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Bebop Spoken There

George Porter Jr.: ''To me, syncopation is like jazz. It wasn't meant for the masses. It was meant just for a hip few". (DownBeat, May 2025).

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

17985(and counting) posts since we started blogging 17 years ago. 306 of them this year alone and, so far, 62 this month (April 26).

From This Moment On ...

April 2025.

Tue 29: ???

Wed 30: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 30: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 30: International Jazz Day @ The Globe, Newcastle. 7:30pm. £16.00.; £14.00. adv.. Feat. Guido Spannocchi, John Pope & Steve Hanley + Take it to the Bridge participants + Open Mic Night participants.

MAY 2025

Thu 01: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £4.00. Subject: Member’s Contribution.
Thu 01: Alabaster de Plume @ Gosforth Civic Theatre, Newcastle. 7:30pm.
Thu 01: Living in Shadows + OUTRI @ The Globe, Newcastle. 8:00pm.
Thu 01: The Shayo Experiment @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig. Shayo Oshodi & Liam Oliver.
Thu 01: Tees Hot Club @ Dorman’s, Middlesbrough. 8:30pm. Free.

Fri 02: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 02: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 02: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 02: Anna Reay & Deon Krishnan @ STACK, Seaburn. 4:30-6:15pm. Free.
Fri 02: Nauta @ Central Bar, Gateshead. 7:00pm. £7.50. A ‘Nauta’s House’ gig featuring Nauta & guests Shayo Oshodi & David Gray.
Fri 02: Spilt Milk @ St James’ STACK, Newcastle. 7:00-9:00pm. Free. Nolan Brothers (vocal harmonies).
Fri 02: Dom Pipkin @ Cluny 2, Newcastle. 7:30pm (doors). Solo piano.
Fri 02: Abbie Finn Trio @ Saltburn Community Hall. 7:30pm. £12.00. + bf.

Sat 03: Hot Fingers @ St Augustine’s Parish Centre, Darlington. 12:30pm. £10.00.
Sat 03: Play Jazz! workshop @ The Globe, Newcastle. 1:30pm. £25.00. Tutor: Steve Glendinning. Summer Samba Enrol at: learning@jazz.coop.
Sat 03: Jason Isaacs @ STACK, Exchange Sq., Middlesbrough. 4:00-6:00pm. Free. Vocalist Isaacs working with backing tapes.
Sat 03: Edison Herbert Trio @ The Vault, Darlington 7:00pm. Free.
Sat 03: Postmodern Jukebox @ The Glasshouse, Gateshead. 7:30pm.
Sat 03: NUJO Jazz Jam @ Cobalt Studios, Newcastle. 8:00pm (7:00pm doors). £3.00. + bf.
Sat 03: Eva Fox & the Jazz Guys @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig.
Sat 03: Rendezvous Jazz @ Red Lion, Earsdon. 8:00pm. £3.00.
Sat 03: Ray Stubbs R&B All Stars @ The Black Bull, Blaydon. 8:30pm. Free.

Sun 04: Smokin’ Spitfires @ The Cluny, Newcastle. 12:45pm. £7.50.
Sun 04: Sax Choir @ The Globe, Newcastle. 2:00pm. Free.
Sun 04: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 04: Spilt Milk @ St James’ STACK, Newcastle. 3:00-5:00pm. Free. Nolan Brothers (vocal harmonies).
Sun 04: Rivkala @ Prohibition Bar, Newcastle. 7:00pm. Free. A ‘Jar on the Bar’ gig.
Sun 04: Ben Crosland Quartet @ The Globe, Newcastle. 8:00pm.

Mon 05: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 05: Michael Young Trio @ The Engine Room, Sunderland. 6:30pm. Free.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Monday, April 28, 2025

Album review: Champian Fulton & Klas Lindquist - At Home (Turtle Bay Records)

Champian Fulton (piano, vocals); Klas Lindquist (clarinet, alto sax)

It all began at a dinner party thrown by Scott Asen, the founder of Turtle Bay Records after Fulton and Lindquist played a duo set. Asen was impressed and declared at one point that he wanted to record them.

He did, recording the album in the very room that the party took place in.

The resulting ten tracks are delightful.

Neil Yates with the Bim Williams Trio @ the Moor Club, Stockport - April 27

© Jeff Pritchard
Neil Yates (trumpet, tenor sax, vocals); Bim Williams (guitar); Andrew Patterson (bass); Josh Savage (drums).

I kept hearing from various sources why I should not travel on Sunday (something about a Manchester Marathon causing delays) but when Stockport born brassman  Neil Yates makes a rare visit to his home-town there was no way I was going to miss that. There were many jazz fans who obviously had the same idea as by the time the 8:oopm start time rolled along, the music room was full and there was  an overspill of patrons into the adjoining area by the bar.  

Sharing the bandstand was Bim Williams, a guitarist that I would describe as brilliant. I think this Sunday was his first appearance at the Moor Club but it would be nice if he made a speedy return visit.      

Feels Like Home: Vasilis Xenopoulos & Paul Edis in Newcastle & Durham - April 25 & 26

© Patti
Vasilis Xenopoulos (tenor sax, flute); Paul Edis (piano)

BSH Editor-in-Chief LL reviewed the fifth of five north east of England concerts featuring the London-exiled duo Vasilis Xenopoulos (Greece) and Paul Edis (exotic Chester-le-Street). The review captured the essence of the duo's outstanding Sunday evening quartet gig at Newcastle Jazz Co-op's Railway Street HQ. Earlier (Friday), Vasilis and Paul appeared at Newcastle's Lit & Phil (lunchtime) and Blyth's Yamaha Music School (evening) and on Saturday evening, our globetrotting duo made a first visit to Elvet Methodist Church in Durham.

Sunday night @ the Globe: the Vasilis Xenopoulos-Paul Edis Quartet - April 27

© Ken Drew
Paul Edis (piano); Vasilis Xenopoulos (tenor sax, flute); Ken Marley (bass); Russ Morgan (drums)

Come Wednesday (April 30) we'll be celebrating, not only International Jazz Day which in itself is a cause worth popping a cork for, but also the anniversary of the Globe as a community owned music venue where, over the past eleven years, there have been many great gigs. However, few, if indeed any of those gigs, have topped last night's session by the Vasilis Xenopoulos-Paul Edis Quartet - not even their own previous appearances! They were on fire!

A balanced mix of standards and originals by the two leaders had the audience voluntarily captured. No one even thought about leaving until they'd heard the very last note of the final cadenza. I didn't need the Metro, I floated home on a cloud.

Sunday, April 27, 2025

Larry Adler & Ellis Larkins on Talking Pictures next Sunday (May 4)

1959. In this rare reel, American harmonica player Larry Adler performs with pianist Ellis Larkins. He plays an original composition as well as Bach, Mozart, Gershwin and W.C. Handy.

12:40. Talking Pictures channel, May 4 (30 mins.). Lance

Neil Cowley Trio @ the Glasshouse - April 26

Neil Cowley (piano, composer); Rex Horan (bass); Evan Jenkins (drums)

When faced with the prospect of reviewing a contemporary piano trio playing original material I pre-condition myself to fearing the worst. I think back wistfully to concerts by Oscar Peterson, Erroll Garner, Teddy Wilson, Brian Lemon or Dave Newton and before a note has been played I'm thinking up excuses to leave early.

I feared tonight might be just such an occasion. However, any clouds of foreboding that may have been present quickly vanished and it soon became evident that here we had a trio reaching out to beyond the jazz eggheads.

The Darlington Big Band @ Dormans Jazz Club - April 24

Kevin Eland, Bill Watson, Karen Jones, Colin Moore (trumpets); Carolyn Norris, Alastair Wood, Neville Hartley, Keith Jeffrey (trombones); Richie Emmerson (MD tenor sax); Alan Thompson, Barbara Fagan (alto sax); Andy Devine(tenor sax); Daniella Drew (baritone sax); Dave Archbold (piano); Edd Maughan (guitar); Karen McLeave (bass); Stephen Fletcher (drums).

Hosting this bandt is always a pleasure and a night to look forward to consisting, as it does, of 17 first class musicians led by tenor saxophonist Richie Emmerson.

The experience and enthusiasm of the band was on show from the very start with the Sammy Nestico arrangement of Gershwin's Strike Up The Band, a great big band sound with a fine sax solo from Richie. Basie's Fun Time followed with some nice piano work from Dave.

Jazz Time Aycliffe Radio - Sundays 6.30-8.00pm (repeat Tuesdays 8.00-9.30pm)

https://www.ayclifferadio.co.uk/listen

Playlist 27/04/25 (repeated Tuesday 29/04/25)

Tracks to commemorate International Jazz Day (30th April)

Requests: The Chet Baker Quartet, Nubya Garcia, Stacey Kent, Billie Holiday & Teddy Wilson, Ma Rainey.

What’s on in the NE: Guido Spannocchi, Dom Pipkin, Hot Fingers, Ben Crosland/Dean Stockdale.

Memories: Tommy Smith, Don Redman/Ian Carr.

For International Jazz Day: Duke Ellington.

Aycliffe Radio is now available on DAB in County Durham & the Darlington Area.

