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Bebop Spoken There

Charles Lloyd: "I'm raring to go out to play, because I know I'll find something to explain the inexplicable." (DownBeat August 2022)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.
Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST! -- Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Postage

14454 (and counting) posts since we started blogging 14 years ago. 732 of them this year alone and, so far, 30 this month (August 11).

From This Moment On ...

August

Sun 14: Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon.
Sun 14: Tees Valley Jazzmen @ Hammer & Pincers, Preston le Skerne. 1:00pm.
Sun 14: Vieux Carré Jazzmen @ West Park, South Shields. 2:00pm.
Sun 14: Foundry Jazz Ensemble @ The Exchange, North Shields. 3:00pm.
Sun 14: Anth Purdy @ Blues & Bourbon, Newcastle. 4:00pm. Free.
Sun 14: Castillo Nuevo @ Revoluçion de Cuba, Newcastle. 5:30-8:30pm.
Sun 14: Sunday Night Am Jam Special @ The Globe, Newcastle. 7:30pm. Note start time.

Mon 15: Jazz in the Afternoon @ Cullercoats Crescent Club. 1:00pm.
Mon 15: Stu Collingwood Organ Trio @ Black Bull, Blaydon. 8:00pm. Blaydon Jazz Club.

Wed 17: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 17: Darlington Big Band @ Darlington & Simpson Rolling Mills Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 17: 4B @ The Exchange, North Shields. 7:00pm.
Wed 17: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.

Thu 18: Vieux Carré Jazzmen @ The Holystone, North Tyneside. 1:00pm.
Thu 18: Gateshead Jazz Appreciation Society @ Gateshead Central Library. 3:00-5:00pm. £1.00. All welcome.
Thu 18: Castillo Nuevo @ Revoluçion de Cuba, Newcastle. 5:30-8:30pm.
Thu 18: Newcastle Jazz Festival @ Bridge Hotel, Newcastle. Strictly Smokin’ Big Band. 7:00pm. Free (four-day festival ticket £40.00.). www.newcastlejazzfestival.co.uk.
Thu 18: Tees Hot Club @ Dorman’s Club, Middlesbrough. 9:00pm.

Fri 19: Jo Harrop & Jamie McCredie @ Lit & Phil, Newcastle. 1:00pm. SOLD OUT!
Fri 19: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 19: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 19: Rendezvous Jazz @ The Monkseaton Arms, Monkseaton. 1:00pm.
Fri 19: Jo Harrop & Jamie McCredie @ St Cuthbert’s Centre, Crook. 7:30pm.
Fri 19: Newcastle Jazz Festival @ Black Swan, Newcastle. 7:30pm. Harry Keeble Duo + Northern Monkey Brass Band. £15.00. (four-day festival ticket £40.00.). www.newcastlejazzfestival.co.uk.
Fri 19: Mo Scott @ The Millstone, South Gosforth, Newcastle. 8:00pm. Scott w Gary Dunn, Neil Harland & Paul Smith.

Sat 20: Newcastle Jazz Festival @ Tyne Bank Brewery, Newcastle. All day event (from 1:30pm): Riviera Effect + Alter Ego + Graham Hardy Quartet + Jo Harrop & Jamie McCredie + Ivo Neame Quartet. £17.00. (four-day festival ticket £40.00.). www.newcastlejazzfestival.co.uk.
Sat 20: Anth Purdy @ Prohibition Bar, Newcastle. 8:00pm. Free (donations).

Saturday, May 25, 2019

Giles Strong Trio @ Bishop Auckland Town Hall - May 24.


Giles Strong, Roly Veitch (guitars); Ian Paterson (bass).
(Review by Jerry/ Photos courtesy of Chris Whittle)

As a nod to the Laurel and Hardy connection (we were in the Laurel café), I had wanted to use the headline, “Another Fine Gig”, but for fear that it might be misconstrued as anything other than a compliment, I decided against it. But it was a fine gig, anyway – a mixture of (mostly) standards and a couple of originals, beautifully performed.

The standards were mostly arranged by Giles Strong, for which he received well-deserved applause at the first name-check and the originals held their own amidst familiar names like Kern and Porter as well as less familiar names (to me) such as Dietz and Schwartz, whose gentle, soothing, Alone Together, closed the gig. I had been looking forward to the performance as, although I have seen all three musicians before, I have never seen Ian Paterson on double bass and had never seen the two guitarists other than with vocalists or playing “gypsy-jazz”, Suffice to say, I was not disappointed!



First up was I’ll Remember April (Gene de Paul) which set the pattern for things to come, with a bass intro and then the two guitarists alternating lead. Nature Boy was written by eden ahbez who insisted on lower case letters for his name as “only God and Infinity deserve capitals”! I’ve heard the song countless times before, but never knew that! I mention that in passing – the knowledge does not change the song or my appreciation of its gentle, Latin-ish rhythms. Cole Porter’s Love for Sale had me noticing the absence of sheet-music today – who needs it when you are this comfortable with the material?

Giles Strong’s Everything Was Beautiful, was the first original – a lovely song, with or without lyrics. Ian Paterson’s solo here caught the attention – closely following the main harmony, all played towards the top end of the double-bass range. Very difficult, I imagine, and very effective here. It was a couple of tunes later before he got any applause for a solo, on Roly’s original, WT Blues (what’s the WT for, Roly?) which is a new tune to me – a nice, funky(?) foot-tapper. He deserved applause at various earlier points in the gig, providing many of the intros and endings to numbers, as well as soloing pleasantly. I suppose applause for every solo would be intrusive in a gig described as “chamber-jazz” where the mood is quite intimate and the volume level almost acoustic?

It wasn’t all about the bass, though, the two guitarists were on top form whether on blues or ballads with clean harmonies and gentle rhythms. On Jerome Kern’s Yesterdays, the bass went silent for a spell and we were treated to a guitar duo exchange which sounded more classical than either of the aforementioned genres. Great!

Unmentioned so far were the gentle Johnny Green ballad, Body and Soul and (another new name to me) George Fragos’ I Hear a Rhapsody which reminded me, obscurely, of the Beatles track, And I Love Her. Not sure why! The penultimate number was introduced as “a simple blues” – Billie’s Blues – on which Giles Strong and Roly Veitch both got a nice groove going and the bass gave us intro, solo, and final notes, again.

Promoter, Mick Shoulder, had introduced the trio as “the smartest band we’ve had here”- all three were suited and Roly even had a tie! Regardless of sartorial elegance he is to be congratulated for bringing such excellent music to Bishop Auckland on a regular basis. There may be a change of venue later this year when the Town Hall undergoes refurbishment, but the gigs will hopefully continue elsewhere. Watch this space…..
Jerry.

2 comments :

JERRY said...

Apologies to the musicians, I seem to have missed a few numbers in my review - ALL OF ME being one (there may have been more).

Roly said...

Thanks Jerry. No you didn't miss any of the set list. WT stands for Whole Tone as the tune is based on a music scale of that name. The town hall is a really lovely venue and well worth a visit to hear the jazz concerts there. Ample cheap parking very close by too.
Roly

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