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Bebop Spoken There

Dee Dee Bridgewater: “ Our world is becoming a very ugly place with guns running rampant in this country... and New Orleans is called the murder capital of the world right now ". Jazzwise, May 2024.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

16382 (and counting) posts since we started blogging 16 years ago. 262 of them this year alone and, so far, 59 this month (April 20).

From This Moment On ...

April

Mon 22: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 23: Vieux Carre Hot 4 @ Victoria & Albert Inn, Seaton Delaval. 12:30-3:30pm. £12.00. ‘St George’s Day Afternoon Tea’. Gig with ‘Lashings of Victoria Sponge Cake, along with sandwiches & scones’.
Tue 23: Jalen Ngonda @ Newcastle University Students’ Union. POSTPONED!

Wed 24: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 24: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 24: Sinatra: Raw @ Darlington Hippodrome. 7:30pm. Richard Shelton.
Wed 24: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 24: Death Trap @ Theatre Royal, Newcastle. 7:30pm. Rambert Dance Co. Two pieces inc. Goat (inspired by the music of Nina Simone) with on-stage musicians.

Thu 25: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 25: Jim Jams @ King’s Hall, Newcastle University. 1:15pm. Jim Jams’ funk collective.
Thu 25: Gateshead Jazz Appreciation Society @ Gateshead Central Library, Gateshead. 2:30pm.
Thu 25: Death Trap @ Theatre Royal, Newcastle. 7:30pm. Rambert Dance Co. Two pieces inc. Goat (inspired by the music of Nina Simone) with on-stage musicians.
Thu 25: Jeremy McMurray & the Pocket Jazz Orchestra @ Arc, Stockton. 8:00pm.
Thu 25: Kate O’Neill, Alan Law & Paul Grainger @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig.
Thu 25: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm. Guests: Richie Emmerson (tenor sax); Neil Brodie (trumpet); Adrian Beadnell (bass); Garry Hadfield (keys).

Fri 26: Graham Hardy Quartet @ The Gala, Durham. 1:00pm. £8.00.
Fri 26: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 26: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 26: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 26: Paul Skerritt with the Danny Miller Big Band @ Glasshouse, Gateshead. 8:00pm.
Fri 26: Abbie Finn’s Finntet @ Traveller’s Rest, Darlington. 8:00pm. Opus 4 Jazz Club.

Sat 27: Abbie Finn Trio @ The Vault, Darlington. 6:00pm. Free.
Sat 27: Papa G’s Troves @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig.

Sun 28: Musicians Unlimited @ Jackson’s Wharf, Hartlepool. 1:00pm. Free.
Sun 28: More Jam Festival Special @ The Globe, Newcastle. 2:00pm. Free. A ’10 Years a Co-op’ festival event.
Sun 28: Swing Dance workshop @ The Globe, Newcastle. 2:00-4:00pm. Free (registration required). A ’10 Years a Co-op’ festival event.
Sun 28: 4B @ The Ticket Office, Whitley Bay Metro Station. 3:00pm. Free.
Sun 28: Scott Bradlee's Postmodern Jukebox: The '10' Tour @ Glasshouse International Centre for Music, Gateshead. 7:30pm. £41.30 t0 £76.50.
Sun 28: Alligator Gumbo @ The Globe, Newcastle. 8:00pm. A ’10 Years a Co-op’ festival event.
Sun 28: Jerron Paxton @ The Cluny, Newcastle. Blues, jazz etc.

Monday, May 27, 2019

CD Review: Partisans - NIT DE NIT


Phil Robson (guitar), Julian Siegel (tenor and soprano saxophone, bass clarinet), Thaddeus Kelly (bass guitar), Gene Calderazzo (drums). 
(Review by Chris)  

My latest foray into the shadow world of reviewing for Bebop Spoken Here.... rendezvous with the boss at Sage before the big gig (Kamasi Washington, BSH passim). Lance rocks up dispensing CDs to his acolytes... what’s in his oh so stylish plastic carrier bag this time? Well, on the night of the current giant of the tenor (?), what else but three sax led albums  - The Three Tenors”? 


The first of these a live album by Partisans, led by Phil Robson on guitar plus Julian Siegel on saxes and bass clarinet.  I wasn’t familiar with this UK-based band, or the members, but they have serious pedigree, together and individually, stretching back 20 years and more. Their music is variously reported as jazz-rock, fusion, post-bop or even “post-jazz”, but as futile as these labels are, I’d say they are still in the “jazz” fold somewhere. 

They have their own distinctive voice and direction, but there are clear echoes of Soft Machine, electric Miles, Weather Report or even Mahavishnu. The lead alternates between reeds and guitar, over a powerful and sophisticated beat (yes, he is Joey’s brother) and grooving bass (from rock to wandering funk lines and back again).  

The album kicks off with a phrase from Bird’s 1947 Klact-Oveeseds-tene, which is then taken to the Max by all members of the band in homage to Mr. Roach, with the tune energetically worked over alternately by sax and guitar.   TheThat’s Not His Bag (from the airport carousel, apparently) features repeated guitar and bass riffs, Nucleus-style, with fluent, interlocking soloing from sax throughout.  

The title track is more urgent, cutting loose with angular lines and free sections driven by frantic (but precise) fireworks from the rhythm section.  Another change in direction for Bowie’s John I'm Only Dancing given a lengthy, luxurious blues treatment.  
Heavy rock riffs and withering overdriven guitar dominate The Overthink, over bubbling bass lines, punctuated by occasional quieter sections  - these guys aren’t short of confidence.  A languorous and thoughtful Latin-tinged number - EG (after Gismonti) - follows, with subtle, shuffling percussion and flying licks bounced between soprano and guitar.  

Pork Scratching hits a more jazz-rock note, with guitar effects to the fore, before the album closes with Last Chance. Starting with ruminant bass clarinet and pensive guitar, this gives way to another, more energetic Nucleus-style bass riff driving some sublime guitar pyrotechnics.  

Altogether, a very engaging, stimulating and varied work which has grown on me a lot through repeated listening.  I'd certainly like to catch them live on the basis of this recording, and I’ll be checking out their other albums and projects.  
Chris Kilsby 
Nearest gig on their 2019 tour:  September 22 at Scarborough Jazz Festival  
Release date: 17/05/2019 Whirlwind Recordings  

1 comment :

Hugh said...

Regarding the plastic bag of goodies...

...in the winter, the gaffer sports a stylish greatcoat with generous pockets in the lining, from which the CDs are dispensed.

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