Bebop Spoken There

Ludovic Beier (Django Festival Allstars): ''Manouche means 'free man,' and gypsies have been travelers since they migrated west from India to Europe.'' (DownBeat March, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18383 (and counting) posts since we started blogging 18 years ago. 247 of them this year alone and, so far this month (Mar. 17 ), 57

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Tuesday, May 14, 2019

Keswick Jazz & Blues Festival: Keith Nichols' Ragamuffins - May 11

Keith Nichols (piano); Michael McQuaid (reeds, vocals); Alistair Allan (trombone, vocals); Spats Langham (banjo, guitar, vocals); Malcolm Sked (double bass, sousaphone); Nick Ward (drums)
(Review by Russell)
On a warm, blue sky Cumbrian day it would have been understandable if some festival-goers joined the many walkers on the fells high above the bustling Lakeland town. Jazz the priority, the Theatre by the Lake once more accommodated a large crowd to hear Keith Nichols present the second of three concerts at Keswick 2019. 

On the Trail of the Lonesome Pine sang Spats Langham, his fellow Ragamuffins hit the Gin Bottle Blues with Spats staying on the wagon to sing the tongue-twister Nagasaki. A typically eclectic selection of tunes for Nichols' small group to play to an onside crowd. The repartee between band leader and sidemen is never less than entertaining and,  invariably, Maestro Nichols has the final word although a tradition has developed whereupon the audience greets Malcolm Sked (sousaphone) with tumultuous applause leaving the Ragamuffins' bandleader in a state of bemusement...much hilarity all round!     
A Fats Waller medley (Nichols retains a fine command of ragtime and stride piano styles), an Alistair Allan feature on I Cover the Waterfront (Nichols couldn't resist telling the story of Bruce Turner habitually referring to the number as I Water the Front Cover!), Michael McQuaid playing alto sax on Joe Jordan's Dreaming the Hours Away, Spats dedicating My Sweet Virginia to the late Ted Wood (Temperance Seven, Bob Kerr's Whoopie Band), this was a gentle amble (countryside ramble?) through a thoroughly enjoyable concert set list.

The afternoon's entertainment once more turned to Fats Waller (Come on and Stomp, Stomp, Stomp), Spats singing Bing (In the Blue of the Night) and All God's Chillun Got Rhythm interspersed by a few more observational gems from Nichols including: Lil Hardin was a diminutive woman who played the piano like a rhinoceros! 

Out into the late afternoon sunshine and a stroll up to Main Street in search of a decent pint before a night of Stateside blues.    
Russell

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