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Bebop Spoken There

Victor Wooten: "People don't expect to have bass players get together and sound like music and not just like a bunch of elephants" (JazzTimes April, 2022)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.
Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST! --

Postage

14226 (and counting) posts since we started blogging 14 years ago. 445 of them this year alone and, so far, 45 this month (May 13).

From This Moment On ...

May.

Tue 17: Jam session @ Black Swan, Newcastle. 7:30pm. House trio: Stu Collingwood, Paul Grainger, Abbie Finn.

Wed 18: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 18: Darlington Big Band @ Darlington & Simpson Rolling Mills Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 18: Four @ The Exchange, North Shields. 7:00pm.
Wed 18: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.

Thu 19: Vieux Carré Jazzmen @ The Holystone, North Tyneside. 1:00pm.
Thu 19: Gateshead Jazz Appreciation Society @ Gateshead Central Library. 3:00-5:00pm. £1.00. All welcome.
Thu 19: Castillo Nuevo @ Revoluçion de Cuba, Newcastle. 5:30-8:30pm.
Thu 19: Maine Street Jazzmen @ Sunniside Social Club, Gateshead. 8:30pm.
Thu 19: 58 Jazz Collective @ Dorman’s Club, Middlesbrough. 9:00pm. TBC.

Fri 20: Andrea Vicari Trio @ Lit & Phil, Newcastle. 1:00pm. Vicari (piano), Andy Champion (double bass), Abbie Finn (drums).
Fri 20: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 20: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm.
Fri 20: Rendezvous Jazz @ The Monkseaton Arms, Monkseaton. 1:00pm.
Fri 20: Swing Bridge @ Garden House Coffee, Hallgate, Hexham. 4:05pm.
Fri 20: Castillo Nuevo @ Revoluçion de Cuba, Newcastle. 5:30-8:30pm.
Fri 20: Customs House Big Band w Ruth Lambert @ Exchange, North Shields. 7:30pm.
Fri 20: Andrea Vicari Trio @ Traveller’s Rest, Darlington. 8:00pm. £12.00. Opus 4 Jazz Club. Vicari (piano), Andy Champion (double bass), Abbie Finn (drums).

Sat 21: Elkie Brooks @ Whitley Bay Playhouse. 7:30pm.
Sat 21: Jools Holland’s R & B Orchestra @ The Hippodrome, Darlington. 7:30pm.
Sat 21: Milne-Glendinning Band @ Prohibition Bar, Newcastle. 8:00pm.

Sun 22 Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon.
Sun 22: More Jam @ The Globe, Newcastle. 3:00pm. Free.
Sun 22: Foundry Jazz Ensemble @ The Exchange, North Shields. 3:00pm.
Sun 22: Abstract Orchestra plays J Dilla @ Wylam Brewery, Newcastle. 7:30pm.
Sun 22: Panharmonia @ The Globe, Newcastle. 8:00pm. £10.00 adv., £12.00. door.

Mon 23: Jazz in the Afternoon @ Cullercoats Crescent Club. 1:00pm.

Monday, May 20, 2019

Philip Clouts Quartet @ The Globe Jazz Bar - May 19.

Philip Clouts (keys); Sammy Eagles (alto/soprano sax); Tim Fairhall (bass); Kiran Bhatt (drums).
(Review by Lance).

One minute they were standing shoulder to shoulder at the downstairs bar of the Jazz Coop's operational base, The Globe, and next minute they weren't. The vast majority had supped up and offed to the nearby Arena where Mark Knopfler appeared to have pulled a cup final sized crowd.

Back at The Globe,  the tango dancers filed in upstairs and, thankfully, the downstairs bar filled up - perhaps they'd been to the Arena for a pre-gig pint!

On stage, Cape Town-born Clouts and his cohorts set-up before taking us on an ethnic journey round the Townships. It began lowkey and ended in a similar vein but, in between, we had some scintillating music - indeed, one of Clouts' compositions was titled Scintillate!
The Globe blurb described Eagles as a rising star which he most certainly is. On the evidence of this gig and a previous appearance or two at 11 Railway St. his star is well and truly in the ascendancy. Soaring comet-like he impressed on both alto and soprano, his tone on the straight sax as good as any I've heard avoiding both the wide Bechet-like vibrato and the strangulated sounds Coltrane was sometimes prone to.

Clouts' linear approach included some chorded riffs where I swear he had six fingers on each hand. His compositions, although inspired by such as Hugh Masekela and Abdullah Ibrahim when he was still Dollar Brand, encompassed a more global landscape so we had, Latin tinged music, gospelly blues, and contemporary experimentation.

Fairhall was impressive on bass whilst Bhatt kept the jazz-rock, Afro-beat  rhythms going without resorting to over-the-top exhibitionism. 

I left in a good mood swept along by the departing Knopflerians. Seems as though we'd all had an enjoyable evening.
Lance.

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