Saturday, April 26, 2025

Paul Skerritt Big Band @ the Glasshouse - April 25

© Russell
Paul Skerritt (vocals); Stuart Fowler (MD); Dave Hignett, Michael Lamb, Sam Armstrong, Benny Coxon (trumpets); Conor Emery, Kieran Parnaby, Alex Utting, Chris Gray (trombones); Dan Johnson, Kim Skerritt, Sue Ferris, Jamie Toms, Niall Armstrong (reeds); Jeremy McMurray (keys); Mark Williams (guitar); Jamie Watkins (bass guitar); John Bradford (drums) 

Paul Skerritt's second appearance at the Glasshouse - it's becoming an annual fixture at the venue - was well-attended by an audience who were out to have fun. They were at the right place, at the right time, with the right performer to give then just that - fun!

This wasn't Gateshead, it was Vegas in its heyday with the Rat Pack compressed into one personality backed by a swinging big band.

The John Scofield Trio @ Ronnie Scott's - March 28

John Scofield (guitar); Bill Stewart (drums); Vicente Archer (bass)

On those rare occasions when the stars align and you are in the right place at the right time to see the right person, it is an opportunity not to be missed. When the person is jazz guitar legend, John Scofield, and he is appearing at Ronnie Scott's, then that is the place to be. The only cloud in the night sky was that both shows were sold out.

However, as on many previous occasions, this needed to be seen as a challenge not an obstacle. Arriving early for the first performance, the number of what looked like diehard jazz fans at the door was not promising and the door staff were also pessimistic about getting a stand-by seat. Therefore it seemed sensible to withdraw and put all our efforts into the late show. On our return there was less of a queue and happily the door staff recognised us and were sympathetic to our efforts to get in. This time we were successful and were given seats at the bar, which I never mind.

Friday, April 25, 2025

Jazz FM Awards 2025 with PPL and PRS for Music

Lifetime Achievement Award: Billy Cobham

Impact Award (Sponsored by: Raymond Weil Genève): Jamie Cullum


Gold Award: Melody Gardot

 

UK Jazz Act of the Year – PUBLIC VOTE (Sponsored by: Rathbones): corto.alto


Album of the Year – PUBLIC VOTE (Sponsored by: Rayo): Ezra Collective - Dance, No One's Watching

The Strictly Smokin' Big Band's 'Time After Time' live recording session (Bridge Hotel - April 24)

Michael Lamb (MD, trumpet, flugelhorn), Dick Stacey, Billy Bradshaw, Tom Ruston (trumpets); John Flood, Chris Kurgi-Smith, Mark Ferris, Kieran Parnaby (trombones); Keith Robinson, Steve Summers, Jamie Toms, Matthew Forster, Sue Ferris (reeds); Graham Don (keyboards); Pawel Jedrzejewski (guitar); Michael Whent (bass guitar); Dave McKeague  (drums); Alice Grace (vocals)

A somewhat different gig, if 'gig' is the word. The Strictly Smokin' Big Band thought it a good idea to record the band's next album in front of a 'live' audience. The Bridge Hotel serves as the the SSBB's rehearsal space with the occasional gig throw in for good measure. This evening the upstairs room on Castle Garth resembled a recording studio rather than a typical tables and chairs gig arrangement. 

Thursday, April 24, 2025

Album review: James Zito - Zito's Jump! (self-released)

James Zito (guitar/executive producer); Rodney Whitaker (bass); Joe Farnsworth (drums); Luther Allison (piano); Joseph Miller (alto sax); Chris Lewis (tenor sax, flute); Jarien Jamanila (baritone sax); Nicholas Dimaria (trumpet); Jack Kotze (trombone) + Georgia Heers, Tyreek McDole (vocals on tk 8)

Zito's Jump!. The title track is pure 1970s' soul/funk. It sounds authentic albeit a bit predictable. Zito knows his way around the fretboard that's for sure. 

Bird in the Wind. A nice catchy tune with a relaxed tenor solo that brought Georgie Auld to mind, guitar solo full of choice chords and intervals.

Island Girl. Not sure which island the girl is from but the rhythm, the delicate flute solo, and the contributions from piano and guitar suggest somewhere warm.

Press release: KIM CYPHER to play the Jazz Arena at Cheltenham Jazz Festival 2025 with special guest ASHLEY SLATER

A milestone gig for UK saxophonist, vocalist and composer Kim Cypher with an inspiring, feel-good backstory about following dreams, taking chances, making sacrifices and never, ever giving up!

Kim Cypher is a Cheltenham girl born and bred, totally committed to her hometown and to the wonderful local community who continue to support her ongoing ‘journey’ as a jazz musician. It has been a long time coming, following a dream to give local musicians an opportunity to be celebrated and to have a ‘voice’ alongside national and international artists in their hometown festivals.

Seventeen years after her initial performance on the Cheltenham Jazz Festival Free Stage as part of the festival fringe back in 2008, Kim is incredibly proud and honoured to be part of the hugely respected main Cheltenham Jazz Festival this year, together with her highly respected band and special guest Ashley Slater.

