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Bebop Spoken There

JD Allen: "...art in itself is now a luxury that you need a lot of finances to do." - (DownBeat October 2021)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.
Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST! --

Postage

13,822 (and counting) posts since we started blogging 13 years ago. 1239 of them this year alone and, so far, 66 this month (Oct. 18).

From This Moment On ...

October

Wed 20: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 20: Darlington Big Band @ Darlington & Simpson Rolling Mills Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 20: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.
Wed 20: Jeremy McMurray & the Jazz Pocket Orchestra @ Middlesbrough Town Hall. 8:00pm.

Thu 21: Vieux Carré Jazzmen @ The Holystone, North Tyneside. 1:00pm.
Thu 21: NUJO Jazz Jam @ Bar Loco, Newcastle. 7:00pm. Newcastle University Jazz Orchestra.
Thu 21: Alter Ego @ St James' & St Basil's Church, Newcastle 7:30pm.
Thu 21: Maine Street Jazzmen @ Sunniside Social Club, Gateshead. 8:30pm.
Thu 21: Tees Hot Club @ Dorman's Club, Middlesbrough. 9:00pm.

Fri 22: Mick Shoulder Quartet @ Lit & Phil, Newcastle. 1:00pm. Quartet featuring Alex Clarke (BBC Young Jazz Musician of the Year finalist).
Fri 22: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 22: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm.
Fri 22: Paul Edis Trio w Ruth Lambert @ St Cuthbert's Centre, Crook. 7:30pm.
Fri 22: Michael Feinstein @ Sage Gateshead. 8:00pm.
Fri 22: Peter Morgan Trio @ Prohibition Bar, Newcastle. 8:00pm.

Sat 23: Mary Coughlan @ Gosforth Civic Theatre, Newcastle. 8:00pm.
Sat 23: Têtes de Pois @ The Globe, Newcastle. 8:00pm.

Sun 24 Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon.
Sun 24: Musicians Unlimited @ South Durham Social Club, Hartlepool. 1:00pm.
Sun 24: Voices of Virtue Gospel Choir @ The Globe, Newcastle. 4:00pm.
Sun 24: Milne Glendinning Band @ The Globe, Newcastle. 8:00pm.

Mon 25: Jazz in the Afternoon @ Cullercoats Crescent Club. 1:00pm.

Tue 26: Classic Swing @ Ship inn, Monkseaton. 1:00pm. The post-lockdown resumption of the band’s weekly residency will be fortnightly until further notice.
Tue 26: Jam session @ Black Swan, Newcastle Arts Centre. 8:00pm. The post-lockdown resumption of the Black Swan’s fortnightly jam session.

Saturday, May 25, 2019

Giles Strong Trio @ Bishop Auckland Town Hall - May 24.


Giles Strong, Roly Veitch (guitars); Ian Paterson (bass).
(Review by Jerry/ Photos courtesy of Chris Whittle)

As a nod to the Laurel and Hardy connection (we were in the Laurel café), I had wanted to use the headline, “Another Fine Gig”, but for fear that it might be misconstrued as anything other than a compliment, I decided against it. But it was a fine gig, anyway – a mixture of (mostly) standards and a couple of originals, beautifully performed.

The standards were mostly arranged by Giles Strong, for which he received well-deserved applause at the first name-check and the originals held their own amidst familiar names like Kern and Porter as well as less familiar names (to me) such as Dietz and Schwartz, whose gentle, soothing, Alone Together, closed the gig. I had been looking forward to the performance as, although I have seen all three musicians before, I have never seen Ian Paterson on double bass and had never seen the two guitarists other than with vocalists or playing “gypsy-jazz”, Suffice to say, I was not disappointed!



First up was I’ll Remember April (Gene de Paul) which set the pattern for things to come, with a bass intro and then the two guitarists alternating lead. Nature Boy was written by eden ahbez who insisted on lower case letters for his name as “only God and Infinity deserve capitals”! I’ve heard the song countless times before, but never knew that! I mention that in passing – the knowledge does not change the song or my appreciation of its gentle, Latin-ish rhythms. Cole Porter’s Love for Sale had me noticing the absence of sheet-music today – who needs it when you are this comfortable with the material?

Giles Strong’s Everything Was Beautiful, was the first original – a lovely song, with or without lyrics. Ian Paterson’s solo here caught the attention – closely following the main harmony, all played towards the top end of the double-bass range. Very difficult, I imagine, and very effective here. It was a couple of tunes later before he got any applause for a solo, on Roly’s original, WT Blues (what’s the WT for, Roly?) which is a new tune to me – a nice, funky(?) foot-tapper. He deserved applause at various earlier points in the gig, providing many of the intros and endings to numbers, as well as soloing pleasantly. I suppose applause for every solo would be intrusive in a gig described as “chamber-jazz” where the mood is quite intimate and the volume level almost acoustic?

It wasn’t all about the bass, though, the two guitarists were on top form whether on blues or ballads with clean harmonies and gentle rhythms. On Jerome Kern’s Yesterdays, the bass went silent for a spell and we were treated to a guitar duo exchange which sounded more classical than either of the aforementioned genres. Great!

Unmentioned so far were the gentle Johnny Green ballad, Body and Soul and (another new name to me) George Fragos’ I Hear a Rhapsody which reminded me, obscurely, of the Beatles track, And I Love Her. Not sure why! The penultimate number was introduced as “a simple blues” – Billie’s Blues – on which Giles Strong and Roly Veitch both got a nice groove going and the bass gave us intro, solo, and final notes, again.

Promoter, Mick Shoulder, had introduced the trio as “the smartest band we’ve had here”- all three were suited and Roly even had a tie! Regardless of sartorial elegance he is to be congratulated for bringing such excellent music to Bishop Auckland on a regular basis. There may be a change of venue later this year when the Town Hall undergoes refurbishment, but the gigs will hopefully continue elsewhere. Watch this space…..
Jerry.

2 comments :

JERRY said...

Apologies to the musicians, I seem to have missed a few numbers in my review - ALL OF ME being one (there may have been more).

Roly said...

Thanks Jerry. No you didn't miss any of the set list. WT stands for Whole Tone as the tune is based on a music scale of that name. The town hall is a really lovely venue and well worth a visit to hear the jazz concerts there. Ample cheap parking very close by too.
Roly

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