Bebop Spoken There

Ron Carter quoting Sonny Rollins: ''What we call jazz - that's keeping the world in equilibrium. I don't care what kind of music you like out here today. It all comes from jazz.'' (DownBeat August, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18818 (and counting) posts since we started blogging 18 years ago. 682 of them this year alone and, so far this month (Aug. 20) 51.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

August

Tue 25: Michael Young Trio @ The Black Swan, Newcastle. 7:30pm. Free.

Wed 26: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 26: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 26: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 27: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 27: Castillo Nuevo Orquesta @ Pilgrim, Newcastle. £6.50. 7:30pm (doors).
Thu 27: Paul Skerritt @ Angels' Share, St George's Terrace, Jesmond, Newcastle NE2 2SX. 8:00pm. Free. Booking advised (0191 200 1975). Skerritt w. backing tapes.
Thu 27: 58 Jazz Collective @ The Blacksmith’s Arms, Stranton, Hartlepool. 8:00pm. Free.
Thu 27: Shalala @ The Globe, Newcastle. 8:00pm. £7.00.

Fri 28: Graham Hardy Quartet @ The Gala, Durham. 1:00pm. £8.00.
Fri 28: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 28: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 28: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.

Sat 29: Brian Jackson @ Pilgrim, Newcastle. 8:30pm (doors). £32.00.

Sun 30: Musicians Unlimited @ West Hartlepool RFC. 1:00pm. Free.
Sun 30: Tango Jazz Quartet @ The Globe, Newcastle. 8:00pm.

Mon 31: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.

Tuesday, February 02, 2021

James Pearson's Rhapsody in Light Blue live streaming from Ronnie Scott's - Feb. 1

James Pearson (piano); Jeremy Brown (double bass); Matt Skelton (drums); Pete Long (alto sax, clarinet); Callum Au (trombone, euphonium); James 'JT' Turner (tuned percussion); Alicja Smietana (violin). 

(Screenshots by Ken Drew)

James Pearson presented a live stream celebration of Rhapsody in Blue. Ronnie Scott's MD introduced an all-star chamber jazz ensemble to perform a selection of compositions from George Gershwin's earliest days on Tin Pan Alley to Porgy and Bess to his An American in Paris Days and the focus of this Monday evening concert, Rhapsody in Blue

The house trio is an attraction in itself, the addition of two of Ronnie's regulars (Pete Long, reeds, Callum Au, brass) and a couple of specialists (James 'JT' Turner, tuned percussion, Alicja Smietana, violin) assisted Pearson in creating something akin to the full orchestral voices available to Gershwin (and Paul Whiteman) almost a century ago. 

Swanee from 1919, a vehicle for star singer Al Jolson, made composer G. Gershwin, not yet twenty one, a small fortune. MD Pearson has yet to pen a chart-topper but he sure can play them! Our pianist's easy going commentary helped join the dots of Gershwin's rise and rise. Social distancing measures obliged the trio to take to the stage (joined from time to time by classical violin virtuoso Smietana) with Long (playing some hot Goodman-style clarinet) and Au (a one-man brass section) on the floor of the room, percussionist Turner to one side. 

Porgy and Bess medley (inc. It Ain't Necessarily SoThere's a Boat Dat's Leavin' Soon for New York), a Tubby Hayes' arrangement of Love Walked In (what's the betting Tubbs played it, with a modern jazz line-up to die for, in this very room?) featured Smietana and Long. Is Pete Long underrated? Does he have the same high profile as some of his contemporaries?*

Pearson in Oscar P mode on The Man I Love from the Broadway version of An American in ParisBlue Lullaby (Prelude no.2) as a Pearson-Smietana duo feature, and on to the finale. Twenty minutes or thereabouts, Pearson directing the ensemble, the one we (some of us?) had been waiting for - Rhapsody in Blue, or as our MD preferred, Rhapsody in Light Blue.   

Pete Long will be working with the Strictly Smokin' Big Band on an Ellington concert programme at Sage Gateshead next year (February 26, 2022). Book now at: www.sagegateshead.com.                 
Russell

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