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Farewell Blues

R.I.P. HRH Queen Elizabeth ll (1926 - Sept. 8, 2022).
R.I.P. Trevor Tomkins (1941 - Sept. 9, 2022).
R.I.P. Gordon McGregor (Sept. 11, 2022).
R.I.P. Ramsey Lewis (1935 - Sept. 12, 2022).
R.I.P. Pharoah Sanders (Oct. 13, 1940 - Sept. 24, 2022).
R.I.P. Sue Mingus (April 2, 1930 - Sept. 24, 2022).

Bebop Spoken There

Larry Klein: "- in a certain way - Leonard [Cohen] is the greatest songwriter ever." - (Jazzwise October 2022)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Postage

14602 (and counting) posts since we started blogging 14 years ago. 880 of them this year alone and, so far, 80 this month (Sept. 26).

From This Moment On ...

September

Fri 30: Adam Johnson @ Lit & Phil, Newcastle. 1:00pm. A Newcastle Festival of Jazz & Improvised Music event.
Fri 30: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 30: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 30: Rendezvous Jazz @ The Monkseaton Arms, Monkseaton. 1:00pm.
Fri 30: Pete Churchill & Noel Dennis: Exploring the Jazz Metaphor in Leadership & Management @ Lit & Phil, Newcastle. 2:30-4:00pm. Workshop.Tickets: £3.30 (inc. bf). A Newcastle Festival of Jazz & Improvised Music event.
Fri 30: FILM: Bird (Dir. Clint Eastwood) + Swing Bridge (in the bar) @ Forum Cinema, Hexham. 6:30pm.
Fri 30: Orphy Robinson + Maniscalco-Bigoni-Solborg + Nicole Mitchell + Binker Golding-Alexander Hawkins-John Pope-Paul Hession @ Lit & Phil, Newcastle (7:00pm). A Newcastle Festival of Jazz & Improvised Music event.
Fri 30: Ushaw Ensemble @ St Mary’s Church, Holy Island. 7:30pm.
Fri 30: Julija Jacenaite @ Prohibition Bar, Newcastle. 8:00pm.
Fri 30: King Bee @ The Craig Charles Funk & Soul Club, Independent, Sunderland. 9:00pm. £22.50. DJs + King Bee.

October

Sat 01: Dale Storr @ St Augustine’s Parish Centre, Darlington. 12:30pm. £10.00.
Sat 01: Nicole Mitchell & Alexander Hawkins @ The Lit & Phil, Newcastle. 1:00pm. A Newcastle Festival of Jazz & Improvised Music event.
Sat 01: Play Jazz! workshop @ The Globe, Newcastle. 1:30pm. Tutor: Pete Churchill. £25.00. Enrol at: www.jazz.coop.
Sat 01: Orphy Robinson (in conversation); Beck Hunters w John Pope & Laura Cole; Daniel Levin; Black Top w Mariam Rezaei @ Lit & Phil, Newcastle. 6:00pm. A Newcastle Festival of Jazz & Improvised Music event.
Sat 01: Simon O'Byrne @ Prohibition Bar, Newcastle. 8:00pm. Free. Solo guitar & vocals.
Sat 01: King Bees @ Grainger Market, Newcastle. 9:00-9:45pm. A Great Market Caper multi-bill event. Superb Chicago blues band. Doors: 6:30pm. Tickets: £10.00. + bf.

Sun 02 RUTH LAMBERT TRIO @ Spanish City, Whitley Bay. 12 noon.
Sun 02: Helena Anahita Wilson @ Lit & Phil, Newcastle. 1:00pm. A Newcastle Festival of Jazz & Improvised Music event.
Sun 02: Smokin’ Spitfires @ The Cluny, Newcastle. 12:45pm.
Sun 02: Zoë Gilby Trio w Noel Dennis + John Garner & John Pope + Dilutey Juice @ The Globe, Newcastle. 2:00pm. £7.00.
Sun 02: Paul Skerritt @ Hibou Blanc, Newcastle. 2:00pm.
Sun 02: Foundry Jazz Ensemble @ The Exchange, North Shields. 3:00pm.
Sun 02: Lindsay Hannon's 'Tom Waits for No Man' @ Three Tanners Bank, North Shields. 6:00pm. Free.
Sun 02: Celebrating the Life & Music of Pharoah Sanders @ Prohibition Bar, Newcastle. 7:00pm. £8.00. on the door. Feat. Sue Ferris, Paul Gowland, Tom Atkinson, Jude Murphy, Jeff Armstrong.
Sun 02: Shifa + Bex Burch & Leafcutter John + Farida Amadou @ Lit & Phil, Newcastle. 7:00pm. A Newcastle Festival of Jazz & Improvised Music event.

Mon 03: Harmony Brass @ Cullercoats Crescent Club. 1:00pm.

Tue 04: Paul Skerritt @ The Rabbit Hole, Durham. 7:00pm. Free (to reserve a table phone 0191 386 5556).
Tue 04: Jam session @ Black Swan, Newcastle. 7:30pm. House trio: Dean Stockdale, Paul Grainger, Tim Johnston.
Tue 04: Blue Jazz Quartet w Rivkala @ The Ship Isis, Sunderland. 7:30pm. Free.

Wed 05: Hot Club du Nord @ St Wilfred's Church, Kirkharle, Northumberland. 1:00pm. SOLD OUT! Waiting list open.
Wed 05: Hot Club du Nord @ St Wilfred's Church, Kirkharle, Northumberland. 4:00pm.
Wed 05: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 05: Darlington Big Band @ Darlington & Simpson Rolling Mills Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 05: 4B @ The Exchange, North Shields. 7:00pm.
Wed 05: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.
Wed 05: Rat Pack - Swingin' at the Sands @ Darlington Hippodrome. 7:30pm.

