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Bebop Spoken There

Billy Cobham: "Miles said to us, 'Don't play in between takes,' so of course John [McLaughlin] played in between takes." - (JazzTimes, Nov. 2019).

Archive

Today Thursday November 21

Afternoon

Jazz

Vieux Carré Jazzmen - Holystone, Whitley Road, Holystone NE27 0DA. Tel: 0191 266 6173. 1:00pm. Free.

Evening

Jazz

Brand New Heavies - Riverside, Neptune House, Close, Newcastle NE1 3RQ. 7:00pm. £25.00.

Alice Grace-Jordan Alfonso Quintet - St James' & St Basil's Church, Fenham Hall Drive, Fenham, Newcastle NE4 9EJ. 7:30pm. £8.00. (£4.00. student).

Son Yambu - Whorlton Village Hall, Barnard Castle DL12 8XD. Tel: 01833 627253. 7:30pm. £10.00., £5.00. child, £25.00. family.

Maine Street Jazzmen - Sunniside Social Club, Hollywell Lane, Sunniside, Gateshead NE16 5NJ. Tel: 0191 488 7347. 8:30pm. Free.

Tees Hot Club w. Dan Johnson (tenor sax); Donna Hewitt (slto sax); Dave Archbold (keys). - Dorman’s Club, Oxford Road, Middlesbrough TS5 5DT. Tel: 01642 823813. 8:30pm. Free.

New Orleans Preservation Jazz Band - Oxbridge, Oxbridge Lane, Stockton on Tees TS18 4AW. 8:30pm. £2.50.

Blues/Soul/Funk/Etc.

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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Saturday, May 11, 2019

Metered Magic: Andrea Vicari Trio @ The Lit & Phil – May 10


Andrea Vicari (piano); Andy Champion (bass); Russ Morgan (drums).  
(Review/photos by Jerry)

Andrea Vicari had worked with Andy Champion and Russ Morgan about 18 months ago on a musical project in the North-East so she sought them out when embarking on a “mini-tour” in the region starting here at that Geordie institution, the Lit & Phil. The reunion was a treat of a mini-gig (the usual one hour format) for the close-to-capacity room which ended with Andrea Vicari struggling to name-check our local heroes above the noise of enthusiastic and sustained applause!


The one-hour format often seems too short and here it necessitated some changes to the set-list: we never got to hear Softly, As in a Morning Sunrise and the last two numbers were “merged” (Vicari’s word) as the clock ticked remorselessly past 1.55. But what a merger it was – Johnny Green’s Body and Soul by way of an extended piano solo and then (my words) “it went all Monk-ish” in the biggest contrast imaginable and we were swinging along to Well, You Needn’t! This seemed to be done even faster than the original with Keystone Cops and a bit of Rhapsody in Blue thrown into the mix: it was immense fun bringing more smiling faces (pretty much everyone in the room!) than can be mustered at the average jazz gig. They don’t do average at the Lit & Phil! Earlier, in between numbers, the pianist had donned her glasses to check the audience reaction: if she remained in any doubt about their approval at the end, well she needn’t!

An original, Get Busy Living, had got the gig off to a driving start with a drummed intro which reminded me a little of the Paul Edis Sextet’s Administrate This. I got a close view of the drumming throughout the gig being able, unusually, to see both feet as well as the drummer’s hands. Someday My Prince Will Come featured a lot of brush-work including a fade to a whisper at the end while Russ Morgan drummed with his hands for much of their rousing version of Caravan. Elsewhere were sticks, mallets and some prestidigitation with a mobile-phone which enabled him to top up his parking seemingly in mid-tune! How’s that for dexterity? Close parking is essential when lugging double-bass or drum-kit to a gig and here it’s strictly one hour a go so musicians need good timing. Andy Champion’s low-tech solution was to leg it back to the car, seconds before kick-off. I hope that worked, too.


Jagged Stacks, another original was an evocative piece (inspired by rock-formations near Wick) with lots of variation of volume and a crashing ending. It put me in mind of the changing moods of the sea swirling around rocks. Don’t know if that was the intention, but my mind has a mind of its own! Punching Out was a world-premiere, apparently, and it, too, featured “big volume in the left hand” (my highly technical scribblings). Other, probably inaccurate, scribblings included “long, symphonic intro” and “big chords” on You Don’t Know What Love Is. Throughout, in a totally untechnical way, I really loved the piano playing. One spectator, on leaving, was heard to observe (he meant this as, and I repeat it as, a compliment): “That was great – she’s not afraid to attack the piano”. I’m sure Monk would have approved!
           
Sadly there was no time for an encore – more meters to feed!
Jerry

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance