Press release: Tobin launches “heroic” album at London Jazz Festival

Singer-composer Christine Tobin launches her latest album, Pseudologia Fantastica at World Heart Beat in Nine Elms on Saturday November 21 as part of EFG London Jazz Festival.

Meaning ‘pathological liar’ Pseudologia Fantastica is a collection of eighteen short pieces that navigate the current sea of disinformation and misappropriation of new technologies.

“Over recent years our perception of the world and sense of reality, of what is true or false is gradually unravelling,” says Tobin. “It has been eroded with the emergence of new phrases such as ‘alternative facts’, and a rolling, bludgeoning, narrative where all is back to front and upside down.”

Album review: Louis Armstrong - One Night in Highland Park (Verve)

Louis Armstrong (trumpet, vocals); Trummy Young (trombone); Edmund Hall (clarinet); Billy Kyle (piano); Squire Gersh (bass); Barrett Deems (drums)

A previously unreleased concert recorded before 1,200 fans at Highland Park High School 27 miles north of Chicago by what many consider the All-Stars' greatest line-up. With all due respect to Messrs Teagarden, Bigard, Hines and Cozy Cole/Catlett they're probably right - collectively if not individually.

Armstrong was still at his best both vocally and instrumentally. The trumpet soaring majestically above the ensemble, the voice still the raspy gravel that fooled trad trumpet players into thinking they could sing little realising that the Satchmo voice was a one off.

Nigel Price & Libor Smoldas @ Davenham Players Theatre - Oct. 29

© Richard Morris

Nigel Price (baritone guitar); Libor Smoldas (guitar)

It was with high expectations that I attended this concert by two of the best jazz guitarists in Europe. A full house had similar expectations and we were not disappointed. Nigel, in a career spanning more than 30 years, is widely acknowledged as one of the most highly regarded and hardest working jazz musicians in the business having received many much-deserved awards during those three decades. He met Prague based jazz guitarist Libor, who has worked and recorded with many international stars, some eight years ago.

The concert was billed as Price & Smoldas playing a selection of well chosen standards, as well as a few originals, delivered with a reverence for the past masters whilst putting their own spin on the music.

Digital single review: Laila Biali - Free Man in Paris

© Robert Ricard

Laila Biali (vocals, piano, arr.); George Koller (bass); Ben Wittman (drums, perc.); Glenn Patscha (B3); Kevin Turcotte (trumpet); William Carn (trombone, horn arr.); Tara Davidson (alto sax); Kelly Jefferson (tenor sax); Shirantha Beddage (baritone sax); David Quackenbush (French horn)

Back in the days of my blinkered youth I'd have regarded the coupling of Joni Mitchell and jazz as bizarre as Ronnie Scott's famed one liner - "... and next week it's Jim Dale sings Thelonious Monk!"

Well Jim Dale is but a forgotten name in the annals of pop history whereas the work of Joni Mitchell, as horizons widen, is held in the highest regard by musos of all genres. It probably began for me through her collaboration with the great bassist Charles Mingus and grew.

Album review: Alberto Chiozzi Quintet - Blue Friday (Euritmus Records)

Alberto Chiozzi (drums, leader); Tom Kirkpatrick (trumpet); Alberto Bernicci (alto sax); Nico Menci (piano); Luca Pisani (bass)

Born in Verona but resident in NYC since 2021 Chiozzi has an imposing cv that includes touring Europe with Samara Joy, collaborating with Pasquale Grasso* and appearances at Smalls, Mezzrow and Ornithology.

Blue Friday brings together five musicians clearly at home with the bebop language in the traditional bop line-up of trumpet, alto, piano, bass and drums. Of the six numbers three are from the fertile musical mind of Kenny Dorham with one each from Joe Henderson, Charlie Parker and Miles Davis - jazz royalty all.

R.I.P. James Madison (1947 - Oct. 29, 2026)

James (Jimmy) Madison passed away on Thursday after a long illness. A drum legend he played with many famous names including Lee Konitz, Duke Ellington and, of particular interest to north east fans Roland Kirk. It was as a member of the latter's Vibration Society that he played at the 1976 Newcastle Jazz Festival.

To this day the concert is still spoken of as being something special. 

A recording was shown on the BBC's Lively Arts Programme although I don't think it has been picked up by YouTube.

By all reports, apart from being a great drummer he was also very much a fun-loving person.

Rest In Peace.

Lance

Album review: 8-Funk - Level Design

Leon Laisne (bass); Luca McCardle (keys); Yuzuha O'Halloran (alto sax, flute); Eoghan McClosky (drums)

I know nothing about video games - I can't even fathom out fruit  machines so I'm probably not the man for the job here. However, it's the music that counts and on that score I'm on firmer ground (I think...).

It's still not easy. I like to equate the music with the title. To do that I'd need a crash course tutored by some precocious child - but which one? There's millions of them and tonight they will be disguised and, armed with pumpkins, out in force terrorising the neighbourhood.

Sara Oschlag, Arnie Somogyi & Ben Lawrence @ The Ship Isis - Oct. 23

Sara Oschlag (vocals); Arnie Somogyi (double bass); Ben Lawrence (keyboards)

The Ship Isis on Silksworth Row is a rare example of a surviving/thriving Victorian pub. Previously owned by Cameron's, later a Jarrow Brewery establishment, it is now home (on occasion) to Sunderland's Old Black Cat Jazz Club. The second of four gigs over a long weekend for Sara Oschlag and Arnie Somogyi, their short tour of the region would see them visit Newcastle twice, Hexham, and this Friday evening, Sunderland.

Dean Stockdale Trio @ Bandstand! - October 15

Dean Stockdale (piano); Mick Shoulder (double bass); John Bradford (drums)

Bandstand! Where's that? Ah, well, you'll know it well. Exhibition Park's old cafe, closed by Newcastle City Council (so-called 'austerity' continues), recently reopened by an independent operator, is putting on a regular jazz night. The first of them featured the Dean Stockdale Trio. 

And for a first night, SOLD OUT! signs were just what Doctor Jazz ordered. Oscar Peterson's Reunion Blues, the first number. Let's hope it's the first of many in the coming years. Pianist Dean Stockdale (a big fan of OP), bassist Mick Shoulder and drummer John Bradford know the Gasbook well and a chattering bunch in one corner of the room wasn't about to distract them.*

The Mingus Big Band @ Ronnie Scott's, London - Oct. 20

The Mingus Big Band: Alex Sipiagin, Alexander Pope Norris, Philip Harper (trumpets); Luis Bonilla (trombone), Robin Eubanks (trombone, vocals); Earl McIntyre (bass trombone, tuba); Wayne Escoffrey (tenor sax), Craig Handy (tenor sax, flute); Sarah Hanahan (alto sax); Mark Gross (alto sax, soprano sax, flute); Lauren Sevian (baritone sax); Theo Hill (piano); Boris Kozlov (double bass); Donald Edwards (drums)

The first of two houses this evening, the second of six nights. Across the week, eleven of twelve performances have sold out in advance. As the house lights went down, Ronnie Scott's was packed to the gunnels. The attraction here on Frith Street? All the way from NYC, the Mingus Big Band! 

A huge, not to mention expensive, undertaking, fourteen musicians, plus tour management, flying across the Atlantic, hotel accommodation for the week, Mingus at Ronnie's has become an eagerly anticipated annual occasion. Every chair in the band occupied by an A-lister, the NYC outfit hit the ground running. Wow! Wow! Wow!