Bebop Spoken There

Ludovic Beier (Django Festival Allstars): ''Manouche means 'free man,' and gypsies have been travelers since they migrated west from India to Europe.'' (DownBeat March, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18383 (and counting) posts since we started blogging 18 years ago. 247 of them this year alone and, so far this month (Mar. 17 ), 57

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Saturday, May 11, 2019

Keswick Jazz & Blues Festival: Barnes plays Hodges - May 10


Alan Barnes (alto sax); Richard Exall (tenor sax); Jamie Brownfield (trumpet); Ian Bateman (trombone); Brian Kellock (piano); Bruce Rollo (double bass); Tom Gordon (drums)
(Review by Russell)

Johnny Hodges, small group, early fifties, full house...not quite. The word was that some of Keswick Jazz and Blues Festival's patrons thought it dangerously modern and went off looking for a banjo. So, Southey St Church was busy but not bursting at the seams. The ubiquitous Alan Barnes led an all-star line-up in what would prove to be a wonderful celebration of Ellington's alto saxophonist affectionately known as 'Jeep' or 'Rabbit'. 


Those early fifties' years found Hodges doing what he did with Duke - playing blues and ballads, only during this period it was in a swinging small group scenario. Globetrotter for openers and for the next couple of hours Barnes and co played brilliantly with the band leader's inimitable, hilarious introductions and asides threading the whole thing together.  

Frisky - a cue for Barnes: Do you remember feeling like that? - featured Ian Bateman's classy trombone playing and Richard Exall's commanding tenor sax. Barnes introduced the rhythm section: A marvellous swinging drummer - Tom Gordon...and, playing fine walking lines - Bruce Rollo, and at the piano - the world class Brian Kellock. To AB's left, Jamie Brownfield. What a great trumpet player and, what's more, he's of the new generation. Barnes himself featured on Passion Flower, Exall featured with the rhythm section on In a Sentimental Mood (superb) and two hours later the Hodges' tribute went out cookin' on The Jeep is Jumpin' and Shady Side of the Street with not a banjo in sight.  
Russell 

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