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Bebop Spoken There

Brian Carrick: "I contacted Max Jones of Melody Maker and offered to be his correspondent in the States, but I should have done what Ken Colyer had done, get a job on a ship and then jump ship in the States. So I didn't make it [to New Orleans] till 1973." - (Just Jazz May 1999)

Archive.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

COVID-19

In the current climate we are doing our best to keep everyone up to date. All gigs, as we all know, are off.

However, good old YouTube has plenty to offer both old and new to help us survive whilst housebound. Plus now is a good time to stock up on your CDs.

Also, keep an eye out for live streaming sessions.

Alternatively, you could do as they do in Italy and sing from your balcony.

Today

As we all know there are no live gigs taking place in the immediate future. However, any links to jazz streaming that are deemed suitable - i.e. with a professional approach - will be considered for posting.

Monday, May 20, 2019

Philip Clouts Quartet @ The Globe Jazz Bar - May 19.

Philip Clouts (keys); Sammy Eagles (alto/soprano sax); Tim Fairhall (bass); Kiran Bhatt (drums).
(Review by Lance).

One minute they were standing shoulder to shoulder at the downstairs bar of the Jazz Coop's operational base, The Globe, and next minute they weren't. The vast majority had supped up and offed to the nearby Arena where Mark Knopfler appeared to have pulled a cup final sized crowd.

Back at The Globe,  the tango dancers filed in upstairs and, thankfully, the downstairs bar filled up - perhaps they'd been to the Arena for a pre-gig pint!

On stage, Cape Town-born Clouts and his cohorts set-up before taking us on an ethnic journey round the Townships. It began lowkey and ended in a similar vein but, in between, we had some scintillating music - indeed, one of Clouts' compositions was titled Scintillate!
The Globe blurb described Eagles as a rising star which he most certainly is. On the evidence of this gig and a previous appearance or two at 11 Railway St. his star is well and truly in the ascendancy. Soaring comet-like he impressed on both alto and soprano, his tone on the straight sax as good as any I've heard avoiding both the wide Bechet-like vibrato and the strangulated sounds Coltrane was sometimes prone to.

Clouts' linear approach included some chorded riffs where I swear he had six fingers on each hand. His compositions, although inspired by such as Hugh Masekela and Abdullah Ibrahim when he was still Dollar Brand, encompassed a more global landscape so we had, Latin tinged music, gospelly blues, and contemporary experimentation.

Fairhall was impressive on bass whilst Bhatt kept the jazz-rock, Afro-beat  rhythms going without resorting to over-the-top exhibitionism. 

I left in a good mood swept along by the departing Knopflerians. Seems as though we'd all had an enjoyable evening.
Lance.

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