Bebop Spoken There

Ron Carter quoting Sonny Rollins: ''What we call jazz - that's keeping the world in equilibrium. I don't care what kind of music you like out here today. It all comes from jazz.'' (DownBeat August, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18818 (and counting) posts since we started blogging 18 years ago. 682 of them this year alone and, so far this month (Aug. 20) 51.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

August

Tue 25: Michael Young Trio @ The Black Swan, Newcastle. 7:30pm. Free.

Wed 26: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 26: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 26: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 27: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 27: Castillo Nuevo Orquesta @ Pilgrim, Newcastle. £6.50. 7:30pm (doors).
Thu 27: Paul Skerritt @ Angels' Share, St George's Terrace, Jesmond, Newcastle NE2 2SX. 8:00pm. Free. Booking advised (0191 200 1975). Skerritt w. backing tapes.
Thu 27: 58 Jazz Collective @ The Blacksmith’s Arms, Stranton, Hartlepool. 8:00pm. Free.
Thu 27: Shalala @ The Globe, Newcastle. 8:00pm. £7.00.

Fri 28: Graham Hardy Quartet @ The Gala, Durham. 1:00pm. £8.00.
Fri 28: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 28: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 28: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.

Sat 29: Brian Jackson @ Pilgrim, Newcastle. 8:30pm (doors). £32.00.

Sun 30: Musicians Unlimited @ West Hartlepool RFC. 1:00pm. Free.
Sun 30: Tango Jazz Quartet @ The Globe, Newcastle. 8:00pm.

Mon 31: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.

Monday, February 01, 2021

Album review: Andy Champion & Graeme Wilson - Shoes For Losers

Graeme Wilson (tenor sax); Andy Champion (double bass)

Andy Champion and Graeme Wilson are no strangers to one another featuring many times together in various bands but especially in Champion’s own vehicle ACV and Wilson’s The Graeme Wilson Quartet. This recording made on Valentine’s Day 2020 gave the pair the opportunity to produce a CD of free improvisation. I suppose it beats a dozen roses and a candlelit dinner.

Opening with the gloriously named Golf with Sausages the album goes from strength to strength with a series of improvised tunes each imaginatively titled although I was slightly perplexed by the second track being called Indecision II whereas the eighth track was called Indecision I (thereby justifying their respective titles).

Both Champion and Wilson are not only great instrumentalists but also great improvisers. Each takes their turn in the limelight as the album  to’s and fro’s from quiet to loud, slow to fast, light to dark, joyous to melancholy and melodious to discordant. Empty spaces are employed to great effect as one soloist takes over from the other and the musicians will often diverge on a tangent only to seamlessly dovetail back together again.

Despite being only tenor sax and double bass, a vast array of sounds are conjured up throughout. Champion excels with the bow on the rather dark, atmospheric title track (Shoes for Losers) and on Sinking Below the Horizon the percussive effect of the double bass combined with the full range of the tenor saxophone provides the hyper-light on an album full of highlights.

The CD comes beautifully packaged on the northeast label - New Jazz and Improvised Recordings and is another yet another triumph for this fledgling enterprise.    

Steve H

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