Press Release: Celebrating Ten Years of Jazz London Radio

Jazz London Radio celebrates its tenth year, reaching fans from London to the world! We will celebrate this throughout the month of April and May with a series of special programmes by our Presenters.

Jazz London Radio began broadcasting in spring 2015 with the intention to offer something a bit different to the more conventional jazz radio stations, often found on the World Wide Web.  

Jazz London Radio has achieved this through open ears and innovative shows. Each programme adding unique colour to the palette of jazz music.
  

Preview: This Sunday (April 27) @ the Moor Club, Stockport

This week’s Stockport Jazz gig at the Moor Club features trumpeter Neil Yates with the Bim Williams Trio.

Neil was born in Stockport and is now based in North Wales. He has had a long and varied career as a multi-instrumentalist, composer, arranger and educator. As a performer he has carved a unique niche in the world of jazz and folk music and is in demand as a session musician. For more info see : Biography >> | neilyateswebsite


Preview: Paul Skerritt Big Band (Gateshead's Glasshouse - Friday 25th)

Tomorrow night (Friday April 25) Paul Skerritt's all-star seventeen piece big band returns to the Glasshouse, Gateshead. From an intimate jazz club engagement to the concert hall stage, vocalist Paul guarantees entertainment, big style! The Westovian Theatre in South Shields first presented Paul as a big band singer with the Danny Miller Big Band. Now fronting his own big band - the Paul Skerritt Big Band - all the indications are that tomorrow night's show in Hall 2 at the Glasshouse is going to be packed to the rafters. At the time of writing, only four seats are available on level 1, there is just one seat left on level 2 (flying solo?) and a handful up on level 3.

Bennett, Darin, Sinatra, Skerritt and more, book now for the Paul Skerritt Big Band. www.theglasshouseicm.org. Russell

Wednesday, April 23, 2025

Preview: Dom Pipkin @ Cluny 2 - May 2

There's a treat in store for anyone who likes blues, boogie, barrelhouse, New Orleans or any style of jazz-related piano at Cluny 2 on May 2 when Dom Pipkin gives a solo piano recital at the Ouseburn venue.

During lockdown one of the saving graces of those troubled times were Dom's inhouse livestreams - Saturday Piano Truth - that, hopefully kept bread on the table and rewarded viewers with some great jazz piano.

I first heard Dom at Hoochie in 2015 and again in 2018 at a venue in Darlington. The former with his backing band and the latter flying solo. Both were excellent and, trust me, the Cluny 2 session will be likewise. The only game in town. Lance

Retro EP review: Pete Brown/Marshall Royal - Alto Jump (Emarcy)

Pete Brown (alto sax); Joe Thomas (alto sax); Ken Kersey (piano); Milt Hinton (bass); J.C. Heard (drums). 1944

Marshall Royal (alto sax); Ben Webster (tenor sax); Bobby Tucker (piano); ? (bass); Jo Jones (drums). 1953

Remember the EP? Those 45 rpm discs with, usually but not always, two tracks per side.  For a time they bridged the gap 'twixt single and long playing album and for a few years in the 1950s a lot of good jazz was issued in this format. 

Alto Jump  consists of four tracks by two groups - the Pete Brown Quintet and, considering that it too was a quintet, the bizarrely named Marshall Royal and his Orchestra.

Album review: Ofri Nehemya – Time Traveller (Adhyarova Records)

Ofri Nehemya (drums); Nitza Bar (guitar); Tomer Bar (piano, Rhodes); Tal Mashiach (upright bass, acoustic guitars)

The joys of a small band with plenty of space to play shine through on this album; no one is getting in anybody else’s way and it’s almost like you can see how it all works in real time. It does feel like a drummer led album with plenty of snap and twists and turns and changes in time. This forward drive is reminiscent of the best of 1970s’ jazz-rock like Weather Report, Mahavishnu Orchestra and Return to Forever. Of course, with a small, well-recorded group like this none of the musicians have anywhere to hide; thankfully, there are no weaknesses on display.

Press release/album review: Scarborough Jazz Festival - Live compilation CD 2024

The team behind Scarborough Jazz Festival are proud to present a compilation recording of their 2024 performances, ahead of this year’s festival forthcoming in September.

Now in its 22nd year, Scarborough Jazz Festival has built a solid, long-term reputation as an important jazz event, featuring a diverse, high-quality line up of leading musicians each year. Much of its success can be attributed to its founder Mike Gordon and current festival director Mark Gordon, who have both worked tirelessly to secure and coordinate performances from some of the world’s finest musicians, thus taking its reputation from strength to strength.

Now with an official, high-quality recording of the 2024 edition, the festival is set to attract a new wave of positive attention from loyal fans and newcomers alike, to this year’s concerts.

