, did this deter me from the enjoyment? It didn't, I knew no different. Likewise, I'd also listen to jazz on the radio via some obscure continental station or the American Forces Network (AFN) station broadcast from Munich. Again, against all odds and despite the atmospherics, the music shone through.

I remember reading a novel, I can't remember the author - it may have been Peter de Polnay but probably wasn't. In the book, a couple are listening to a very average performance by, I'm guessing, an out of tune violinist playing a well-known concerto. The woman says, "Isn't that dreadful?" To which the man replies, "No, irrespective of the performance, I only hear what it should sound like." Those may not have been the exact words but I can relate them to the present day.

When stereo came along, I recall a salesman coming into the music shop where I worked with a demo record in which a bowling ball could be heard rolling from one side of the room to the other. We all gasped in awe although, with the odd exception, when applied to music I remained quite happy with mono recordings.

I was also quite happy with LPs until CDs came along and, suddenly, the long player with its beautiful artwork and easy to read sleeve notes became passé - file alongside piano rolls and cylinders.

The way things are going, CDs will soon be joining them as streaming and downloading become the norm. And yet, we now hear that cassette tapes are making a comeback and a recent Lockjaw and Johnny Griffin recording has been dished up on reel to reel so who knows?

Let's hear your views.
Lance

1 comment :

Ann Alex said...

I'm all for CDs for most listening as I sometimes can't manage streaming, but each mode has good points. You can pinpoint the exact place to replay something on an old fashioned cassette but you have to go to the whole track on a CD. Vinyl is somehow more 'immediate' and the artwork is appealing. I can understand people hearing music 'as it should be' on an imperfect recording. After all, how did Beethoven compose after he became deaf? He must have heard the music in his head.

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