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Bebop Spoken There

Michael Dease: "Slide [Hampton] is also one of the people to expand the range of the horn, so he's popping out high Fs like they're breakfast cereals." - (JazzTimes Oct. 2019).

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. Part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Today Saturday October 19

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden (see centre column).

Dave O'Higgins Masterclass - Hurworth Grange, Hurworth Road, Hurworth, Darlington DL2 2BN. 12 noon - 2:00pm. £20.00. A Jazz Blowers' event, places limited. Details: www.jazzblowers.co.uk

Tees Valley Jazzmen - Central Methodist Church, 21 Cockton Hill Rd., Bishop Auckland DL14 6EN. 2:00pm. £4.00. A memorial concert in memory of Gavin Belton.

Miles Davis: Birth of the Cool - Tyneside Cinema, Pilgrim Street, Newcastle NE1 6QG. Tel: 0191 227 5500. 5:45pm. Screening of Stanley Nelson's documentary film (2019, cert. 15, 1hr 55mins).

Evening

?????

Blues/Funk/Soul

Teresa Watson Band - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 9:00pm. Free.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Monday, May 20, 2019

Philip Clouts Quartet @ The Globe Jazz Bar - May 19.

Philip Clouts (keys); Sammy Eagles (alto/soprano sax); Tim Fairhall (bass); Kiran Bhatt (drums).
(Review by Lance).

One minute they were standing shoulder to shoulder at the downstairs bar of the Jazz Coop's operational base, The Globe, and next minute they weren't. The vast majority had supped up and offed to the nearby Arena where Mark Knopfler appeared to have pulled a cup final sized crowd.

Back at The Globe,  the tango dancers filed in upstairs and, thankfully, the downstairs bar filled up - perhaps they'd been to the Arena for a pre-gig pint!

On stage, Cape Town-born Clouts and his cohorts set-up before taking us on an ethnic journey round the Townships. It began lowkey and ended in a similar vein but, in between, we had some scintillating music - indeed, one of Clouts' compositions was titled Scintillate!
The Globe blurb described Eagles as a rising star which he most certainly is. On the evidence of this gig and a previous appearance or two at 11 Railway St. his star is well and truly in the ascendancy. Soaring comet-like he impressed on both alto and soprano, his tone on the straight sax as good as any I've heard avoiding both the wide Bechet-like vibrato and the strangulated sounds Coltrane was sometimes prone to.

Clouts' linear approach included some chorded riffs where I swear he had six fingers on each hand. His compositions, although inspired by such as Hugh Masekela and Abdullah Ibrahim when he was still Dollar Brand, encompassed a more global landscape so we had, Latin tinged music, gospelly blues, and contemporary experimentation.

Fairhall was impressive on bass whilst Bhatt kept the jazz-rock, Afro-beat  rhythms going without resorting to over-the-top exhibitionism. 

I left in a good mood swept along by the departing Knopflerians. Seems as though we'd all had an enjoyable evening.
Lance.

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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance