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Bebop Spoken There

Kurt Elling: ''There's something to learn from every musician you play with''. (DownBeat, December 2024).

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

17641 (and counting) posts since we started blogging 16 years ago. 915 of them this year alone and, so far, 60 this month (Dec. 26).

From This Moment On ...

December

Fri 27: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 27: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free. Business as usual!.
Fri 27: Jason Isaacs @ Seaburn STACK, Seaburn. 3:30-5:30pm. Free. Vocalist Isaacs working with backing tapes.
Fri 27: Michael Woods @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig. Country blues guitar & vocals.

Sat 28: Jason Isaacs @ St. James’ STACK, Newcastle. 11:30am. Free. Vocalist Isaacs working with backing tapes.
Sat 28: Fri 20: Castillo Nuevo @ Revoluçion de Cuba, Newcastle. 5:30pm. Free.
Sat 28: Jude Murphy, Rich Herdman & Giles Strong @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.
Sat 28: Ray Stubbs R & B All-Stars @ Billy Bootlegger’s, Stepney Bank, Newcastle. 9:00pm. Free.

Sun 29: Paul Skerritt @ Hibou Blanc, Newcastle. 2:00pm. Free. Vocalist Skerritt working with backing tapes.
Sun 29: Alexia Gardner Quintet @ The Globe, Newcastle. 8:00pm.

Mon 30: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 30: Vieux Carré Jazzmen @ The Wheatsheaf, Benton Sq., Whitley Road, Palmersville NE12 9SU. Tel: 0191 266 8137. 1:00pm. Free.
Mon 30: Jason Isaacs @ STACK, Exchange Sq., Middlesbrough. 4:00-6:00pm. Free. Vocalist Isaacs working with backing tapes.

Tue 31: Jason Isaacs @ Seaburn STACK, Seaburn. 12 noon-2:00pm. Free. Vocalist Isaacs working with backing tapes.
Tue 31: Lapwing Trio @ Wallington (National Trust), Cambo, Morpeth NE61 4AR. 12 noon & 2:00pm. Admission to site £19.00.
Tue 31: Jason Isaacs @ St. James’ STACK, Newcastle. 3:30-5:30pm. Free. Vocalist Isaacs working with backing tapes.
Tue 31: Archie Brown & Friends @ Tyne Bar, Ouseburn, Newcastle. 4:00-8:00pm. Free.

January 2025

Wed 01: ???

Thu 02: ???

Fri 03: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 03: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 03: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 03: John Gregory @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig. Country blues guitar.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Monday, July 06, 2020

Album (vinyl) review: Niclas Bardeleben - N.O. In My Heart, Cph In My blood

Niclas Bardeleben (drums); Jan Harbeck (tenor sax); Jesper Løvdal (clarinet/baritone sax); Henrik Bolberg (trumpet/flugel); Vincent Nilsson (trombone); Lasse Mørke (drums).

A 12" piece of vinyl all the way from Copenhagen that practically made its own way to the turntable, brushing aside the other contenders with ease. I was looking forward to this one having heard leader Bardeleben on a recent recording by the Niels Lan Doky Trio (River of Time) and I was intrigued to check out his take on some New Orleans' classics.


Danish jazz has always held an interest - Papa Bue with our local boy the late Joe Errington on trumpet, recordings by Dexter Gordon and Brew Moore, Fessor's Big City Band and many more - this one is, in jazz terms, Lurpak on rye bread - in other words, tasty and satisfying.

Bardeleben, in the sleeve notes, describes how he fell in love with the sound of a New Orleans style marching band. It was a love affair that became more than just with the music but with the broader picture of the city and its culture.

The Crescent City, the Big Easy, call it what you will was the obvious influence behind this, his first album as leader. However, Niclas is also Danish and a native of Copenhagen and that too entered into the mix. The result was six tracks of New Orleans associated tunes, liberally spread with local colour to produce what was probably the finest integration of the two cultures in the world!

Bolberg is lyrical - Bix meets Chet meets Miles - and his solos bridge the gap between idioms and cultures. Nilsson plungers like Bubber on New Orleans, the two saxes also make their presence felt throughout the album. On the final track they go for broke - is this Trane and Sonny? However, the tower of strength, apart from the leader's drumming and arranging is bassist Mørke who, in the absence of piano or guitar, holds it all together.

Quite an amazing album that throws the rule book out of the window when it comes to typecasting. As  Duke famously said ... 
Lance

Dear Old Southland; Basin Street Blues; Bechet's Creole Blues; Someday You'll Be Sorry; Jeepers Creepers; New Orleans; Who Took the Happiness Out?

Available via the usual suspects.

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