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Bebop Spoken There

David Binney: "In this age, we musicians need to do anything we can to make a living, and ninety-nine percent of us will have to do a wide variety of things." - (Jazz Times May 2019)

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Until July 21

Today Monday July 15

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden (See above).

Jazz in the Afternoon - Cullercoats Crescent Club, 1 Hudleston, Cullercoats NE30 4QS. Tel: 0191 253 0242. 1:00pm. Free admission.

Evening

Mnozil Brass: Cirque - Gala Theatre, Millennium Place, Durham DH1 1WA. Tel: 0300 266 600. 7:30pm. £23.00. (£19.00. concs.). A Durham Brass Festival event.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Sunday, May 05, 2019

Book Review: Frank R. Hayde - Stan Levey Jazz Heavyweight

One of my first port of calls, when I make my infrequent trips to our capital city, is Judd Books where it has to be said, I've never failed to make a purchase.

This time around, clutched in my sweaty palm was a biography of drummer Stan Levey - Stan Levey Jazz Heavyweight by Frank R. Hayde.*

It's an appropriate title as the future Kenton percussionist did, in his early years, don the gloves in the squared circle - even at Madison Square Gardens fighting on the undercard. This was the 1950s when the fight game was very much mob controlled. If Blinky Palermo or Frankie Carbo told you to go into the tank you dived.
Fortunately, Levey found he could use his fists better holding a pair of drumsticks and, despite being a right-hander, because he'd had no formal training, he set up his drums southpaw style and yet went on to become one of the greatest of modern jazz drummers. 

Levey hung out with Parker in the early days of bebop and, surprise, surprise, he found himself hooked. Like so many of his famous contemporaries, he served time but, unlike most, he found the strength to clean up his act.

In retrospect, I now realise how fortunate I was in hearing Levey with the Paul Smith Trio and Ella at a 1962 JATP gig at Newcastle City Hall. The extrovert Smith tended to hog the limelight so I didn't fully appreciate the drummer at the time.

It was around this time I first heard Richie Kamuka and, later - after Roly Veitch reminded me of how good a tenor player Kamuka was - I started collecting his albums. I now find that Levey plays drums on most of them and, at the time of typing, I'm listening to Grand Stan, from the album of the same name which has Levey going for gold. If he'd fought like he played drums, and had the chance, Marciano would have known he was in a fight!

With a foreword by Charlie Watts, this authorized 2016 biography is a worthy addition to your jazz library.
Lance.
* £4.95 @ Judd Books!

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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance