Bebop Spoken There

John Donegan: ''What you take in through your ears can come out through your fingers.'' (Notes to Which Direction October, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

19,057 (and counting) posts since we started blogging 18 years ago. 921 of them this year alone and, so far this month (Oct. 29) 100.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

October.

Fri 30: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 30: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 30: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.

Sat 31: Saltburn Big Band + Durham Alumni Big Band @ Saltburn Community Hall. 7:30pm.
Sat 31: East Coast Swing Band @ Cramlington Village Club, Park View, Cramlington NE23 6QJ. 7:30pm. £10.00. (from venue).

November

Sun 01: Smokin’ Spitfires @ The Cluny, Newcastle. 12:45pm. £10.00.
Sun 01: Ian Bosworth Quintet @ Chapel, Middlesbrough. 1:00pm. Free. Quintet w. special guest Donna Hewitt (tenor sax, clarinet)
Sun 01: Sax Choir @ The Globe, Newcastle. 2:00pm. Free.
Sun 01: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 01: Sarah Heneghan Trio @ The Globe, Newcastle. 8:00pm.

Mon 02: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 02: Saltburn Big Band @ Saltburn House Hotel. 7:00-9:00pm. Free. Rehearsal session (open to the public).

Tue 03: Alan Law @ The Ticket Office, Whitley Bay. 2:00pm. Free. Alan Law (piano) w. guest tba
Tue 03: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Stu Collingwood, Paul Grainger, Abbie Finn.
Tue 03: Customs House Big Band @ The Masonic Hall, Ferryhill. 7:30pm. Free.

Wed 04: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 04: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 04: An Evening of Erykah Badu @ Holy GrAle, Durham. 7:30pm. £3.00.; £2.50. A Durham University Jazz Society event.
Wed 04: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 05: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 05: Hejira - Celebrating Joni Mitchell @ Alnwick Playhouse. 7:30pm.
Thu 05: Cut Capers @ The Cluny, Newcastle. 7:00pm (doors).
Thu 05: Northern Reaches @ Newcastle Arts Centre. 7:30pm. Free (donations). Pete Tanton, Joe Steels, Laurence Blackadder, John Hirst.
Thu 05: Fergus McCreadie @ The Glasshouse, Gateshead. 8:00pm.

Thursday, October 29, 2026

DJF Reviews

Although the horrendous weather prevented myself attending, BSH still managed to have 'boots on the ground' at this most impressive event. The festival organisers thought big and the public responded likewise.

Richard Morris wrote most of the reviews apart from the Jo Harrup album launch and the Pete Roth Trio which were by Colin Muirhead.

Individual links below:

Durham Jazz Festival: The Pete Roth Trio ft. Bill Bruford @ Sir Thomas Allen Assembly Rooms Theatre, Durham – October 24

© Colin Muirhead
Pete Roth (guitars); Mike Pratt (electric bass); Bill Bruford (drums)

Day 2 of the Durham Jazz Festival continued with the much-anticipated arrival of a trio founded just a few years ago - and the return to Durham of a music legend.

I first heard Bill Bruford over 20 years ago with his band Earthworks and I was mightily impressed then.  His drumming was outstanding and literally, he didn’t miss a beat.  I shouldn’t have been surprised; after all, Bill had co-founded Yes in the late 1960s, played for many years in King Crimson and other bands, and was later inducted into the Rock and Roll Hall of Fame.  Like many others, I was saddened to hear of his retirement from performing and recording in 2009 but delighted to hear of his return to the scene as part of the Pete Roth Trio in 2022.  Nevertheless, as Pete, Mike and Bill took to the stage, I wondered if I would still feel the same way about Bill’s drumming as I had all those years previously.

Durham Jazz Festival: Zoë Gilby and Andy Champion @ Banner room, Redhills Miners' Hall, Durham - October 25

© Richard Morris
Zoë Gilby (vocals); Andy Champion (double bass)

And now for something completely different! A duet concert by virtuoso double bass player Andy Champion and award winning vocalist Zoë Gilby. Pared back songs of various genres with some of these songs written by some of my very favourite artists. I was hooked. Therefore not all jazz songs but many given a jazzy feel, some scatting and Zoë’s unique and very fine vocals - a real treat and, unsurprisingly, was yet another a sell out in an intimate venue.

Durham Jazz Festival: Marvin Muoneke Quartet @ St Chad’s College, Durham - October 25

© Richard Morris
Marvin Muoneke (vocals, trumpet); Dean Stockdale (piano); Mick Shoulder (double bass); Abbie Finn (drums)

Another sold out concert!

I had the benefit of seeing Marvin live the previous evening guesting with the Strictly Smokin’ Big Band at the Gala Theatre. Such was his performance I was grateful I had had the foresight to put this concert in my diary some weeks in advance. This young man is an immense multi-talented  vocalist, trumpeter and arranger. The three other musicians were well known to me. Dean in fact had led his own quartet immediately prior to this concert. I had last seen Abbie play at the Lit & Phil with Greg Abate.

The concert kicked off with Young Man With the Old Soul composed by Marvin on which he sang and played trumpet. Two standards popular with jazz musicians: This Could be the Start of Something Big and I’m Beginning to See the Light showcased Marvin’s vocal range and power. Play it Cool was a tune Marvin had released the previous Friday. Abbie sat out the next song Moonlight in Vermont which featured Dean on piano and the most beautiful of vocals by Marvin.

Stockport Jazz

This Sunday Stockport Jazz welcomes the Derrick Harris/Paul Hartley Quartet together with Ken Marley (bass) and Paul Smith (drums) - a double guitar fronted quartet featuring special arrangements of well known jazz classics and including some of Derrick’s original compositions.

Sunday November 1st 2026


8-10pm, doors open at 7.30pm

£5 entry on the door, all welcome


The Moor Club, 35 Heaton Moor Road, Stockport SK4 4PB  (next to the Elizabethan PH)

Durham Jazz Festival: Marvin Muoneké with SSBB @ Gala Theatre, Durham - Oct. 24

© Richard Morris
Marvin Muoneké (vocals, trumpet); Michael Lamb (MD, trumpet); Tom Rushton, Dick Stacey, Billy Bradshaw (trumpets); John Flood, Chris Gray, Kieran Parnaby, Alex Utting (trombones); Steve Summers, Keith Robinson, Jamie Toms, Matthew Forster, Sue Ferris (reeds); Jonny Winter (piano); Pawel Jedrzejewski (guitar); Michael Whent (bass); Jack Littlewood (drums); Alice Grace (vocals)

This concert on the second day of Durham Jazz Festival was billed as a thrilling meeting of velvet vocals and full throttle big band swing with classic crooner charm, punchy brass and a show with timeless standards. On this evening as part of the festival  2025 Mercury Music Prize nominees Knats were also  playing down the road at Fabio's Bar and jazz vocalist Eleanor Kouneni was at the Claypath Delicatessen. What a lineup the organisers of the festival had fashioned for this evening. I was pleased with my choice of concert and the Gala Theatre was very close to a full house. 

Wednesday, October 28, 2026

Down for the Count record two albums in three days at Angel Studios, including new Christmas record Count Down to Christmas

© Jack Childs

Press release: Fan-funded swing orchestra Down for the Count has recorded two full-length albums in an intensive three-day session at Angel Studios in London, engineered by John Barrett (Abbey Road Studios), mixed by Fiona Cruickshank (AIR Studios) and mastered by Cicely Balston (New Ground Audio).

The first album, Count Down to Christmas, is a festive record for the orchestra’s 40-piece big-band-with-strings line-up, with most of the musical arrangements written by conductor Mike Paul-Smith and fellow arranger and original band member Simon Joyner. It is the orchestra's second Christmas album, following Swing Into Christmas, released in 2021, and brings together festive standards and lesser-known seasonal material in Down for the Count's unique large swing ensemble setting. A second, non-festive album follows in spring 2027.

Alex Clarke w. the Dean Stockdale Trio @ the Moor Club, Stockport - Oct. 25

© Jeff Pritchard
Alex Clarke (alto sax); Dean Stockdale (keys); Adrian Knowles (double bass); Gaz Hughes (drums)

This concert should have included singer/saxist Emily Masser but, as Paul Hartley explained in his opening announcement, her car had broken down at Heathrow.

I thought I knew most of the bass players that worked in the north west but I don’t think I've come across Adrian Knowles before. He’s from the Leeds area and can play that’s for sure. 

Alex started the show with that great Clifford Brown 12 bar blues  Sandu  a good choice I thought. The second number was a standard that I think was from Frank Sinatra's epic album  Songs For Swinging Lovers - You Make Me Feel So Young. 

Other tunes were by composers such as Thelonious Monk, Bronislaw Kapers Kurt Weill ; Hank Mobley; Carlos Jobim etc.

Durham Jazz Festival: Dean Stockdale Quartet “Celebrating Oscar Peterson” @ Durham University Music School - October 25

© Richard Morris
Dean Stockdale (piano) ; Jamie Taylor (guitar}; Gavin Barras (double bass); Gaz Hughes (drums) 

This concert took place on Sunday, the last day of the three day Durham Jazz Festival 2026, to a sold out audience. I thoroughly enjoyed the three day festival attending eight concerts. Most were sell outs or very close to it. The festival was exceedingly well organised. It was many decades since I last stayed in Durham so all the venues I attended were fresh to me. This venue provided a large stage for the musicians with good acoustics and a large Steinway grand piano for Dean to feast his fingers on. This was the first concert of the day for Dean but a marathon day for him would include playing piano at another concert and then a long drive to Stockport for an evening concert. What a trooper!

Durham Jazz Festival: Vasilis Xenopoulos/Paul Edis Quartet @ St Chad’s College - October 24

© Richard Morris
Vasilis Xenopoulos (tenor/soprano sax); Paul Edis (piano); Andy Champion (double bass); Steve Hanley (drums) 

Another sold out concert, held in the interior courtyard of St Chad’s College, opened day two of the three day Durham Jazz Festival 2026.

The afternoon’s programme consisted of tunes composed by Paul and Vasilis from a soon to be released album titled A Place Called Home. Andy, Steve and Paul, of course, are musicians I have seen play live on multiple occasions but this was the first time I had seen Vasilis play live and it most certainly will not be the last. He is an amazing player on both tenor and soprano sax.

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