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Bebop Spoken There

Jackie Paris: "A singer's got to be able to tell a story. Frank Sinatra and Nat Cole are best at that; Mel Tormé too. I like to take a lyric that means something and sing it right to the person it was meant for." - (DownBeat October 11, 1962).

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. Part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Today Saturday September 14

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden (see above).

Tees Valley Jazzmen - The Merry Monk, 30 Market Place, Bishop Auckland DL14 7NP. 1:00pm. £2.00. Pub adjacent to Bishop Auckland Town Hall.

Evening

Paper Moon Trio - Prohibition Bar, Pink Lane, Newcastle NE1 5DW. 8:00pm. Free (donations).

Blues/Funk/Soul

Lewis Hamilton Band - Cluny, Lime Street, Newcastle NE1 2PQ. Tel: 0191 230 4474. 8:00pm. £5.00. (adv). Blues.

Mitch Laddie Band - Brandling Villa, Haddricks Mill Road, South Gosforth, Newcastle NE3 1QL. Tel: 0191 284 0490. 8:30pm. Free. Blues.

The Panthers - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 9:00pm. Free.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Sunday, May 12, 2019

Keswick Jazz & Blues Festival: The Vitality Five - May 10


Michael McQuaid (tenor sax, clarinet, cornet, vocals); David Horniblow (bass sax, clarinet); Andrew Oliver (piano); Tom 'Spats' Langham (banjo); Nick Ball (drums)
(Review by Russell)

The Vitality Five, one of the big draws at Keswick, attracted a full house to Southey St Church for the mid-afternoon set. One change to the line-up - no Martin Wheatley, replaced by the more than capable 'Spats' Langham. The Vitality Five are self-confessed obsessives searching out rare 78s, transcribing the music (the more obscure the better!), trying to outdo one another in the obscurity stakes: Hey! Look what I found the other day!    

The Five's reedsman Michael McQuaid blazed a trail on the opener - That's A Plenty - playing clarinet and maintained the 'hot' start on Jelly Roll's Steamboat Stomp (see photo - l to r McQuaid, Nick Ball, David Horniblow). The Five's members took it in turn to introduce numbers with entertaining and informative insights, none more so than McQuaid revealing he'd recently received an email from the grandson of the New Orleans Owls' Benji White thanking him for researching and performing material from way back. The Vitality Five's collective improvisation did the Owls proud - a match for any present-day 'improvising' musician.   

Pianist Andrew Oliver and bass saxophonist David Horniblow recently embarked upon 'The Complete Morton Project' which involves learning (and recording?) something like one hundred of Jelly Roll Morton's many compositions. Here at Keswick, they played Courthouse Bump, a bass sax feature illustrating Morton's compositional ideas which evidently hold appeal for today's' improvising musicians. 

The multi-talented McQuaid switched to cornet in tribute to Red Nichols as the Five played a hot, hot, hot That's No Bargain. In terms of programme content, presentation and audience engagement the Vitality Five leave many others standing.      
Russell

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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance