Bebop Spoken There

Joe Alterman: ''All I wanted to do growing up was to sound like Erroll Garner playing "Poor Butterfly." I thought that was the coolest sound I'd ever heard.'' (DownBeat November, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

19,105 (and counting) posts since we started blogging 18 years ago. 969 of them this year alone and, so far this month (Nov. 14) 39.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

November

Sun 15: Lianne Carroll: Jazz Vocal Weekend Workshop @ The Globe, Newcastle. 9:30am-5:00pm. Day 2/2. SOLD OUT!
Sun 15: Michael Young Trio @ The Engine Room, Sunderland. 2:30pm. Free.
Sun 15: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 15: James Birkett & Emma Fisk @ The Waiting Room, Eaglescliffe. 7:00pm. £48.18 (to include dinner); £17.43 (concert only).
Sun 15: Sarah Gillespie & Chris Montague @ Cluny 2, Newcastle. 7:30pm (doors). £18.00.
Sun 15: Liane Carroll @ The Globe, Newcastle. 8:00pm. £14.00., £12.00., £7.00. Solo performance. SOLD OUT!

Mon 16: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 17: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Jacob Egglestone, Paul Grainger, Joe Deans.
Tue 17: Grammy Season (Laubrock/Seabrook/Lovato/Rainey) @ Central Bar, Gateshead. 8:00pm. JNE.

Wed 18: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 18: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 18: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 19: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 19: Papa G’s Troves @ Newcastle Arts Centre. 7:30pm. Free (donations).
Thu 19: Marina Josephina @ Pilgrim, Newcastle. £10.60; £10.60.; £8.50 Early Bird.

Fri 20: Zoë Gilby & Andy Champion: The Music of Duke Ellington @ The Lit & Phil, Newcastle. 1:00pm. SOLD OUT!
Fri 20: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 20: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 20: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 20: Customs House Big Band @ Sunderland Minster. 7:30pm.

Sat 21: Pete Tanton Duo @ Awesome Frank’s, West Jesmond Metro Station, Newcastle. 7:30pm. £8.00.
Sat 21: Paul Skerritt Big Band @ The Westovian Theatre, South Shields. 7:30pm. £18.00.

Monday, May 27, 2019

CD Review: The Last Taxi - New Destinations


Chiara Liuzzi (voice, electronics, sound objects), Giorgia Santoro (flute, bass flute, bansuri, xiao, piccolo, voice, effects), Adolfo La Volpe (guitar, live electronics), Giacomo Mongelli (drums), Chris Rathbun (bass), Pat Battstone (piano).
(Review by Steve T)

Ethnic sounding flute and female voice with something going on behind. I knew this was going to be a tricky review, with three out of six musicians playing electronics, sound objects, effects and live electronics, not to mention a couple of instruments I've never heard of. Anybody who would be interested in it will probably have already made up their minds.


Track two evolves into something resembling a jazz piano trio, then voice - and possibly some discernible lyrics - before some unusual guitar chords joined in, then flute.

Some breathing and sound-effects lead into another piano trio, plus more obscure, obtuse guitar chords, then joined by one of the flute family before it settles into a basic rock rhythm, giving the whole thing some welcome release.

Piano, heavy breathing, some effects, guitar but this time it's a long piece to sustain. And so it goes on though becoming increasingly difficult to maintain interest.

Until track ten of thirteen. Morning in a Japanese Garden   with some Far East Asian sounding instrumentation and vocalising, joined by some lovely, tasteful ivory tinkling bringing a contrasting Western flavour.

I'd love to say the album is better than my futile adjectives suggest but, if I'm honest, I suspect I'm making it sound better than it actually is. While there is a market for this type of thing, I doubt if anybody from the regular Bebop Spoken Here team are equipped to do it justice. Ann Alex claims she has been promoted to reviewing instrumental albums so perhaps I've been demoted to reviewing a vocal album, although I remain uncertain whether there are any recognisable words.

I don't dislike it and some of it's very good, and I'm not averse to interludes, provided they enhance the jouissance, here the best bits would work fine as interludes, but fall short as highlights.

I suspect it will be far more interesting live and I would certainly try to catch them if they played the North East, so perhaps that's where they could sell it.
Steve T 

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