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Bebop Spoken There

Jimmy Vaughan: "I don't just want to turn out stuff because I'm supposed to. I'm not a plumber. I don't want it to be just a job" - (Downbeat, August 2019)

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Today Monday July 22

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden (See above).

Jazz in the Afternoon - Cullercoats Crescent Club, 1 Hudleston, Cullercoats NE30 4QS. Tel: 0191 253 0242. 1:00pm. Free admission.

Evening

?????.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Saturday, May 11, 2019

Metered Magic: Andrea Vicari Trio @ The Lit & Phil – May 10


Andrea Vicari (piano); Andy Champion (bass); Russ Morgan (drums).  
(Review/photos by Jerry)

Andrea Vicari had worked with Andy Champion and Russ Morgan about 18 months ago on a musical project in the North-East so she sought them out when embarking on a “mini-tour” in the region starting here at that Geordie institution, the Lit & Phil. The reunion was a treat of a mini-gig (the usual one hour format) for the close-to-capacity room which ended with Andrea Vicari struggling to name-check our local heroes above the noise of enthusiastic and sustained applause!


The one-hour format often seems too short and here it necessitated some changes to the set-list: we never got to hear Softly, As in a Morning Sunrise and the last two numbers were “merged” (Vicari’s word) as the clock ticked remorselessly past 1.55. But what a merger it was – Johnny Green’s Body and Soul by way of an extended piano solo and then (my words) “it went all Monk-ish” in the biggest contrast imaginable and we were swinging along to Well, You Needn’t! This seemed to be done even faster than the original with Keystone Cops and a bit of Rhapsody in Blue thrown into the mix: it was immense fun bringing more smiling faces (pretty much everyone in the room!) than can be mustered at the average jazz gig. They don’t do average at the Lit & Phil! Earlier, in between numbers, the pianist had donned her glasses to check the audience reaction: if she remained in any doubt about their approval at the end, well she needn’t!

An original, Get Busy Living, had got the gig off to a driving start with a drummed intro which reminded me a little of the Paul Edis Sextet’s Administrate This. I got a close view of the drumming throughout the gig being able, unusually, to see both feet as well as the drummer’s hands. Someday My Prince Will Come featured a lot of brush-work including a fade to a whisper at the end while Russ Morgan drummed with his hands for much of their rousing version of Caravan. Elsewhere were sticks, mallets and some prestidigitation with a mobile-phone which enabled him to top up his parking seemingly in mid-tune! How’s that for dexterity? Close parking is essential when lugging double-bass or drum-kit to a gig and here it’s strictly one hour a go so musicians need good timing. Andy Champion’s low-tech solution was to leg it back to the car, seconds before kick-off. I hope that worked, too.


Jagged Stacks, another original was an evocative piece (inspired by rock-formations near Wick) with lots of variation of volume and a crashing ending. It put me in mind of the changing moods of the sea swirling around rocks. Don’t know if that was the intention, but my mind has a mind of its own! Punching Out was a world-premiere, apparently, and it, too, featured “big volume in the left hand” (my highly technical scribblings). Other, probably inaccurate, scribblings included “long, symphonic intro” and “big chords” on You Don’t Know What Love Is. Throughout, in a totally untechnical way, I really loved the piano playing. One spectator, on leaving, was heard to observe (he meant this as, and I repeat it as, a compliment): “That was great – she’s not afraid to attack the piano”. I’m sure Monk would have approved!
           
Sadly there was no time for an encore – more meters to feed!
Jerry

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance