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Bebop Spoken There

Charles Lloyd: "I'm raring to go out to play, because I know I'll find something to explain the inexplicable." (DownBeat August 2022)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.
Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST! -- Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Postage

14454 (and counting) posts since we started blogging 14 years ago. 732 of them this year alone and, so far, 30 this month (August 11).

From This Moment On ...

August

Sun 14: Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon.
Sun 14: Tees Valley Jazzmen @ Hammer & Pincers, Preston le Skerne. 1:00pm.
Sun 14: Vieux Carré Jazzmen @ West Park, South Shields. 2:00pm.
Sun 14: Foundry Jazz Ensemble @ The Exchange, North Shields. 3:00pm.
Sun 14: Anth Purdy @ Blues & Bourbon, Newcastle. 4:00pm. Free.
Sun 14: Castillo Nuevo @ Revoluçion de Cuba, Newcastle. 5:30-8:30pm.
Sun 14: Sunday Night Am Jam Special @ The Globe, Newcastle. 7:30pm. Note start time.

Mon 15: Jazz in the Afternoon @ Cullercoats Crescent Club. 1:00pm.
Mon 15: Stu Collingwood Organ Trio @ Black Bull, Blaydon. 8:00pm. Blaydon Jazz Club.

Wed 17: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 17: Darlington Big Band @ Darlington & Simpson Rolling Mills Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 17: 4B @ The Exchange, North Shields. 7:00pm.
Wed 17: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.

Thu 18: Vieux Carré Jazzmen @ The Holystone, North Tyneside. 1:00pm.
Thu 18: Gateshead Jazz Appreciation Society @ Gateshead Central Library. 3:00-5:00pm. £1.00. All welcome.
Thu 18: Castillo Nuevo @ Revoluçion de Cuba, Newcastle. 5:30-8:30pm.
Thu 18: Newcastle Jazz Festival @ Bridge Hotel, Newcastle. Strictly Smokin’ Big Band. 7:00pm. Free (four-day festival ticket £40.00.). www.newcastlejazzfestival.co.uk.
Thu 18: Tees Hot Club @ Dorman’s Club, Middlesbrough. 9:00pm.

Fri 19: Jo Harrop & Jamie McCredie @ Lit & Phil, Newcastle. 1:00pm. SOLD OUT!
Fri 19: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 19: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 19: Rendezvous Jazz @ The Monkseaton Arms, Monkseaton. 1:00pm.
Fri 19: Jo Harrop & Jamie McCredie @ St Cuthbert’s Centre, Crook. 7:30pm.
Fri 19: Newcastle Jazz Festival @ Black Swan, Newcastle. 7:30pm. Harry Keeble Duo + Northern Monkey Brass Band. £15.00. (four-day festival ticket £40.00.). www.newcastlejazzfestival.co.uk.
Fri 19: Mo Scott @ The Millstone, South Gosforth, Newcastle. 8:00pm. Scott w Gary Dunn, Neil Harland & Paul Smith.

Sat 20: Newcastle Jazz Festival @ Tyne Bank Brewery, Newcastle. All day event (from 1:30pm): Riviera Effect + Alter Ego + Graham Hardy Quartet + Jo Harrop & Jamie McCredie + Ivo Neame Quartet. £17.00. (four-day festival ticket £40.00.). www.newcastlejazzfestival.co.uk.
Sat 20: Anth Purdy @ Prohibition Bar, Newcastle. 8:00pm. Free (donations).

Saturday, May 18, 2019

Preview: Kamasi Washington @ Sage Gateshead, Tuesday 21 May


(Preview by Russell)

The Epic said it all - ambitious, sprawling, three discs (yes, it was made available on vinyl), Los Angeles born bandleader, saxophonist, collaborator, producer, Kamasi Washington's high-profile recording secured media attention beyond that of the regular jazz press. 

On Tuesday the 38-year-old American rocks up at Sage Gateshead. Touring the UK, Europe then back to the States, this is the long-awaited opportunity for Tynesiders to check-out the man who has acquired a cult following - not least among the Millennial generation - thanks to his association with Flying Lotus, Thundercat and Kendrick Lamar. 

The 2015 release of The Epic was followed by last year's Heaven and Earth and with fans seeking out earlier, self-released recordings, Washington's star remains firmly in the ascendant. Sage Gateshead's big hall - approx capacity 1700 - appears to have allocated a front-of-stage 'mosh pit' by taking out the first few rows of seats (log on to the venue's website to view the seating/standing plan - www.sagegateshead.com) and by all accounts, tickets have flown out the door.

Tuesday at Sage Gateshead will, if nothing else, be an 'I was there' occasion. It could go down in folklore. The whole thing kicks off at 7:30 with a support set by Oscar Jerome followed by the man of the moment, Kamasi Washington. It promises to be an 'epic' night. 
Russell

1 comment :

Steve T said...

Always nice to see a decent crowd, but I hope jazz people aren't put off by the 'hype'. Just because he isn't John Coltrane, doesn't mean he's Kenny G.
In my jazz-funk days, we thought they were the greatest jazz artists ever, while serious jazz heads looked down on us and them. While all of my peers either descended into smooth jazz or accepted whatever styles, artists and choons acid jazz djs thew at them, I spread my wings to Sonny Rollins, Trane, Miles, Bird, Duke and Mingus and became something of a snob myself.
Insomuch as men ever do (and especially music daft men), I grew up and realised it was alright to like both and younger listeners nowadays aren't as disparaging of jazz-funk, and maybe even some older listeners, who may also have 'grown up.' Somebody even said to me Grover Washington Jnr was one of the great soprano players.
It's impossible and pointless to estimate if and where Kamasi may feature in a future timeline. While I'm no great fan of hip-hop, I think a successful fusion would be welcome (and so far the hip-hop people seem to have done it better) and I think he's a more commanding figure-head than Robert Glasper, though he and the rest of the West Coast Get Down need to get on with it.
I like all of his albums, and just because none of them are Kind of Blue, doesn't mean they're Kenny G's Greatest Hits, and I do hear some originality, alongside the appropriate revereance for those who went before.
It promises to be an interesting evening (and I've seen him twice before), not least watching young people who probably aren't as cool as they think they are, oldies who definitely aren't as cool as we think we are (though probably cooler than the young people think we are) but knowing the people who aren't there are the least cool of all.

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