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Bebop Spoken There

Dee Dee Bridgewater: “ Our world is becoming a very ugly place with guns running rampant in this country... and New Orleans is called the murder capital of the world right now ". Jazzwise, May 2024.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

16382 (and counting) posts since we started blogging 16 years ago. 262 of them this year alone and, so far, 59 this month (April 20).

From This Moment On ...

April

Wed 24: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 24: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 24: Sinatra: Raw @ Darlington Hippodrome. 7:30pm. Richard Shelton.
Wed 24: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 24: Death Trap @ Theatre Royal, Newcastle. 7:30pm. Rambert Dance Co. Two pieces inc. Goat (inspired by the music of Nina Simone) with on-stage musicians.

Thu 25: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 25: Jim Jams @ King’s Hall, Newcastle University. 1:15pm. Jim Jams’ funk collective.
Thu 25: Gateshead Jazz Appreciation Society @ Gateshead Central Library, Gateshead. 2:30pm.
Thu 25: Death Trap @ Theatre Royal, Newcastle. 7:30pm. Rambert Dance Co. Two pieces inc. Goat (inspired by the music of Nina Simone) with on-stage musicians.
Thu 25: Jeremy McMurray & the Pocket Jazz Orchestra @ Arc, Stockton. 8:00pm.
Thu 25: Kate O’Neill, Alan Law & Paul Grainger @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig.
Thu 25: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm. Guests: Richie Emmerson (tenor sax); Neil Brodie (trumpet); Adrian Beadnell (bass); Garry Hadfield (keys).

Fri 26: Graham Hardy Quartet @ The Gala, Durham. 1:00pm. £8.00.
Fri 26: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 26: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 26: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 26: East Coast Swing Band @ Morpeth Rugby Club. 7:30pm. £9.00. (£8.00 concs).
Fri 26: Paul Skerritt with the Danny Miller Big Band @ Glasshouse, Gateshead. 8:00pm.
Fri 26: Abbie Finn’s Finntet @ Traveller’s Rest, Darlington. 8:00pm. Opus 4 Jazz Club.

Sat 27: Abbie Finn Trio @ The Vault, Darlington. 6:00pm. Free.
Sat 27: Papa G’s Troves @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig.

Sun 28: Musicians Unlimited @ Jackson’s Wharf, Hartlepool. 1:00pm. Free.
Sun 28: More Jam Festival Special @ The Globe, Newcastle. 2:00pm. Free. A ’10 Years a Co-op’ festival event.
Sun 28: Swing Dance workshop @ The Globe, Newcastle. 2:00-4:00pm. Free (registration required). A ’10 Years a Co-op’ festival event.
Sun 28: 4B @ The Ticket Office, Whitley Bay Metro Station. 3:00pm. Free.
Sun 28: Scott Bradlee's Postmodern Jukebox: The '10' Tour @ Glasshouse International Centre for Music, Gateshead. 7:30pm. £41.30 t0 £76.50.
Sun 28: Alligator Gumbo @ The Globe, Newcastle. 8:00pm. A ’10 Years a Co-op’ festival event.
Sun 28: Jerron Paxton @ The Cluny, Newcastle. Blues, jazz etc.

Mon 29: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 29: Michael Young Trio @ The Engine Room, Sunderland. 6:30-8:30pm. Free. ‘Opus de Funk’ (a tribute to Horace Silver).

Tue 30: Celebrate with Newcastle Jazz Co-op. 5:30-7:00pm. Free.
Tue 30: Swing Manouche @ Newcastle House Hotel, Rothbury. 7:30pm. A Coquetdale Jazz event.
Tue 30: Clark Tracey Quintet @ The Globe, Newcastle. 8:00pm. A ’10 Years a Co-op’ festival event.

Thursday, July 09, 2020

Album review: AuB - AuB

Alex Hitchcock (tenor sax/synth)
Tom Barford (tenor sax/synth)
Fergus Ireland (bass/synth)
James Maddren (drums) 

AuB (pronounced ORB) are a London based quartet led by two young tenor players,  Tom Barford and Alex Hitchcock, teamed up here with a top rhythm section of Fergus Ireland (bass) and the estimable James Maddren (drums) seen in these parts most recently with Trish Clowes' band My IrisThis, their debut album on the adventurous Edition Records, is a seriously ambitious venture with top players aiming to break new ground. The “blurb” warns of an uncompromising approach, and to think “Phronesis meets Polar Bear”. 


There is certainly a rhythmic drive and depth reminiscent of Phronesis, with the added power of interlocking twin sax lead, but to my relief with great artistry and sensitivity – no showing off for its own sake here!  The undoubted intellectual seriousness is reinforced by the name, AuB, derived, as the mathematically literate among you will recognise immediately, from set theory – meaning literally “A union B”, two sets joined together, often depicted as two overlapping circles on a Venn diagram.  This is an apt analogy, as the twin tenors add up to more than the sum of their parts, as indeed does the whole band.  I’m sure the two sax players have different styles, but I didn’t try to unpick the “union” - just enjoyed the ride, as they took turns to lead, support, chase and combine 

First track Not Jazz was misleading ... it was definitely jazz to my ears!  Five minutes of high energy interlocking tenor lines seemingly effortlessly jet propelled by the section deluxe. The shorter Valencia is more thoughtful, opening with lingering and gorgeous twin sax over bass, boosted by slinky off-kilter, delightfully accented, drum part.  

Calvados introduces electronic effects to the mix, with ethereal tenor floating over menacing synth sounds and grimy backbeat. The shorter Dual Reality is reserved for the twin tenors as its name suggests, beguiling counterpoint hinting at the leaders’ classical backgroundin a delicate, immaculately played and wholesome composition.  
Ice Man is more moody, giving space to Ireland to lay down a very musical bass lead followed by tenor, all interwoven with Maddren’s ever shifting sands of time.   Doggerland is a standout, perhaps aptly named after the ancient union of our island with Europe now lost under the North Sea? This starts with saxes in union weaving a meandering melodic line over insistent drums, evolving into a passionate solo sax break, tastefully enhanced with reverb and highlighted with synth stabs before clarifying to a powerful acoustic finale.  

Overall, as powerful and accomplished a debut as you could wish for, from a new and prodigiously talented intersection of players and composers. If this is their first effort, where might they end up?!   Highly recommended to check them out for musicality, mature composition, chops, the works.  Watch this space, and I’d love to see them soon in a sympathetic space such as Sage 2?! 
Chris K 
Currently availableCat No (CD): EDN1155Format: CD & Download from www.editionrecords.com. 

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