Tuesday, April 22, 2025

The Prohibition Bar to close on July 31.

When Keith Crombie died in 2012, and with him the Jazz Café, it left a huge hole in the Newcastle jazz scene and in a lot of hearts. However, three years later the venue was reborn when Mitch reopened the premises as the Prohibition Bar and Pink Lane once again became part of the city's music scene. Not always jazz but it was never far away.

The Prohibition Bar may not have had the idiosyncrasies of 'the caff' (or its late custodian) but it was certainly a more hygenic setting and you didn't leave scratching places you'd never scratched before. This time around it was only the music that was jumpin!

Monday, April 21, 2025

Sunday Night @ the Globe: C.A.L.I.E - April 20

© Ken Drew
Josie Birgis (alto/soprano sax); James Steele (tenor/baritone sax); Don Brown (keys); Kevin Henderson, Sam Parkinson (guitars); Ewan Hastie (bass guitar); Greg Irons (drums)

Seven incredibly talented Glasgow based musicians laid siege to the Globe last night with their near-unique brand of jazz/fusion.

Mainly original material, mainly by leader and front-person Birgis, plus a couple of covers made for an interesting evening although not all of the audience stayed the course.

Sunday, April 20, 2025

Tonight @ the Globe (Press release) - C.A.L.I.E.

SEVEN fantastic musicians at the Globe on Sunday night, including Ewan Hastie, BBC Young Jazz Musician of the Year 2022.

Get yourselves along folks!!

Jazz Time Aycliffe Radio - Sundays 6.30-8.00pm (repeated Tuesdays 8.00-9.30pm)

https://www.ayclifferadio.co.uk/listen

Playlist 20/04/25 (repeated Tuesday 22/04/25)

Happy Easter to all:

Sister Rosetta Tharpe, Benny Goodman, Carla Motis & the Sant Andreu Jazz Band, Mahalia Jackson, Louis Armstrong, Gerry Mulligan & Johnny Hodges, Jacques Loussier Trio, Sammy Rimington, Oscar Peterson Trio, Modern Jazz Quartet, Wynton Marsalis & Eric Clapton.

What’s on in the NE: Vasilis Xenopoulos - Paul Edis Quartet, Andrea Vicari, JustKing Jones.

Easter: John Coltrane - A Love Supreme. 

Aycliffe Radio is now available on DAB in County Durham & the Darlington Area.

Saturday, April 19, 2025

FeedSpot rates BSH No. 2 in the UK Jazz Blog ratings

The more observant of our site visitors cannot fail to have noticed the honours bestowed upon BSH by FeedSpot, the world's leading authority/statistician on these matters. 

Check their overall listings @ 

https://bloggers.feedspot.com/uk_jazz_blogs/

Currently we're rated at numbers 2 (UK) and 17 (international) which of course makes us very proud. However, like hemlines and saxophone solos, these can go up and down very quickly.

So, to keep BSH up there and in contention, please give us your continued support in the form of articles on jazz related items and relevant comments. Lance

Friday, April 18, 2025

Album review: Spike Wilner Trio Contrafactus - The Children & The Warlock (Cellar Music Group)

Spike Wilner (piano); Paul Gill (bass); Anthony Pinciotti (drums); George Garzone (tenor sax)

An emotional and heartfelt tribute to Wilner's mentor: pianist, composer and educator, the late Harry Whitaker who composed The Child and the Warlock. Garzone was brought in especially for the session and his paint-stripping solo on his own Hey, Open Up! gets things off to a good start. Wilner describes the trio as 'the children' and the tenor saxist as 'the warlock' - a title that's uber-appropriate when he's in full flight. Is there a more exciting tenor player on the contemporary scene? I'm exploring every avenue but I fear it will be a fruitless search the man's a monster!

A monster, but not one without a soul. Benediction oozes with Tranelike spirituality.

Newcastle's African American music legacy showcased at City Library

The BBC has posted details of an exhibition currently running at the City Library showcasing Newcastle's African American music legacy. 

Details can be found HERE

The exhibition runs until April 28 and should be of interest to students of jazz, rock, pop, soul and African American music in general.

Thanks to Dave Sayer for bringing this interesting exhibition to my attention. Lance

Thursday, April 17, 2025

Album review: Yotam Silberstein - Standards Vol. 2 (Jojo Records)

Yotam Silberstein (guitar, oud); John Patitucci (bass); Billy Hart (drums) + George Coleman (tenor sax on tk 3)

Like the first Standards session (reviewed HERE) Vol. 2 consists of another selection of lesser known standards played impeccably by a superb trio. All three of whom are grandmasters of that magical art we call jazz.

Blue Gardenia: From the 1953 movie of the same name. I recall seeing it at my local fleapit and being impressed by Nat 'King' Cole's version, sung at the piano in a restaurant. The voice as noir as the  plot. Silberstein too does it justice and nobody gets killed.

Wednesday, April 16, 2025

Album Review: Anour Brahem – After The Last Sky (ECM)

Anour Brahem (oud); Anja Lechner (violincello); Django Bates (piano); Dave Holland (double bass)

How to start this review? Perhaps by referring to Elgar’s Cello Concerto which was his requiem for the fallen of the First World War? Brahem’s new album performs a similar function for the Palestinian fallen of the ongoing Israeli/Gaza conflict. The most recent figures, from February 2024, suggest that around 44,000 of Gaza’s people have been killed, but that figure is over a year old and there has been hardly a let off in the fighting since then. There will need to be a lot of exhumations before Trump can guarantee a golf course where the greens will run true. There’s no let off for Hamas in the sleeve notes, either, with references to the October 7 attacks that provoked this current conflict. I know that there are decades, if not centuries of history that we can go through, but there isn’t the space here to do that.

Album Review: Russ Spiegel - Nitty Gritty (Ruzztone Music)

Russ Spiegel (electric/acoustic guitars); Jim Gasior (organ, piano); Lucas Apostoleris (drums); Tim Armacost (tenor sax on tks 5, 6, 9, 10); Kurt Hengstebeck (electric bass on tks 3, 4, 6, 9, 10, 11)

Sourcing the definitive etymology of the phrase “nitty-gritty,” you will find multiple possible answers ranging from the historical (“debris left in the bowels of slave ships”) to the risqué (“sexual delight”). There’s no definitive answer. However, what runs through almost all of these definitions is that they resonate soulful, i.e., Black elements. There’s no doubt, however, that with this, his seventh album, jazz guitarist, educator, composer, Russ Spiegel and crew deliver a wide range of classic jazz and neat originals, all of which exemplify the title.

Retro review: Alex Welsh - In Concert (Black Lion double album)

Alex Welsh (trumpet, vocal); Roy Williams (trombone, vocal); Johnny Barnes (clarinet, flute, alto/baritone sax, vocal); Fred Hunt (piano); Jim Douglas (guitar, banjo); Harvey Weston (bass, bass guitar); Lennie Hastings (drums)

Another gem from my recent trip to Hexham. A double album by the Alex Welsh Band of 1971 recorded live in Dresden's Hygiene Museum. Forget about Lyttelton, Barber and the rest the Welsh band could outswing them all as this album proves.

Tuesday, April 15, 2025

Press release: Testimony bears witness to solo saxophonist's ability

© Douglas
Robertson
Saxophonist Phil Bancroft releases Testimony, an improvised suite for solo saxophone, as the sixth release on his Myriad Streams platform on Friday  April 25.

Recorded during lockdown in 2021 in a barn on the smallholding he and his wife, Jude, had recently moved into, Testimony was musically completely unplanned and spontaneous.

“I was exploring the amazing acoustics of the barn and trying to learn how to make videos for social media,” says Bancroft. “So, I set up some cameras and a nice microphone and thought, ‘Let’s see what happens...’”

Preview: Knats' guide to the Newcastle jazz scene - tonight, Radio 2

The Jazz Show with Jamie Cullum is your weekly Tuesday evening radio listening. This evening (Tuesday 15 April) local heroes Knats talk jazz, that's Newcastle jazz, with Jamie Cullum. To quote the programme trailer: Self-proclaimed 'Geordie jazz' trio Knats [that's Stan, King and Ferg] celebrate music from the Newcastle scene and talk about their own new album. Tune to BBC Radio 2 at 9:00pm. Howay the Lads! Russell  

Album review: Jeffrey Gimble - Brand New Key (Café Pacific Records)

Jeffrey Gimble (vocals); Josh Nelson (piano, organ); Larry Koonse (guitar); Dan Lutz (bass); Dan Schnelle (drums)

Bye Bye Blackbird has, since its fledgling days in 1926, been played, sung and presented in many different guises. Some worked, a murder of them didn't. Sometimes the collective noun  was an apt description. Gimble opts for a funky groove, occasionally upping the tempo, with the help of his fellow 'groovers' - it works.

Tryin' Times, by Donny Hathaway and Lee Hutson and recorded by Roberta Flack in 1969 suits Gimble's deep, husky, voice. He sings as though he's been there and got the t-shirt. Again, there's a touch of funk from Koonse.

The Zoë Gilby Quintet @ Blaydon Jazz Club - April 14

Zoē Gilby (vocals); Harry Keeble (tenor sax); Mark Williams (guitar); Andy Champion (double bass); John Bradford (drums) 

Zoë Gilby made a welcome return to Blaydon Jazz Club. Bandleader Zoë invariably arrives at the Black Bull with her ace quartet, however, this evening we would be entertained by the Zoë Gilby Quintet. The Black Bull's 'postage stamp' stage is cramped at the best of times (duo/trio/quartet) and with the addition of tenor saxophonist Harry Keeble, Zoë would stand slightly left of centre.

Monday, April 14, 2025

Jim Muirhead Quartet @ the Moor Club, Heaton Moor, Stockport - April 13

© Jeff Pritchard 
Jim Muirhead (alto/tenor sax); Andrew Woodhead (keyboards); Ben Muirhead (bass); Nathan England-Jones (drums). 

The 5:44pm train was again on time so I arrived at the Moor Club far too early. However, to my surprise the band had already arrived and were running through some tunes prior to the 8:00pm start. There was, however, a change in the original line-up as Dan Whieldon had been replaced by an excellent Birmingham based keyboard player Andrew Woodhead. I was pleased to see that there was a good turnout for this gig and, as well as the regular jazz fans, I noticed a few local musicians in the audience.

Album review: Brent Laidler - Hidden Gems (Bel Records)

Brent Laidler (guitar); Mark Buselli (trumpet, flugel); Ned Boyd (alto sax, flute); Jamie Newman (organ); Scott Pazara (bass); Richard "Sleepy" Floyd (drums)

(I was half-way through posting my review of this album when the background notes began to seem familiar, as if from some previous incarnation. Then the nickel dropped - it had already been reviewed by Nick Mondello, who oversees BSH's NYC operation. So, as such, I curtailed my review to a few random reflections on the album. To  read Nick's more detailed (and superior) review CLICK HERE - Lance).
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When is a contrafact not a contrafact? I don't know, best ask Brent Laidler who, it seems, mined fake books going back as far as the 1920s to find music that he could reshape into hip compositions for this, his latest album. Brent felt that many of the tunes had well-crafted changes that were amenable to re-working in a more modern idiom - sounds like contrafacting to me!

Sunday, April 13, 2025

Daniel John Martin @ Central Bar, Gateshead - April 13

Daniel John Martin (violin, vocals); Mick Shoulder (guitar); Dave Smith (rhythm guitar); Paul Grainger (double bass)

The final date of Daniel John Martin's UK tour, then tomorrow, Monday, it's home to Paris. DJM and Mick Shoulder have been clocking up the miles, gigging from the south coast of England to Edinburgh, now Gateshead, the last port of call. Accompanying Monsieur Martin this afternoon, Messrs. M. Shoulder, Dave Smith and Paul 'Cuddles' Grainger. 

Live Jazz Music Competition @ the City Vaults in 1984(ish)

During the course of clearing my attic, ably assisted by Russell who did the heavy work, many long-forgotten gems were uncovered including this poster promoting a Live Jazz Music Competition at the City Vaults in Newcastle's Bigg Market. I think it was 1984 but I could be wrong.

As it was about 40 years ago my memory of the event is somewhat hazy although I do recall that tenor sax tornado Lewis Watson just aced guitarist Ian Stronach in the final with both giving blistering performances.

Where my memory fails me is in trying to remember who the other finalists were.

Can anyone help? Lance

Saturday, April 12, 2025

Track review: Keith Fiala – Oceanside Highway (Groovetron Records, div. Wayfarer Music Group)

Keith Fiala (flugelhorn, keys); Billy Denk (guitar); Sean O’Bryan Smith (bass); Rob Fedson (drums)

In 1938 the British Ministry of Information, anticipating war, created morale-boosting posters which read “Keep Calm and Carry On.” In more recent times, that typically upbeat British saying has been adapted with all sorts of serious, humorous, and even obscene quips printed on t-shirts. From the intellectual, “Keep Calm and Zen On” to the absurd, “Keep Calm and Avoid Zombies,” and many others, the “Keep On” idea kept on, literally. Oceanside Highway, the latest single from stalwart trumpeter/composer/producer/author Keith Fiala is, without doubt, a perfect musical pause – a calming and most enjoyable break – from today’s chaotic times.

Jazz Time Aycliffe Radio - Sundays 6.30-8.00pm (repeated Tuesdays 8.00-9.30pm).

https://www.ayclifferadio.co.uk/listen.

Playlist 13/04/25 (repeated Tuesday 15/04/25)


Seasonal: Erroll Garner, Chris Barber.

Requests (mainly from Darlington New Orleans Jazz Club): King Oliver, Bogalusa New Orleans Jazzband & Sammy Rimington, Django Reinhardt/Benny Carter, Brian Blade & the Fellowship Band, Cab Calloway, Eddie 'Lockjaw'  Davis, Freddie Keppard and His Jazz Cardinals, George Lewis/Mr. Acker Bilk & His Band, Stan Kenton (June Christy), Sauter - Finegan Orchestra.

