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HOWAY THE LADS!

Bebop Spoken There

John McLaughlin: '' A Love Supreme coincided with my search for meaning in life". (DownBeat, March 2025).

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

17873 (and counting) posts since we started blogging 17 years ago. 194 of them this year alone and, so far, 41 this month (March 14).

From This Moment On ...

MARCH 2025.

Sat 15: Hot Teapots @ St Augustine’s Parish Centre, Darlington. 12:30pm.
Sat 15: Lagos to Longbenton + Belladonna @ Whitley Bay Big Social, Whitley Road, Whitley Bay. 2:00pm. Free. Afrobeat/jazz fusion + soul/funk/R&B
Sat 15: Creakin’ Bones @ Billy Bootleggers. Ouseburn, Newcastle. 4:00pm. Free.
Sat 15: Joseph Carville Trio @ The Vault, Darlington. 7:00pm. Free.
Sat 15: Is This Jazz? @ Cobalt Studios, Newcastle. 7:00pm. Tickets: www.eventbrite.co.uk. Performances by Mu Quintet, Jinjé, A Brief Utopia, John Pope & Co + André Marmot (author of Unapologetic Expression: The Inside Story of the UK Jazz Explosion) in conversation + DJ sets ‘til 3:00am. ‘A Festival of New Jazz’.
Sat 15: Vintage Explosion @ The Cluny, Newcastle. 7:30pm. SOLD OUT!
Sat 15: Alligator Gumbo @ The Forum, Darlington. 7:30pm. £15.00.
Sat 15: One Night Standards @ The White Room, Stanley. 8:00pm. £8.67 (inc. bf). Note - previously advertised Salty Dogs cancelled.
Sat 15: Howlin’ Mat @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig. Blues guitar.

Sun 16: Jason Isaacs @ STACK, Exchange Sq., Middlesbrough. 1:00-2:45pm. Free. Vocalist Isaacs working with backing tapes.
Sun 16: Paul Skerritt @ Hibou Blanc, Newcastle. 2:00pm. Free. Vocalist Skerritt working with backing tapes.
Sun 16: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 16: Pearl Blossoms @ Prohibition Bar, Newcastle. 7:00pm. A ‘Jar on the Bar’ gig. Ragtime.
Sun 16: Hot 8 Brass Band @ Wylam Brewery. 7:30pm. ‘Big Tuba Tour’.
Sun 16: ARQ @ The Globe, Newcastle. 8:00pm.
Sun 16: Air4ce @ The Cluny, Newcastle. 8:30pm (8:00pm doors). £12.00.; £10.00. Tom Atkinson’s all-star band (line-up inc. Lindsay Hannon & Sue Ferris).
Sun 16: Jazz Jam @ Fabio’s, Saddler St., Durham. 8:00pm. Free. A Durham University Jazz Society promotion. All welcome.

Mon 17: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 17: Jamie Toms Quartet @ The Black Bull, Blaydon. 8:00pm. £10.00.

Tue 18: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Laurence Harrison, Paul Grainger, Tim Johnston.
Tue 18: Phil Bancroft’s Beautiful Storm @ The Cluny, Newcastle. 8:00pm. £13.20 & £11.00.. A JNE-Gem Arts co-promotion.

Wed 19: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 19: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 19: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 20: Vieux Carré Jazzmen @ The Holystone, Whitley Road, Holystone. 1:00pm. Free.
Thu 20: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £4.00. Subject: Nicknames.
Thu 20: Terri Green Experience @ Pilgrim, Newcastle. 7:30pm. £15.90.
Thu 20: Lindsay Hannon Trio @ The Harbour View, Roker, Sunderland. 8:00pm. Free. Hannon’s ‘Tom Waits for No Man’ set.
Thu 20: Ray Stubbs R&B All Stars @ Mill Tavern, Hebburn. 8:30pm. Free.

Fri 21: Paul Skerritt @ The Lit & Phil, Newcastle. 1:00pm. SOLD OUT!
Fri 21: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 21: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 21: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 21: Giles Strong Quartet @ 1719, Hendon, Sunderland. 7:30pm. CANCELLED!
Fri 21: New Century Ragtime Orchestra @ Gosforth Civic Theatre, Newcastle. 7:30pm. Featuring special guest Martin Litton (piano).

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Wednesday, July 15, 2020

Observations on a book: Pete Hamill - Why Sinatra Matters.

There are books, and then there are books and then there are more books.

Some books you read, enjoy, then  put on the shelf where they gather dust until, eventually, they go into the charity bag.

Other books you wonder why you bought them in the first place, maybe an unexpected, unwanted gift. Whatever. However, there is also that magical moment when, you stumble across a book that may have begun life in one of the former categories but, like the moment when you discover the girl whose pigtails you once pulled at school no longer has braces on her teeth and is now wearing a bra, things change.

This is that book. there have been countless books on Sinatra, I have a shelf full of them, most of which are gathering dust.

Not this one. Written just after Sinatra's death in 1998 it's about the great man and yet it isn't. The highs and lows, the loves and the Mob are in there, neither glorified or brushed over, more as a dusky background to an amazing life.

The book opens in 1970, or thereabouts. The author is sitting in the backroom of a late night bar, with Frank, sportswriter Jimmy Cannon, Jilly Rizzo and a few of the few who ever got close to the greatest singer of his era. Outside it's raining and such is the power of the author's descriptive powers that you are there with him in a rundown bar on Third Street in Manhattan. You can taste the Jack Daniel's, smell the rain.

So yes, the book is about Sinatra but, unlike any other biography (if this is indeed a biography) you've ever read. Hamill  attempts neither deification nor vilification but places the man, his life, his music in relation to the times.

Today, when the Black Lives Matter movement is so justifiably in the forefront, the author also points out that the early Italian immigrants were also being lynched and quotes the infamous Sacco and Vanzetti cause célèbre. Sinatra, when asked why he contributed to the NAACP said it was because he knew what it was to be a member of  a minority group.

Hamill quotes from an interview he did with Dizzy Gillespie: "The professional is the guy that can do it twice."

"Wow, is that true" said Frank.

The author goes on to say "The world of my grandchildren will not listen to Sinatra in the way that four generations of Americans have listened to him. But high art always survives. Long after his death, Charlie Parker still plays his version of the urban blues. Billie Holiday still whispers her anguish. Mozart still erupts in joy".

By coincidence, I talked with a cousin whom I'd never had contact with for some years. During the course of our telephone conversation she told me that her 22 year old grandson had just discovered Sinatra ...
Lance.

Pete Hamill: Why Sinatra Matters. Published 1998 by Little Brown & Co. Ltd. ISBN. 0-3316-34796-5

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