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Bebop Spoken There

Sullivan Fortner: ''I always judge it by the bass player: If the bass player is happy, it's going to be a good night". (DownBeat, February 2025).

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

17805 (and counting) posts since we started blogging 17 years ago. 126 of them this year alone and, so far, 51 this month (Feb.16).

From This Moment On ...

February 2025

Sat 22: Jason Isaacs @ St. James’ STACK, Newcastle. 12:30-2:30pm. Free. Vocalist Isaacs working with backing tapes.
Sat 22: Jason Isaacs @ Seaburn STACK, Seaburn. 3:30pm-5:30pm. Free. Vocalist Isaacs working with backing tapes.
Sat 22: Abbie Finn Trio @ The Vault, Darlington. 7:00pm. Free.
Sat 22: Mississippi MacDonald @ Claypath Deli, Durham. 7:00pm. Blues.
Sat 22: Lindsay Hannon: Tom Waits for No Man @ Old Cinema Laundrette, Durham. 7:45pm. £16.50. SOLD OUT!
Sat 22: Michael Woods @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig. Country blues guitar & vocals.

Sun 23: Musicians Unlimited @ Jackson’s Wharf, Hartlepool. 1:00pm. Free.
Sun 23: Paul Skerritt @ Hibou Blanc, Newcastle. 2:00pm. Free. Vocalist Skerritt working with backing tapes.
Sun 23: More Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 23: Mark Williams Trio @ Queen’s Hall, Hexham. 3:00pm.
Sun 23: Ruth Lambert Trio @ The Juke Shed, Union Quay, North Shields. 3:00pm. Free.
Sun 23: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 23: Jazz Jam Sandwich! @ Prohibition Bar, Newcastle. 7:00pm. A ‘Jar on the Bar’ gig.
Sun 23: Mississippi MacDonald @ Georgian Theatre, Stockton. 3:00pm. Blues.
Sun 23: Mu Quintet @ The Globe, Newcastle. 8:00pm.
Sun 23: Jazz Jam @ Fabio’s, Saddler St., Durham. 8:00pm. Free. A Durham University Jazz Society promotion. All welcome.

Mon 24: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 24: Michael Young Trio @ The Engine Room, Sunderland. 6:30pm. Free.

Tue 25: ?

Wed 26: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 26: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 26: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 27: Jamie McCredie @ The Globe, Newcastle. 8:00pm.

Fri 28: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free. THIS WEEK ONLY JAMES BIRKETT (guitar)!
Fri 28: Luis Verde Quartet @ The Gala, Durham. 1:00pm. £8.00. SOLD OUT!
Fri 28: Spilt Milk @ St. James’ STACK, Newcastle. 7:00-9:00pm. Free. Nolan Brothers (vocal harmonies).
Fri 28: Castillo Nuevo Orquesta @ Pilgrim, Newcastle. 7:30pm (doors). £8.00.
Fri 28: Knats @ Lubber Fiend, Newcastle. 7:30pm. £11.50. (inc bf.). Album launch gig. Support act TBC.
Fri 28: Black is the Color of My Voice @ The Gala, Durham. 7:30pm. Apphia Campbell’s one-woman show inspired by the life of Nina Simone, performed by Florence Odumosu.
Fri 28: Great North Big Band Jazz Festival: Musicians Unlimited @ Park View Community Centre, Chester-le-Street. 8:00pm. £10.00. (Weekend ticket £20.00., available on the door). Day 1/3. Musicians Unlimited in concert.
Fri 28: Redwell @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Sunday, February 21, 2021

Ronnie Scott's Jazz Orchestra live streaming from Frith St. - Feb. 21

MD Pete Long was wisecracking before the down beat. Appropriately, Ronnie Scott's Jazz Orchestra opened with Chick Corea's Got a Match? No more to be said, RSJO launched into Freddy Gavita's arrangement of Chameleon, on which Dave O'Higgins blew the roof off!  A fast moving show brought on the first of the evening's vocalists, Mr Iain Mackenzie, to sing I Love Paris (arr. P. Long). Callum Au's arrangement of It's Alright with Me kept Mackenzie on stage, although he was in danger of being blown away by Sammy Mayne's coruscating alto sax solo!

Billy Strayhorn's 1950 arrangement of Take the 'A' Train served as a tribute to a long-time supporter of the band, Long charged pianist Robin Aspland with bringing it in, sometime Kansas Smitty's 'bone man Higham picking it up, Alex Garnett's tenor taking it out in style. More Ellington, Aspland again, on Mountain Harissa from Duke's Far East Suite (O'Higgins exceptional solo). Baritone sax Paul Nathaniel's measured riff on Hot Toddy had its usual mesmerizing effect. Simple but effective. A Nightingale Sang in Berkeley Square arranged by 'Britain's poshest Geordie' (Mark Armstrong), quipped Long, gave all sections the opportunity to shine. 

Please welcome to the stage, a last minute replacement for Georgina Jackson, all the way from WhitstableMs Louise Cookman, to sing Night and Day (arr. P. Long). And on to Vincent Youmans' Tea for Two arranged as a cha-cha by MD Long. Finally, Ed Richardson set up an unlikely finale, Stone Fox Chase (Old Grey Whistle Test theme).  

By coincidence your reviewer was enjoying a bottle of Whitstable Bay Brewery's Pale Ale (4%).   
Russell         


Pete Long (MD, clarinet); Louise Cookman (vocals); Iain Mackenzie (vocals); Nathan Bray, George Hogg, Mark Armstrong, Freddy Gavita (trumpets); Andy Flaxman, Callum Au, Daniel Higham, Mark Frost (trombones); Adrian Revell, Sammy Mayne, Dave O'Higgins, Alex Garnett, Paul Nathaniel (saxophones); Robin Aspland (piano); Steve Pearce (double bass, bass guitar); Ed Richardson (drums) 

1 comment :

Chris Kilsby said...

I saw the first part of this show. The first thing that struck me was the proximity of players and lack of masks (even for drummer/bass/keys/conductor). This looked like a pre-Covid session to me! By contrast the trio on KSTV were well separated and masked.

Do they have any other precautions at Ronnies - more ventilation, testing? or am I right to be alarmed? Knowing what we know about indoor transmission, and the prodigious "blowing", surely they can't afford to endanger players of the calibre of Dave O'Higgins!

Chris K

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