New Release: Ronan Guilfoyle.

Memories: Bessie Smith.

Requests: from the film La La Land, Tim Boniface, Herbie Hancock.

Aycliffe Radio is now available on DAB in County Durham & the Darlington Area. 

Friday, April 11, 2025

John Rowland plays Ben Webster @ Jesmond Library, Newcastle - April 11

John Rowland (tenor sax); Alan Law (piano); Paul Grainger (double bass)

The third in a new 'second Friday in the month' session on St George's Terrace in Jesmond. This afternoon's concert featured tenor saxophonist John Rowland playing a selection of numbers associated with the great Ben Webster. On a beautiful sunny afternoon, Rowland, pianist Alan Law and bassist Paul Grainger opened with Bye Bye Blackbird

John Rowland could be described as 'laid back', perhaps a useful attribute when paying homage to Benjamin Francis Webster. Rowland's breathy sound could be described as 'old school', eschewing grandstanding, putting his own spin on the tune at hand. Jesmond Library's audience listened (feet tapping, heads nodding), one sensed the trio appreciated a 'listening audience'. 

Album review: The Charlie Watts Orchestra - Live at Fulham Town Hall (BMG Reissue from 1986)

Dave Green, Ron Mathewson (bass); Jack Bruce (cello); Bill Eyden, Charlie Watts, John Stevens (percussion); Stan Tracey (piano); Peter King, Ray Warleigh, Willie Garnett (alto sax); Gail Thompson (baritone sax); Alan Skidmore, Bobby Wellins, Courtney Pine, Danny Moss, Don Weller, Evan Parker (tenor sax); Annie Whitehead, Chris Pyne, John Picard, Paul Rutherford (trombone); Colin Smith, Dave Defries, Harry Beckett, Jimmy Deuchar, John Huckeridge, Steve Sidwell, Ted Emmett (trumpet); Bill Le Sage, Jim Lawless (vibes); Alan Cohen (conductor, arranger)

Magpies of Swing @ the Globe - April 10

© Sheila H
Neil Hopper (drums, valve trombone); Nigel Robson (trombone); Lara Hopper, Polly Corbishley (trumpet); Lachlan Fotheringham (clarinet, soprano sax); Gill Bisdee (clarinet); Aleksandra Karpiuk (flute, vocal); Rachel Richman (alto sax); Fiona Finden (tenor sax, vocal); Stu Finden (baritone sax); Alex J. Gamble (guitar, banjo, vocal); Owen Jones (bass); Jordan Barnes (piano); Elise Rana (drums, vocal); Kate Stebbing, Darius Oraree (vocals)

The conventicle of magpies assembled both on and off stage - such were their numbers. Their supporters were out in force, the intention being to put some currency into the coffers to help fund the  repairs to the Globe's upper room. A worthy cause.

© Sylvia T
Stomping off with Fats Waller's Yacht Club Swing the floor was soon awash with bodies out-shimmying sister Kate. Sister Kate herself, Kate Stebbing, sang In a Mellow Tone and I'm Beginning to See the Light. Kate has a pleasing babyish voice that brings to mind Ruth Etting, Annette Hanshaw and bathtub gin.

Thursday, April 10, 2025

Album review: Jacqui Dankworth - Windmills (Perdido Records)

Jacqui Dankworth (vocals); Charlie Wood (piano, arranger); Oli Hayhurst (bass); Ralph Salmins ( drums) + the Carducci String Quartet* (tks 2, 8, 10, 11, 12); BBC Big Band**(tks 1, 3, 4, 6) + Bedazzle!*** (tks 1, 5, 6, 9)

As her mother was before her, along with Norma Winstone, Jacqui Dankworth is now the benchmark for the current crop of singers with aspirations to aim for and they couldn't go far wrong by starting with Windmills.

Like all in the Dankworth dynasty: Cleo Laine, Sir John Dankworth and Alec Dankworth, jazz, a sense of swing, an individual approach and an appreciation of music in general is deeply embedded in their genes and never more so than this interpretation of some classic lyrics and not yet time-worn melodies.

Wednesday, April 09, 2025

Album review: Nel Begley - Small Flame (self-released)

Nel Begley (vocal); Paul Edis (piano); Honey Boulton (guitar); Luke Fowler (bass); James Law (drums); Harry Brunt (tenor sax on tks 3, 4, 5, 7 & 8)

A new name to me but, on the strength of this album, Nel Begley will surely become a voice to be reckoned with in the current crop of UK jazz singers.

Cherokee sets the scene. The voice captured me from the opening bars - this promised to be something else, and it was. The approach is cool and laid back yet the sound is warm and the scat solo as logical as a horn chorus or the piano, guitar and bass solos that followed.

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