Bebop Spoken There

John McLaughlin: ''It was then that Coltrane came along and single-handedly brought this dimension of spirituality into jazz. It was a pivotal experience to me.'' (DownBeat September, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18957 (and counting) posts since we started blogging 18 years ago. 821 of them this year alone and, so far this month (Sept. 30.) 100.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

October.

Tue 06: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Murray Oak, Paul Grainger, John Bradford.
Tue 06: Customs House Big Band @ The Masonic Hall, Ferryhill. 7:30pm. Free.
Tue 06: Black is the Color of My Voice @ Northern Stage, Newcastle. 7:30pm. Apphia Campbell’s one-woman stage play inspired by Nina Simone. First night of two.

Wed 07: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free. Wed 07: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 07: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 07: Black is the Color of My Voice @ Northern Stage, Newcastle. 7:30pm. Apphia Campbell’s one-woman stage play inspired by Nina Simone. Second night of two.

Thu 08: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 08: Pete Tanton’s Chet Set @ Newcastle Arts Centre. 7:30pm. Free (donations).
Thu 08: Indigo Jazz Voices w. Little Big Band @ The Globe, Newcastle. 7:45pm. £5.00.

Fri 09: Dean Stockdale Trio @ Bishop Auckland Methodist Church. 1:00pm. £9.00. Dean Stockdale (piano); Mick Shoulder (double bass); John Bradford (drums).
Fri 09: John Rowland Trio @ Jesmond Library, Newcastle. 1:00pm. £5.00.
Fri 09: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 09: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 09: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 09: Shalala @ The Globe, Newcastle.

Sat 10: Catfish Keith @ Cluny 2, Newcastle. 7:30pm (doors). £19.00. + bf. Jumpin’ Hot Club.

Sun 11: Am Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 11: Michael Young Trio @ The Engine Room, Sunderland. 2:30pm. Free. Feat. guest Jack ‘Banjo’ Courtney (trumpet).
Sun 11: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 11: Harry Christelis Quartet @ The Globe, Newcastle. 8:00pm. A Jazz Co-op-JNE co-promotion.

Mon 12: Jack Pearce Quintet @ Yamaha Music School, Blyth. 1:00pm.
Mon 12: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.

Wednesday, July 01, 2020

Album review: John Fedchock NY Sextet - Into the Shadows

John Fedchock (trombone); Scott Wendholt (trumpet/flugel); Walt Weiskopf (tenor sax); Allen Farnham (piano); David Finck (bass); Eric Halvorson (drums).

"Straight from the shoulder, unpretentious jazz" is how Jazz Journal described the Fedchock NY Sextet and I won't argue with that.  Nor will I disagree with the Boston Post Gazette's description as "A lineup of dazzling New York post-bop talent" for this is everything it says on the tin, maybe a bit more. 

Standards and originals arranged and composed by the trombonist/leader provide the setting for this, his tenth album.


There have been many great sextets on both the East and West Coasts of America and, although Fedchock has undoubtedly studied and absorbed the teachings of both schools, what has emerged is respectful without plagiarism. It is jazz for today - let tomorrow take care of itself.

Fedchock has the lovely dry sound that typifies modern trombone players operating, at times, with the fluency of a valve trombonist.  His arrangements, particularly of the standards (I Should Care, Nature Boy and Star Eyes), are harmonic masterpieces. 

His cohorts are of equal standing. Wendholt as lyrical as early Chet with the fire of the late Roy Hargrove. Weiskopf would have held his own with the Blue Note greats. Farnham has had an illustrious career recording with Mel Tormé and as longtime accompanist to the late Susannah McCorkle. David Finck has albums under his own name and Halvorson is near the top of every leader's list.

To re-quote the opening sentence - "Straight from the shoulder, unpretentious jazz"
Amen.
Lance.

Available July 17 on Summit Records.

1 comment :

Russell said...

The Strictly Smokin' Big Band has one or two of Fedchock's charts in the pad and the American is a friend of Steve Walker's Big Band Bash programme (on Coastal Sound Radio tonight at 8:00pm).

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