Total Pageviews

Bebop Spoken There

Victor Wooten: "People don't expect to have bass players get together and sound like music and not just like a bunch of elephants" (JazzTimes April, 2022)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.
Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST! --

Postage

14226 (and counting) posts since we started blogging 14 years ago. 445 of them this year alone and, so far, 45 this month (May 13).

From This Moment On ...

May.

Tue 17: Jam session @ Black Swan, Newcastle. 7:30pm. House trio: Stu Collingwood, Paul Grainger, Abbie Finn.

Wed 18: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 18: Darlington Big Band @ Darlington & Simpson Rolling Mills Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 18: Four @ The Exchange, North Shields. 7:00pm.
Wed 18: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.

Thu 19: Vieux Carré Jazzmen @ The Holystone, North Tyneside. 1:00pm.
Thu 19: Gateshead Jazz Appreciation Society @ Gateshead Central Library. 3:00-5:00pm. £1.00. All welcome.
Thu 19: Castillo Nuevo @ Revoluçion de Cuba, Newcastle. 5:30-8:30pm.
Thu 19: Maine Street Jazzmen @ Sunniside Social Club, Gateshead. 8:30pm.
Thu 19: 58 Jazz Collective @ Dorman’s Club, Middlesbrough. 9:00pm. TBC.

Fri 20: Andrea Vicari Trio @ Lit & Phil, Newcastle. 1:00pm. Vicari (piano), Andy Champion (double bass), Abbie Finn (drums).
Fri 20: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 20: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm.
Fri 20: Rendezvous Jazz @ The Monkseaton Arms, Monkseaton. 1:00pm.
Fri 20: Swing Bridge @ Garden House Coffee, Hallgate, Hexham. 4:05pm.
Fri 20: Castillo Nuevo @ Revoluçion de Cuba, Newcastle. 5:30-8:30pm.
Fri 20: Customs House Big Band w Ruth Lambert @ Exchange, North Shields. 7:30pm.
Fri 20: Andrea Vicari Trio @ Traveller’s Rest, Darlington. 8:00pm. £12.00. Opus 4 Jazz Club. Vicari (piano), Andy Champion (double bass), Abbie Finn (drums).

Sat 21: Elkie Brooks @ Whitley Bay Playhouse. 7:30pm.
Sat 21: Jools Holland’s R & B Orchestra @ The Hippodrome, Darlington. 7:30pm.
Sat 21: Milne-Glendinning Band @ Prohibition Bar, Newcastle. 8:00pm.

Sun 22 Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon.
Sun 22: More Jam @ The Globe, Newcastle. 3:00pm. Free.
Sun 22: Foundry Jazz Ensemble @ The Exchange, North Shields. 3:00pm.
Sun 22: Abstract Orchestra plays J Dilla @ Wylam Brewery, Newcastle. 7:30pm.
Sun 22: Panharmonia @ The Globe, Newcastle. 8:00pm. £10.00 adv., £12.00. door.

Mon 23: Jazz in the Afternoon @ Cullercoats Crescent Club. 1:00pm.

Thursday, May 16, 2019

Recitals @ Newcastle University: Alex Utting (trombone); Ben Fitzgerald (drums) - May 15,16

(Reviewed by Russell)

It's the time of year when some music students are obliged to get out of bed before Emmerdale starts...yes, those long-awaited recitals are taking place throughout the month of May and here at Newcastle University students are preparing for the ordeal of their lives. BSH attended two recitals - one yesterday (Wednesday) and one this morning. 

At 5:20pm yesterday with the sun streaming through the windows of King's Hall trombonist Alex Utting walked the long walk from an adjacent corridor to the floor of King's Hall. The audience greeted the examinee with encouraging applause as the examiners took their seats in front of fired-up laptops. Utting is known to BSH as the bass trombone man in the dynamic student Bold Big Band. Utting's recital - Minor Specialist Study in Performance Final Recital - didn't include any jazz, this was to be a heavyweight classical examination.


Utting performed three pieces, the first of which - Concertino in E-flat for Trombone (Ferdinand David) - included accompaniment at a Steinway grand by renowned pianist Eileen Bown. Utting's programme notes observed: In 1835 he [David] became concertmaster at the Gewandhaus concert hall in Leipzig, working alongside Mendelssohn. He kept this position for the rest of his life. So, a nice, easy start! 

To conclude his recital Utting played two solo pieces - Sonata for Solo Trombone  (Barney Childs) and Malcolm Arnold's Fantasy for Trombone Op. 101 - without the support of an experienced accompanist alongside. First, Childs with Utting noting [the avant-garde composer's] performance notes give the performer complete control of how to play the piece and essentially leaves the performance entirely up to chance. Ah, a bit like having a blow at a jam session! 

Utting wrote of Malcolm Arnold's composition: The piece makes use of the full range of the trombone...So, Alex, those Dun Cow big band gigs came in handy after all! 
----- 
At 11:25 this morning the Band Room in the Music Studios on Assembly Lane was so crowded some sat on the floor. They were there to show support for Ben Fitzgerald. Family, friends, fellow students and a few faces from the local jazz scene readied themselves for a loud, groove-laden funk 'n' soul performance which, in retrospect, could well have gone down a storm up the road at Hoochie Coochie. 

Benjamin D. Fitzgerald: Minor Specialist Study: Performance Final Recital sounds rather grand, undoubtedly important, but the presence on the stand of four other familiar faces - familiar to BSH's Tyneside readers - would surely put the drummer at his ease. Entering the room Ben took a bow then, without a word, let his performance do the talking for him. 

Love is the Message (comp. Alfa Mist & Yussef Dayes) re-arranged by the examinee set the pattern; full-on, relentless groove. Aiding and abetting Ben were, to his left, Jamie 'Jingles' Mackay (guitar, Linnstrument) and Tom Dixon (alto sax), to his right, Inês Gonçalves (keyboards, vocals) and bassist Adam Cornell. Ben fully concentrated the others equally so, really into it. It was clear to all that they had been in the practice room. 

Three further pieces (all original compositions) acknowledged a stylistic debt to neo-jazz, Latin and Afro-Cuban sources. Portraits - You're gonna wishPortraits - Faded and Portraits - Like I Saw You demonstrated Ben's understanding of drum patterns, drum 'n' bass feel and the influence of major names including Thundercat's Justin Brown and Erykah Badu's Cleon Edwards. 

The Band Room audience loved it, whooping and hollering its approval. If the examiners were of a similar mind Benjamin D Fitzgerald will graduate with honours. 
Russell     

No comments :

Blog Archive