Thu 06: Vieux Carré Jazzmen @ The Holystone, North Tyneside. 1:00pm.
Thu 06: Castillo Nuevo @ Revoluçion de Cuba, Newcastle. 6:30-9:00pm.
Thu 06: Thursday Night Prayer Meeting @ The Globe, Newcastle. 8:00pm. Free admission (donations).
Thu 06: Paul Skerritt Duo @ Tomahawk Steakhouse, High St., Yarm. 8:00pm. Paul Skerritt & James Harrison residency.
Thu 06: Brass Funkeys + Baghdaddies @ The Cluny, Newcastle. 8:00pm.
Thu 06: Mo Scott Band @ The Schooner, South Shore Road, Gateshead. 8:00pm.
Thu 06: Lindsay Hannon Trio @ Harbour View, Roker, Sunderland. 8:00pm. 'Tom Waits for No Man'. A Harbour View Speakeasy event.
Thu 06: Tees Hot Club @ Dorman’s Club, Middlesbrough. 9:00pm. Garry Hadfield (keys) Bill Watson (trumpet) Josh Bentham (sax) Mark Hawkins (drums) Adrian Beadnell (bass)

Wednesday, May 22, 2019

Kamasi Washington @ Sage Gateshead - May 21

Kamasi Washington (tenor sax); Rickey Washington (soprano sax/flute); Ryan Porter (trombone); Brandon Coleman (keys/vocals); Miles Mosley (bass); Robert Miller, Tony Austin (drums); Patrice Quinn (vocals).
(Review by Lance).

Not many jazz-related bands go close to filling Sage One but, not many jazz-related bands are fronted by the current kingpin of the jazz/funk/soul scene, the man rapidly approaching legendary status - Kamasi Washington.

The hype was in, the fashion followers took heed and they weren't disappointed judging by the standing ov. at the end. Kamasi is a prodigious tenor player with an awesome technique who takes no prisoners. My initial reaction was of an F1 steamroller in a demolition derby but, as the evening progressed there were tender moments too. If jazz is to capture a younger audience without losing the older generation along the way then KW is the man to do it.

Equally impressive (and less flamboyant) was his dad Rickey on soprano sax and flute. Washington père delighted on both instruments. On trombone, Ryan Porter brought Jay Jay into the twenty-first century with some rapid-fire tromboning and a mellifluous sound. 

Brandon Coleman left no note unplayed attacking his assortment of keyboards with such ferocity that, had he been let loose on one of the venue's Steinways it would have been firewood by the end of the gig.

Miles Mosley did some amazing things on double bass - both arco and pizz - that left the listeners openmouthed by his dexterity whilst, also producing an almost celloic sonority.

Two drummers? I questioned the need for plural percussion - between them they had more drums than the average drum showroom - and yet they gelled without getting in each other's way to the extent that it wasn't always easy to say who was hitting what apart from Miller's big feature which, needless to say, brought the house down.

For most of the evening, Patrice remained a peripheral figure moving and grooving at stage (Sage?) left interpreting music by movement. As the evening rolled on she added her voice to the ensembles before emerging as a fully-fledged singer delivering words of protest such as Our time as victims is over / We will no longer ask for justice / Instead, we will take our retribution.”

Kamasi also offered some philosophic words on present-day issues such as equality that brought roars of approval from the crowd and will probably be forgotten tomorrow.

I didn't catch the titles of all the numbers but some of them were: The Psalmist; Harmony of Difference; Truth & Fists of Fury.
It was a memorable evening.
Lance.
PS: A review of the support act - Oscar Jerome - will be posted shortly.

2 comments :

Anonymous said...

Hi Lance, took your recommendation to try and go to the Kamasi Washington gig last Tuesday. Unfortunately, they only had a few tickets available and all at the same price.

Anyway, my Wife and I decided to go for S1LIQ9 and S1L1Q8 @ £60 and proceeded to checkout.
The Sage’s system decided that it was unable to sell me 2 tickets as there were 3 seats together. The automatic website referred me to the box office. I contacted the box office by email and they refused to deal with the query. Their only hapless suggestion was to go into the booking queue and wait for the phone to be answered. Anyway to cut a long tedious story short we did not get to see Kamasi Washington.

Who does the Sage think they are? I think that they believe they are some world class venue and hence able to dictate terms to people who want to see a particular artist. They treated me in such a cavalier fashion that I will think twice about booking in the future.

Sadly for an old duffer like me, the days of the Corner House, Caedmon Library and the Darlington Arts Centre are long gone?

Anyway, there are many other sax players who play in a similar fashion. Look out for Shabaka Hutchings who I saw last year at the Church of Sound in London with the Cookers.

Another great young sax player to watch is Nubya Garcia who I was able to see in Leeds and then the following evening at the Band on the Wall Manchester. Just a few weeks ago.
Sometimes she can sound like Joe Henderson which is a bit nostalgic.
Anyone who would like to see her can catch her in early June at the Cluny Newcastle.

Lance said...

Sorry that you didn't leave your name - it's always easier to reply to a person.

I know that booking either online, email or phone can often be a long and tedious process - it's frequently the same trying to get an appointment with your doctor! With venues such as Sage Gateshead - which IS a world-class venue, no doubt about it, - I agree it can be frustrating. But, to compare Sage Gateshead with Corner House etc. is logistically impossible, two totally different venues. A pub with 100 max seating and a multi-hall concert venue capable of hosting events with audiences, across the genres of several thousand.

However, this is really something you should take up with Sage Gateshead who, incidentally, presented Shabaka Hutchings' band, The Comet is Coming, in March this year.

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