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Bebop Spoken There

David Binney: "In this age, we musicians need to do anything we can to make a living, and ninety-nine percent of us will have to do a wide variety of things." - (Jazz Times May 2019)

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Until July 21

Today Monday July 15

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden (See above).

Jazz in the Afternoon - Cullercoats Crescent Club, 1 Hudleston, Cullercoats NE30 4QS. Tel: 0191 253 0242. 1:00pm. Free admission.

Evening

Mnozil Brass: Cirque - Gala Theatre, Millennium Place, Durham DH1 1WA. Tel: 0300 266 600. 7:30pm. £23.00. (£19.00. concs.). A Durham Brass Festival event.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Wednesday, May 15, 2019

Keswick Jazz & Blues Festival: Basin Street Brawlers - May 12

Pete Horsfall (trumpet, vocals); Ewan Bleach (reeds, vocals); Malcolm Earle Smith (trombone, vocals); Dave Archer (guitar); Colin Good (piano)
(Review by Russell)

Sunday, noon, Southey St Church, spirituals, hymns and jazz courtesy of the Basin Street Brawlers. Congregation, please be seated, let the jazz begin! Sweet By-and-By sang Pete Horsfall, the first of several spirituals, hallelujah! The Old Rugged Cross (Dave Archer, guitar), Just a Little While to Stay Here - trumpeter Horsfall and reedsman Ewan Bleach possessors of the voice to carry it off, hallelujah!

Down the years the jazz greats have taken to singing/playing spirituals and here in Keswick's Methodist Church the Brawlers, themselves not unfamiliar with occasions such as this, reached out to the congregation in service to the glories of jazz, hallelujah! (Sometimes I Feel Like a) Motherless Child...Yes, indeed! Hallelujah! Horsfall, eyes raised to the heavens, Bleach's soprano sax in praise of...of...whatever. Nobody Knows the Trouble I've Seen (not quite Paul Robeson but good, nevertheless), 
  
BSH can report that it wasn't a 'happy-clappy' occasion (phew!) but singing along was encouraged and with Ewan Bleach's soprano sax leading the way the congregation followed Down by the Riverside. And that was the first set - hallelujah! 

Fortified, revived by coffee and cake, the hard-living congregation settled once more, this time to listen to a set of jazz - hallelujah! Wabash Blues, a hot-hot-hot Ride, Red, Ride! then It's Tight Like That - was the vicar around? 

Ewan Bleach, looking into the middle distance, sang I Cover the Waterfront, later to be joined by Horsfall and trombonist Malcolm Earle Smith in splendid vocal harmony on Midnight Blue. The sun was shining, the pubs open - hallelujah! - the Basin Street Brawlers went out on High Society, plus, of course, an encore. In town, more jazz sessions were awaiting...  
Russell

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance