Bebop Spoken There

Ludovic Beier (Django Festival Allstars): ''Manouche means 'free man,' and gypsies have been travelers since they migrated west from India to Europe.'' (DownBeat March, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18361 (and counting) posts since we started blogging 18 years ago. 215 of them this year alone and, so far this month (Mar. 8 ), 25

From This Moment On ...

March

Thu 12: Boomslang @ The Black Swan, Newcastle. 7:30pm. Free.
Thu 12: Ray Stubbs R&B All Stars @ The Mill Tavern, Hebburn. 8:30pm. Free.

Fri 13: Paul Skerritt Quartet @ Bishop Auckland Methodist Church. 1:00pm . £9.00.
Fri 13: The SH#RP Collective @ Jesmond Library, Newcastle. 1:00pm. £5.00.
Fri 13: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 13: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 13: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 13: Soothsayers + Rookie Numbers @ Cobalt Studios, Newcastle. 7:00pm (doors). £17.51., £14.33., £11.16.

Sat 14: The Too Bad Jims @ Claypath Deli, Durham. 7:00pm (6:30pm doors). £13.20., £11.00. R&B.
Sat 14: NUJO @ Venue, Newcastle University Students’ Union. Time TBC. £15.00. supporter; £10.00. standard; £5.00. student. Seated event.

Sun 15: Michael Young Trio @ The Engine Room, Sunderland. 2:30pm. Free.
Sun 15: The Too Bad Jims @ The Georgian Theatre, Stockton. 3:00pm. £12.00. R&B.
Sun 15: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 15: Rebecca Poole @ The Globe, Newcastle. 8:00pm. £14.00., £12.00., £7.00. Poole w. Dean Stockdale & Ken Marley. CANCELLED!

Mon 16: Milne Glendinning Band @ Yamaha Music School, Blyth. 1:00pm.
Mon 16: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 16: Russ Morgan Quartet @ The Black Bull, Blaydon. 8:00pm. £10.00.

Tue 17: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Alan Law (piano); Paul Grainger (double bass); Scotty Adair (drums).

Wed 18: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 18: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 18: The ’58 Jazz Collective @ Hartlepool Cricket Club, West Park, 7:30pm. £7.00.
Wed 18: Brand New Heavies @ The Glasshouse, Gateshead. 7:30pm.
Wed 18: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Monday, July 06, 2020

Album (vinyl) review: Niclas Bardeleben - N.O. In My Heart, Cph In My blood

Niclas Bardeleben (drums); Jan Harbeck (tenor sax); Jesper Løvdal (clarinet/baritone sax); Henrik Bolberg (trumpet/flugel); Vincent Nilsson (trombone); Lasse Mørke (drums).

A 12" piece of vinyl all the way from Copenhagen that practically made its own way to the turntable, brushing aside the other contenders with ease. I was looking forward to this one having heard leader Bardeleben on a recent recording by the Niels Lan Doky Trio (River of Time) and I was intrigued to check out his take on some New Orleans' classics.


Danish jazz has always held an interest - Papa Bue with our local boy the late Joe Errington on trumpet, recordings by Dexter Gordon and Brew Moore, Fessor's Big City Band and many more - this one is, in jazz terms, Lurpak on rye bread - in other words, tasty and satisfying.

Bardeleben, in the sleeve notes, describes how he fell in love with the sound of a New Orleans style marching band. It was a love affair that became more than just with the music but with the broader picture of the city and its culture.

The Crescent City, the Big Easy, call it what you will was the obvious influence behind this, his first album as leader. However, Niclas is also Danish and a native of Copenhagen and that too entered into the mix. The result was six tracks of New Orleans associated tunes, liberally spread with local colour to produce what was probably the finest integration of the two cultures in the world!

Bolberg is lyrical - Bix meets Chet meets Miles - and his solos bridge the gap between idioms and cultures. Nilsson plungers like Bubber on New Orleans, the two saxes also make their presence felt throughout the album. On the final track they go for broke - is this Trane and Sonny? However, the tower of strength, apart from the leader's drumming and arranging is bassist Mørke who, in the absence of piano or guitar, holds it all together.

Quite an amazing album that throws the rule book out of the window when it comes to typecasting. As  Duke famously said ... 
Lance

Dear Old Southland; Basin Street Blues; Bechet's Creole Blues; Someday You'll Be Sorry; Jeepers Creepers; New Orleans; Who Took the Happiness Out?

Available via the usual suspects.

No comments :

Blog Archive