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Bebop Spoken There

Steve Fishwick: “I can’t get behind the attitude that new is always somehow better than old”. (Jazz Journal, April 15, 2019).

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

16542 (and counting) posts since we started blogging 16 years ago. 422 of them this year alone and, so far, 29 this month (June 17).

From This Moment On ...

June

Sun 23: Paul Skerritt @ Hibou Blanc, Newcastle. 2:00pm.
Sun 23: More Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 23: Matt Carmichael @ St Mary’s Church, Wooler. 3:00pm. Carmichael (saxophone), Fergus McCreadie (piano), Charlie Stewart (fiddle). ‘Scottish jazz, folk-roots & landscape’ Wooler Arts: Summer Concerts.
Sun 23: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 23: Tweed River Jazz Band @ Barrels Ale House, Berwick. 7:00pm. Free.
Sun 23: Bede Trio @ The Globe, Newcastle. 8:00pm.
Sun 23: Leeway @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig.
Sun 23: Jazz Jam @ Fabio’s Bar, Saddler St., Durham. 8:00pm. Free. A Durham University Jazz Society event. All welcome.

Mon 24: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 24: Remy CB @ The Hoppings, Newcastle Town Moor NE2 3NH. 5:00-7:00pm.

Tue 25: Louise Dodds & Elchin Shirinov @ The Black Swan, Newcastle. 8:00pm.

Wed 26: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 26: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 26: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 27: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 27: Jeremy McMurray & the Pocket Jazz Orchestra @ Arc, Stockton. 8:00pm.
Thu 27: The Joni Project @ The Globe, Newcastle. 8:00pm. Joni Mitchell.
Thu 27: Lindsay Hannon’s Tom Waits for No Man @ Harbour View, Roker, Sunderland. 8:00pm.
Thu 27: Merlin Roxby @ Prohibition Bar, Newcastle. 8:00pm. Free. Ragtime piano. A ‘Jar on the Bar’ gig.
Thu 27: Loco House Band @ Bar Loco, Newcastle. 8:00pm. Free.
Thu 27: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm. Guests: Richie Emmerson (tenor sax); Neil Brodie (trumpet); Garry Hadfield (keys); Adrian Beadnell (bass)

Fri 28: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 28: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 28: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 28: Pete Tanton’s Chet Set @ Warkworth War Memorial Hall. 7:30pm. £10.00.
Fri 28: Paul Edis Trio @ St Cuthbert’s Centre, Crook. 7:30pm.
Fri 28: Ant Law, Alex Hitchcock, Jasper Høiby & Sun-Mi Hong @ The Glasshouse, Gateshead. 8:00pm. £15.40., £13.20.

Sat 29: Spat’s Langham’s Hot Fingers @ St Augustine's Parish Centre, Darlington. 12:30pm. Darlington New Orleans Jazz Club.
Sat 29: Vermont Big Band @ Seahorse Pub, Whitley Bay Football Club. 7:30pm. £10.00. (inc. hot buffet).
Sat 29: Papa G’s Troves @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig.

Thursday, May 16, 2019

Recitals @ Newcastle University: Alex Utting (trombone); Ben Fitzgerald (drums) - May 15,16

(Reviewed by Russell)

It's the time of year when some music students are obliged to get out of bed before Emmerdale starts...yes, those long-awaited recitals are taking place throughout the month of May and here at Newcastle University students are preparing for the ordeal of their lives. BSH attended two recitals - one yesterday (Wednesday) and one this morning. 

At 5:20pm yesterday with the sun streaming through the windows of King's Hall trombonist Alex Utting walked the long walk from an adjacent corridor to the floor of King's Hall. The audience greeted the examinee with encouraging applause as the examiners took their seats in front of fired-up laptops. Utting is known to BSH as the bass trombone man in the dynamic student Bold Big Band. Utting's recital - Minor Specialist Study in Performance Final Recital - didn't include any jazz, this was to be a heavyweight classical examination.


Utting performed three pieces, the first of which - Concertino in E-flat for Trombone (Ferdinand David) - included accompaniment at a Steinway grand by renowned pianist Eileen Bown. Utting's programme notes observed: In 1835 he [David] became concertmaster at the Gewandhaus concert hall in Leipzig, working alongside Mendelssohn. He kept this position for the rest of his life. So, a nice, easy start! 

To conclude his recital Utting played two solo pieces - Sonata for Solo Trombone  (Barney Childs) and Malcolm Arnold's Fantasy for Trombone Op. 101 - without the support of an experienced accompanist alongside. First, Childs with Utting noting [the avant-garde composer's] performance notes give the performer complete control of how to play the piece and essentially leaves the performance entirely up to chance. Ah, a bit like having a blow at a jam session! 

Utting wrote of Malcolm Arnold's composition: The piece makes use of the full range of the trombone...So, Alex, those Dun Cow big band gigs came in handy after all! 
----- 
At 11:25 this morning the Band Room in the Music Studios on Assembly Lane was so crowded some sat on the floor. They were there to show support for Ben Fitzgerald. Family, friends, fellow students and a few faces from the local jazz scene readied themselves for a loud, groove-laden funk 'n' soul performance which, in retrospect, could well have gone down a storm up the road at Hoochie Coochie. 

Benjamin D. Fitzgerald: Minor Specialist Study: Performance Final Recital sounds rather grand, undoubtedly important, but the presence on the stand of four other familiar faces - familiar to BSH's Tyneside readers - would surely put the drummer at his ease. Entering the room Ben took a bow then, without a word, let his performance do the talking for him. 

Love is the Message (comp. Alfa Mist & Yussef Dayes) re-arranged by the examinee set the pattern; full-on, relentless groove. Aiding and abetting Ben were, to his left, Jamie 'Jingles' Mackay (guitar, Linnstrument) and Tom Dixon (alto sax), to his right, Inês Gonçalves (keyboards, vocals) and bassist Adam Cornell. Ben fully concentrated the others equally so, really into it. It was clear to all that they had been in the practice room. 

Three further pieces (all original compositions) acknowledged a stylistic debt to neo-jazz, Latin and Afro-Cuban sources. Portraits - You're gonna wishPortraits - Faded and Portraits - Like I Saw You demonstrated Ben's understanding of drum patterns, drum 'n' bass feel and the influence of major names including Thundercat's Justin Brown and Erykah Badu's Cleon Edwards. 

The Band Room audience loved it, whooping and hollering its approval. If the examiners were of a similar mind Benjamin D Fitzgerald will graduate with honours. 
Russell     

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