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Bebop Spoken There

Simon Spillett: “ Bebop and hard bop came naturally to him [Tubby Hayes]". Morning Star, March 28, 2024.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

16287 (and counting) posts since we started blogging 16 years ago. 169 of them this year alone and, so far, 41 this month (Mar 18).

From This Moment On ...

March

Fri 29: FILM: Soul @ The Forum Cinema, Hexham. 12:30pm. Jazz-themed film animation.
Fri 29: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 29: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 29: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 29: Abbie Finn Trio @ The Vault, Darlington. 6:00pm. Free. POSTPONED!
Fri 29: Thundercat @ Newcastle City Hall.
Fri 29: John Logan @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.
Fri 29: True Colours @ Barrels Ale House, Berwick. 9:00pm. Blues, jazz & swing.

Sat 30: Papa G’s Troves @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.
Sat 30: Pete Tanton’s Cuba Libre @ Whitley Bay Library, York Road, Whitley Bay. 8:00pm.

Sun 31: 4B @ The Ticket Office, Whitley Bay Metro Station. 3:00pm. Free.
Sun 31: Ruth Lambert Trio @ Juke Shed, Union Quay, North Shields NE30 1HJ. 3:00pm. Free. Lambert, Alan Law & Paul Grainger.
Sun 31: Sid Jacobs & Tom Remon @ Prohibition Bar, Newcastle. 7:00pm. Free. A ‘Jar on the Bar’ gig. USA/London jazz guitar duo.
Sun 31: Bellavana @ The Globe, Newcastle. 8:00pm.

April
Mon 01: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 01: Ray Stubbs R&B All Stars @ Billy Bootlegger’s, Ouseburn, Newcastle. 3:00pm. Free.

Tue 02: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Dean Stockdale, Paul Grainger, Abbie Finn.

Wed 03: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 03: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 03: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 04: FILM: Soul @ Forum Cinema, Hexham. 2:00pm. Jazz-themed film animation.
Thu 04: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 04: Funky Drummer @ The Globe, Newcastle. 7:30pm. Free.
Thu 04: Eva Fox & the Jazz Guys @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig.
Thu 04: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm.

Tuesday, May 07, 2019

Cheltenham Jazz Festival: Rymden @ the Jazz Arena - May 4


Bugge Wesseltoft (piano, keybooards), Dan Berglund (double bass), Magnus Ostrom (drums).
(Review by Steve T)


Cheltenham Festival darling Gregory Porter sold out months ago, with Georgie Fame and Swing Out Sister selling out on the day of the shows, but I don't know anything else that did, perhaps because there was so much music to choose from.

This can't have been far short of selling out, but I wonder if more would have gone had they known what it was. I only found out by accident a couple of days before, having decided I wasn't going to the North Sea Festival because they clashed with eighties' Soul Queen Anita Baker.

We originally planned to get down in time for Joshua Redman, until our passenger needed to get down earlier and so we didn't get down in time. I scoured the programme, as I'd done numerous times before, looking for something to fill the gap, and by clicking on 'Bugge Wesseltoft, Dan Be' I found they collectively came under the name of Rymden. Although a supergroup, I suspect Rymden would have been a better way to advertise it.

The person who introduced them was an adviser for the festival, so presumably had something to do with this gaff and all the other gaffs which are part and parcel of this festival. He told us the festival likes European Jazz but then went on to say they like American Jazz and English Jazz, which raised an inappropriate cheer.

I've often found myself in company with left-wing nationalists, but this was my first time surrounded by people I imagine were right-wing nationalists, and I found it decidedly uncomfortable and wondered if this was part of the reason Cheltenham Jazz Festival and I have never hit it off.   

He assured us he wasn't making a point and the three pros walked onstage, Swedish drummer Magnus - who did what little talking there was - raising a laugh asking if there was no football on.

I only knew of them from a Jazzwise cover story and liked the sound of it, so their album arrived in my basket and - like so many others - gradually slipped down the listings. Amazon are the worst company in the world - like the Cheltenham Jazz Festival of retail - but Prime works a treat so the album slipped snugly through my letterbox in time to play it on the journey down.

Spacey guitar-less jazz-rock was what I anticipated and what I got, on the album and live. The musicianship was as brilliant as you'd expect, Magnus following his trinkets and nick-nacks around with a mic in his left hand during the quieter bits. Fellow Swede Berglund maintaining an equal share of the music with his upright bass, a bow and a few effects, and Norwegian Bugge darting between the arena grand - whatever renders synthesizers redundant these days - and a bank of electronics.

The sound of the Fender Rhodes seemed a favourite and I'm sure they must know Herbie's electric stuff from the seventies and Weather Report, particularly the initial lineup with Miroslav Vitous on mostly acoustic bass, and the final group with Victor Bailey and Omar Hakim on bass and drums respectively.     

All the pieces - which I think was the whole album - started peacefully before either exploding or gradually rising into a heavy groove. I've no doubt they know their prog-rock too.

As it happened we didn't make it in time for Rachel Musson and Xhosa and, those with a spouse who isn't particularly committed to jazz will understand you have to choose your battles, so I sacrificed Joshua Redman for my way better half to enjoy the delights of a Saturday night in Cheltenham, complete with Wetherspoons. I know how to treat a gal.

I work on the basis the artists get paid anyway, and I try to give the festival as little money as I can get away with, so this turned out to be the only act I saw that day and the only act all weekend I hadn't seen before, but it got my 2019 Cheltenham experience off to a cracking start.
Steve T

3 comments :

Anonymous said...

Perhaps the reason you failed to "hit it off" with Cheltenham Jazz Festival is because you spent your time looking for big names instead of going to the Parabola Arts Centre where the cutting edge, mainly European Jazz was to be found. and maybe you'd have changed your views about the audience if you had heard the enormous cheer greeting the same adviser(who programmed that venue) when he stressed the importance of collaborations across European boundaries. And since you then went to Wetherspoons you clearly DO spend time surrounded by right-wing nationalists!

Anonymous said...

I have to agree , after being to Cheltenham on numerous occasions and seeing the cutting edge jazz as described, the audience remain very subdued and not terribly responsive, maybe this is just a northern perception,who knows!!, but thankfully wherever we are we can always rely on Weatherspoons to pull a lively crowd.

Steve T said...

The next gig I went to was at Parabola. In my five visits to Cheltenham I have never not gone to Parabola. I don't agree with Cheltenham putting on 'big names' because the festival no longer knows what it is and jazz fans suffer through poor treatment becuase the festival imagines we don't care who we see either.
If anonymous one ever went to Wetherspoons, s/he'd realise it's full of left wing nationalists, even in Cheltenham.

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