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Bebop Spoken There

Sullivan Fortner: ''I always judge it by the bass player: If the bass player is happy, it's going to be a good night". (DownBeat, February 2025).

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

17777 (and counting) posts since we started blogging 17 years ago. 98 of them this year alone and, so far, 23 this month (Feb.8).

From This Moment On ...

February 2025

Sun 16: MOBO Song @ The Glasshouse, Gateshead. 12 noon. Free, performances on the concourse. Line-up inc. Jazz Attack (on stage time TBC) & Jambone (12:20pm).
Sun 16: Jason Isaacs @ STACK, Exchange Sq., Middlesbrough. 1:00-2:45pm. Free. Vocalist Isaacs working with backing tapes.
Sun 16: Paul Skerritt @ Hibou Blanc, Newcastle. 2:00pm. Free. Vocalist Skerritt working with backing tapes.
Sun 16: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 16: MOBO Awards Fringe 2025: BBC Introducing NE X MOBO Showcase @ The Glasshouse, Gateshead. 6:00pm. Free (ticketed). Line-up inc. Jambone, Knats, Rivkala, SwanNek.
Sun 16: The Shayo Experience @ Prohibition Bar, Newcastle. 7:00pm. A ‘Jar on the Bar’ gig.
Sun 16: Gerry Richardson Quartet @ The Globe, Newcastle. 8:00pm. .

Mon 17: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 17: Matt Forster Quartet @ Yamaha Music School, Blyth. 1:00pm. £9.00. at the door; £8.20. (inc £0.20 bf) online, in advance.
Mon 17: Russ Morgan Quartet @ The Black Bull, Blaydon. 8:00pm. £10.00.

Tue 18: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Alan Law, Paul Grainger, John Hirst.

Wed 19: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 19: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 19: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 20: Vieux Carré Jazzmen @ The Holystone, Whitley Road, Holystone. 1:00pm. Free.
Thu 20: James Birkett & Emma Fisk @ King’s Hall, Newcastle University. 1:15pm. Free.
Thu 20: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £4.00. Subject: Jazz Milestones - 1975.
Thu 20: Renegade Brass Band @ The Cluny, Newcastle. 7:30pm (doors).
Thu 20: Orange Claw Hammer + Peony @ The Globe, Newcastle.7:30pm. Orange Claw Hammer play Captain Beefheart.
Thu 20: Jeremy McMurray & the Pocket Jazz Orchestra @ Arc, Stockton. 8:00pm. Featuring special guest Zoë Gilby.

Fri 21: JazzMain @ The Lit & Phil, Newcastle. 1:00pm. SOLD OUT!
Fri 21: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 21: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 21: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 21: Joe Steels Trio @ The Pele, Corbridge. 7:00pm. £10.00. TBC.
Fri 21: Emma Rawicz w. Strictly Smokin’ Big Band @ The Glasshouse, Gateshead. 8:00pm.

Sat 22: Jason Isaacs @ St. James’ STACK, Newcastle. 12:30-2:30pm. Free. Vocalist Isaacs working with backing tapes.
Sat 22: Jason Isaacs @ Seaburn STACK, Seaburn. 3:30pm-5:30pm. Free. Vocalist Isaacs working with backing tapes.
Sat 22: Abbie Finn Trio @ The Vault, Darlington. 7:00pm. Free.
Sat 22: Mississippi MacDonald @ Claypath Deli, Durham. 7:00pm. Blues.
Sat 22: Lindsay Hannon: Tom Waits for No Man @ Old Cinema Laundrette, Durham. 7:45pm. £16.50. SOLD OUT!
Sat 22: Michael Woods @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig. Country blues guitar & vocals.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Thursday, July 23, 2020

Album Review: Ant Law - The Sleeper Wakes

Ant Law (guitar); Michael Chillingworth (alto sax, bass clarinet); Ivo Neame (piano); Tom Farmer (acoustic bass); James Maddren (drums) + Tim Garland (tenor sax), Adam Kovacs (percussion).

I've had the pleasure of seeing this terrific guitarist as leader and with Tim Garland, who makes a guest appearance here. On both occasions I found myself chatting with him and he's amiable, charismatic and humble, even as he emerges as one of the front-line of British Jazz guitarists.

He's joined here by fellow leading British jazz musicians, who gel seamlessly and I found myself making comparisons with Weather Report, and I can pay no higher tribute than that. But the music, while grounded by conventional sounds from primarily acoustic instruments besides his guitar is nevertheless, thoroughly contemporary.

The album opens with The Sleeper Sleeps and I spotted a nursery rhyme quality even before I knew the title of the track or the album. The Sleeper Wakes ups the ante, indicating Law's chops, but without any rock guitar posturing or any sense that it's just for the sake of it cos he can.

Liable to Wyble is the first of several short solo guitar or sax interludes which, while perfectly pleasant, add little either as individual pieces or to any overall album-wide development.

Two Bridges features brilliant solos from sax and piano, the latter also providing assured comping behind Law's solo.     

Her Majesty is the longest piece on the set and gives Law space for his most jaw-dropping playing, together with more compelling comping from Neame,  Maddren suitably busy on drums.

The final cut, Swan Song, is perhaps one slow number too many, though drums bubbling just beneath the surface threatens an escalation that's never fully realised.

It's a good set that should interest guitarists and guitar enthusiasts and anybody who likes their jazz straight but entirely modern sounding.     

It's out on July 24 but on digital platforms only, which troubles me slightly. While I have no ideological objection to streaming in principle, and it's certainly the future, I'm not sure it's yet entirely the present. He may find he's alienating a section of his audience who still need something they can hold.
Steve T.

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