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Bebop Spoken There

JD Allen: "...art in itself is now a luxury that you need a lot of finances to do." - (DownBeat October 2021)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.
Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST! --

Postage

13,822 (and counting) posts since we started blogging 13 years ago. 1239 of them this year alone and, so far, 66 this month (Oct. 18).

From This Moment On ...

October

Wed 20: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 20: Darlington Big Band @ Darlington & Simpson Rolling Mills Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 20: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.
Wed 20: Jeremy McMurray & the Jazz Pocket Orchestra @ Middlesbrough Town Hall. 8:00pm.

Thu 21: Vieux Carré Jazzmen @ The Holystone, North Tyneside. 1:00pm.
Thu 21: NUJO Jazz Jam @ Bar Loco, Newcastle. 7:00pm. Newcastle University Jazz Orchestra.
Thu 21: Alter Ego @ St James' & St Basil's Church, Newcastle 7:30pm.
Thu 21: Maine Street Jazzmen @ Sunniside Social Club, Gateshead. 8:30pm.
Thu 21: Tees Hot Club @ Dorman's Club, Middlesbrough. 9:00pm.

Fri 22: Mick Shoulder Quartet @ Lit & Phil, Newcastle. 1:00pm. Quartet featuring Alex Clarke (BBC Young Jazz Musician of the Year finalist).
Fri 22: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 22: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm.
Fri 22: Paul Edis Trio w Ruth Lambert @ St Cuthbert's Centre, Crook. 7:30pm.
Fri 22: Michael Feinstein @ Sage Gateshead. 8:00pm.
Fri 22: Peter Morgan Trio @ Prohibition Bar, Newcastle. 8:00pm.

Sat 23: Mary Coughlan @ Gosforth Civic Theatre, Newcastle. 8:00pm.
Sat 23: Têtes de Pois @ The Globe, Newcastle. 8:00pm.

Sun 24 Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon.
Sun 24: Musicians Unlimited @ South Durham Social Club, Hartlepool. 1:00pm.
Sun 24: Voices of Virtue Gospel Choir @ The Globe, Newcastle. 4:00pm.
Sun 24: Milne Glendinning Band @ The Globe, Newcastle. 8:00pm.

Mon 25: Jazz in the Afternoon @ Cullercoats Crescent Club. 1:00pm.

Tue 26: Classic Swing @ Ship inn, Monkseaton. 1:00pm. The post-lockdown resumption of the band’s weekly residency will be fortnightly until further notice.
Tue 26: Jam session @ Black Swan, Newcastle Arts Centre. 8:00pm. The post-lockdown resumption of the Black Swan’s fortnightly jam session.

Saturday, May 11, 2019

Blue Light - the Duke Ellington Society UK magazine


The Duke Ellington Society UK printed Cormac's article in the Spring 2019 edition of their house organ - Blue Light - acknowledging BSH as the source of the material.

The DESUK's then editor, Ian Bradley, who has since stepped down, kindly acceded to my request to view the magazine - I was delighted when Vice Chairman/Editorial Consultant Roger Boyes kindly sent me the current one plus the previous issue - Winter  2018.
The magazines are an absolute joy for anyone who is Ellington inclined - is there a jazz fan who isn't?  A super glossy production that reduces fashion magazines such as Vogue to the level of a daily tabloid by comparision. Naturally, the content is 100% Ellington ranging from a 1940, somewhat unusual interview/portrait by Jack Sher, that first appeared in the Detroit Free Press on March 10 of that year, to an in-depth look at Duke's Peer Gynt Suite.

Anna Celenza discusses the initial reactions in both Norway and America to Ellington's, or, as was later revealed, Strayhorn's masterpiece. It was banned for many years in Norway and dismissed in the US by classicists. Ms Celenza gives a description of Ibsen's play that inspired Greig and, not only Ellington, but a group called the Six Brown Brothers who recorded a piece called Peter Gink! There were others but, surprisingly, the writer doesn't write about the actual players on the Ellington recording causing me to wonder if she'd actually listened to it.

Nevertheless, it's an interesting article and essential reading for Ellingtonians (or should that be Dukists?) along with more on the Coventry Cathedral gig (is referring to a concert in a cathedral as a gig sacrilege?)

To find out more about this wonderful organisation click here.
Lance

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