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Bebop Spoken There

Michael Dease: "Slide [Hampton] is also one of the people to expand the range of the horn, so he's popping out high Fs like they're breakfast cereals." - (JazzTimes Oct. 2019).

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. Part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Today Friday October 18

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden (see above).

Classic Swing - Jesmond Royal British Legion Club, West Jesmond Avenue, Jesmond, Newcastle NE2 3EX. Tel: 0191 281 0736. 1:00pm. Free.

Rendezvous Jazz - Monkseaton Arms, Front Street, Monkseaton NE25 8DP. Tel: 0191 251 3928. 1:00pm. Free.

Evening.

Ella Fitzgerald: Just One of Those Things - Forum Cinema, Market Place, Hexham NE46 1XF. Tel: 01434 601144. 7:00pm. £8.30. - £5.80. Film (2019, 89 mins) directed by Leslie Woodhead. Swing Bridge Trio in Café Bar following screening.

Dave O’Higgins & Colin Oxley - Great Broughton Village Hall, Ingleby Road, Great Broughton TS9 7ER. 7:30pm. £20.00. ‘O’Higgins & Oxley Play Monk & ‘Trane’. Oxley replaces Rob Luft.

Paul Taylor - Ushaw College, Durham DH7 7DW. Tel: 0191 334 5119. 7:30pm. Free (donations). An Ushaw Piano Festival event.

Jazz Lads - Saltburn Cricket Club, Marske Mill Lane, Saltburn TS12 1HJ. Tel: 01287 622761. 8:00pm. £5.00.

Guisborough Big Band - Saltburn Golf Club, Guisborough Road, Saltburn TS12 1NJ. Tel: 01287 622812. Time TBC.

Miles Davis: Birth of the Cool - Tyneside Cinema, Pilgrim Street, Newcastle NE1 6QG. Tel: 0191 227 5500. Time 8:30pm. Screening of Stanley Nelson's documentary film (2019, cert. 15, 1hr 55mins).

Blues/Soul etc.

Ray Stubbs R & B All Stars - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 9pm. Free.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Saturday, May 18, 2019

Preview: Kamasi Washington @ Sage Gateshead, Tuesday 21 May


(Preview by Russell)

The Epic said it all - ambitious, sprawling, three discs (yes, it was made available on vinyl), Los Angeles born bandleader, saxophonist, collaborator, producer, Kamasi Washington's high-profile recording secured media attention beyond that of the regular jazz press. 

On Tuesday the 38-year-old American rocks up at Sage Gateshead. Touring the UK, Europe then back to the States, this is the long-awaited opportunity for Tynesiders to check-out the man who has acquired a cult following - not least among the Millennial generation - thanks to his association with Flying Lotus, Thundercat and Kendrick Lamar. 

The 2015 release of The Epic was followed by last year's Heaven and Earth and with fans seeking out earlier, self-released recordings, Washington's star remains firmly in the ascendant. Sage Gateshead's big hall - approx capacity 1700 - appears to have allocated a front-of-stage 'mosh pit' by taking out the first few rows of seats (log on to the venue's website to view the seating/standing plan - www.sagegateshead.com) and by all accounts, tickets have flown out the door.

Tuesday at Sage Gateshead will, if nothing else, be an 'I was there' occasion. It could go down in folklore. The whole thing kicks off at 7:30 with a support set by Oscar Jerome followed by the man of the moment, Kamasi Washington. It promises to be an 'epic' night. 
Russell

1 comment :

Steve T said...

Always nice to see a decent crowd, but I hope jazz people aren't put off by the 'hype'. Just because he isn't John Coltrane, doesn't mean he's Kenny G.
In my jazz-funk days, we thought they were the greatest jazz artists ever, while serious jazz heads looked down on us and them. While all of my peers either descended into smooth jazz or accepted whatever styles, artists and choons acid jazz djs thew at them, I spread my wings to Sonny Rollins, Trane, Miles, Bird, Duke and Mingus and became something of a snob myself.
Insomuch as men ever do (and especially music daft men), I grew up and realised it was alright to like both and younger listeners nowadays aren't as disparaging of jazz-funk, and maybe even some older listeners, who may also have 'grown up.' Somebody even said to me Grover Washington Jnr was one of the great soprano players.
It's impossible and pointless to estimate if and where Kamasi may feature in a future timeline. While I'm no great fan of hip-hop, I think a successful fusion would be welcome (and so far the hip-hop people seem to have done it better) and I think he's a more commanding figure-head than Robert Glasper, though he and the rest of the West Coast Get Down need to get on with it.
I like all of his albums, and just because none of them are Kind of Blue, doesn't mean they're Kenny G's Greatest Hits, and I do hear some originality, alongside the appropriate revereance for those who went before.
It promises to be an interesting evening (and I've seen him twice before), not least watching young people who probably aren't as cool as they think they are, oldies who definitely aren't as cool as we think we are (though probably cooler than the young people think we are) but knowing the people who aren't there are the least cool of all.

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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance