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Bebop Spoken There

Raymond Chandler: “ I was walking the floor and listening to Khatchaturian working in a tractor factory. He called it a violin concerto. I called it a loose fan belt and the hell with it ". The Long Goodbye, Penguin 1959.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

16350 (and counting) posts since we started blogging 16 years ago. 230 of them this year alone and, so far, 27 this month (April 11).

From This Moment On ...

April

Sat 13: Giles Strong Quartet @ Claypath Deli, Durham. 7:00-9:00pm. £10.00.
Sat 13: Phantom Bagman + Forgetmenots @ Prohibition Bar, Newcastle. 7:30pm.£5.00. + bf. Upstairs.
Sat 13: Rockin’ Turner Brothers @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig. Downstairs.

Sun 14: Am Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 14: 4B @ The Ticket Office, Whitley Bay Metro Station. 3:00pm. Free.
Sun 14: Alan Law, Jude Murphy & Tim Johnston @ Prohibition Bar, Newcastle. 7:00pm. Free. A ‘Jar on the Bar’ gig.
Sun 14: JazzMain @ The Globe, Newcastle. 8:00pm.

Mon 15: Dave Newton @ Yamaha Music School, Seaforth St., Blyth NE24 1AY. 1:00 - 1:45pm. £8.00. + bf. Newton, solo piano.
Mon 15: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 15: Hideout @ Cluny 2, Newcastle. 7:00pm. £7.50 + £1.33 bf. Feat. Sleep Suppressor + Flat Moon.
Mon 15: Russ Morgan Quartet @ The Black Bull, Blaydon. 8:00pm. £8.00.

Tue 16: The Horne Section’s Hit Show @ Middlesbrough Town Hall. 7:30pm.
Tue 16: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Bradley Johnston, Paul Grainger, Bailey Rudd.

Wed 17: Bailey Rudd (Minor Recital) @ The Music Studios, Haymarket Lane, Newcastle University. 11:40am. Bailey Rudd (drums). Open to the public.
Wed 17: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 17: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 17: The Horne Section’s Hit Show @ The Gala, Durham. 7:30pm. SOLD OUT!
Wed 17: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 18: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 18: NONUNONU @ Elder Beer Café, Chillingham Road, Newcastle. 7:30pm.
Thu 18: Knats @ Hoochie Coochie, Newcastle. 8:00pm (doors 7:30pm). £8.00. + bf. Support act TBC.
Thu 18: Merlin Roxby @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig. Ragtime piano.
Thu 18: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm. Guest band night with Just Friends: Ian Bosworth (guitar); Donna Hewitt (sax); Dave Archbold (keys); Ron Smith (bass); Mark Hawkins (drums).

Fri 19: Cia Tomasso @ The Lit & Phil, Newcastle. 1:00pm. ‘Cia Tomasso sings Billie Holiday’. SOLD OUT!
Fri 19: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 19: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 19: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 19: Lindsay Hannon: Tom Waits for No Man @ Seventeen Nineteen, Hendon, Sunderland. 7:30pm.
Fri 19: Levitation Orchestra + Nauta @ Cluny 2, Newcastle. 7:30pm (doors). £11.00.
Fri 19: Strictly Smokin’ Big Band @ The Witham, Barnard Castle. 8:00pm. ‘Ella & Ellington’.

Sunday, July 26, 2020

Album review: Madre Vaca - Winterreise

Juan Rollan (sax); Steve Strawley (trumpet); Lance Reed (trombone); Jonah Pierre (piano); Jarrett Carter (guitar); Mike Perez (bass); Benjamin Shorstein (drums); Milan Algood (perc.) + Rebecca Shorstein (vocal on 1 tk.)

A lot of jazz musicians have, over the years, had a crack at the works of the great classical composers. From Bach to Bartok, few have escaped being "jazzed". The Schubert folio may have been less plundered than some of the others although he was far from immune.

This isn't surprising as, of all the great classical composers, Franz Schubert was perhaps the most melodic and one whose lyricism so easily lends itself to improvisation.

Winterreise (Winter Journey) was written near the end of the composer's short life (he died aged 31) and was conceived as a song cycle based on the poems of one Wilhelm Muller that dealt with the story of a dejected man who left his home and his beloved in the middle of the night. Did Schubert, who also had a troubled life despite the joyfulness of much of his work relate to this saga? Almost 200 years on we will probably never know...

What we do know is that drummer Shorstein took 10 of the 24 pieces that comprise the suite and arranged them for the Florida based Madre Vaca jazz collective. The result is impressive, crossing and merging several jazz idioms. This is particularly noticeable in the opening Goodnight set over a marching beat that could have been played by a New Orleans street band although Rollan's alto solo owes much to Johnny Hodges and Reed's trombone is nearer to JJ than Kid Ory.

At other times, on such as The Weathervane, Mingus springs to mind. Frozen is anything but - there's enough fire in the solos to melt a glacier. Loneliness features Carter as well as more trombone from Reed. The Crow has Rollan flying in a more angular fashion than the title would suggest. The blurb says he's on tenor but he has an alto sound which is fine by me.

Last Hope begins quite innocuously, getting Schubert's melody out of the way before moving up the centuries ("Franz will you please stop turning in your grave you're keeping me adead".)  The Stormy Morning is just that with Reed once again giving the slide a workout and Strawley riding high above the storm with some tricky triple tonguing.

The Sun Dogs reverts to Schubert's original lieder format of voice and piano yet nowhere on sleeve or blurb is there any reference to a singer. I'm guessing that it is Rebecca Shorstein who has recorded previously with (husband?) Benjamin Shorstein (on piano) but I could be wrong as the voice has a bisexual timbre to it.

The Hurdy-Gurdy Man brings us to journey's end and it has been a journey of love, mystery and adventure albeit with an over-riding melancholic feel.

I think I'm being fair in saying that it will appeal to fans of both Schubert and jazz providing that they have a bit of each other in their respective souls.
Lance.

Available via the usual suspects.

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