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Bebop Spoken There

Ethan Iverson: "I asked Bertha [Hope] if she ever used the word "contrafact" to describe the process of writing new tunes over old changes, and she replied, "Of course not. The only people who used that word went to a university to learn about jazz."" - (Jazz Times March 2020).

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The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

COFID- 19

In the current climate we are doing our best to keep everyone up to date. All gigs, as we all know, are off.

However, good old YouTube has plenty to offer both old and new to help us survive whilst housebound. Plus now is a good time to stock up on your CDs.

Also, keep an eye out for live streaming sessions.

Alternatively, you could do as they do in Italy and sing from your balcony.

Today

As we all know there are no live gigs taking place in the immediate future. However, any links to jazz streaming that are deemed suitable - i.e. with a professional approach - will be considered for posting.

Wednesday, May 22, 2019

Oscar Jerome @ Sage Gateshead – May 21


The stage was all shafts of purple and red lights and dry ice, with the instruments for the main act set up towards the back. Sage 1 was about two thirds full and Oscar Jerome (guitar) and the band (bass guitar, drums, keys doubling tenor sax) stood out front stage. I didn't catch the names of the rest of the band, nor most of the titles of the tunes, not sure if this was because of indistinct speech or cloth ears on my part.

The first song had Misty in the title*, with skilled guitar but I couldn't quite detect a direction to the music, maybe contemporary song, with solos from keys, a steady beat, and a feeling almost of outer space during the sax solo.

Then came an instrumental with a bit of wordless singing from our guitarist, ending with a drum solo. The next piece was from a forthcoming CD, called Gravitate I think, with song-like guitars. The final piece was rounded off by a jazz-like sax solo with a wild free-jazz feel on the final notes.

Any support act which precedes a band such as Kamasi Washington has a difficult task to do. I'd suggest a more distinct direction would have helped, simpler tunes with stronger variations.
Ann Alex

* Misty Head.

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