Bebop Spoken There

Joe Alterman: ''All I wanted to do growing up was to sound like Erroll Garner playing "Poor Butterfly." I thought that was the coolest sound I'd ever heard.'' (DownBeat November, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

19,105 (and counting) posts since we started blogging 18 years ago. 969 of them this year alone and, so far this month (Nov. 14) 39.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

November

Mon 16: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 17: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Jacob Egglestone, Paul Grainger, Joe Deans.
Tue 17: Grammy Season (Laubrock/Seabrook/Lovato/Rainey) @ Central Bar, Gateshead. 8:00pm. JNE.

Wed 18: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 18: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 18: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 19: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 19: Papa G’s Troves @ Newcastle Arts Centre. 7:30pm. Free (donations).
Thu 19: Marina Josephina @ Pilgrim, Newcastle. £10.60; £10.60.; £8.50 Early Bird.

Fri 20: Zoë Gilby & Andy Champion: The Music of Duke Ellington @ The Lit & Phil, Newcastle. 1:00pm. SOLD OUT!
Fri 20: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 20: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 20: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 20: Customs House Big Band @ Sunderland Minster. 7:30pm.

Sat 21: Pete Tanton Duo @ Awesome Frank’s, West Jesmond Metro Station, Newcastle. 7:30pm. £8.00.
Sat 21: Paul Skerritt Big Band @ The Westovian Theatre, South Shields. 7:30pm. £18.00.

Sun 22: Lewis Watson Quartet @ Central Bar, Gateshead. 2:00pm. £10.00. ‘Celebrating Coltrane’.
Sun 22: More Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 22: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 22: Groovetrain @ Pilgrim, Newcastle. 4:00pm. £18.00.
Sun 22: Red Kites Jazz @ Beat ‘n’ Track Café, High Spen. 5:00pm.
Sun 22: Knats @ The Waiting Room, Eaglescliffe. 7:00pm. SOLD OUT!
Sun 22: Tweed River Jazz Band @ Barrels Ale House, Berwick. 7:00pm. Free.
Sun 22: Smiodair @ The Globe, Newcastle. 8:00pm. JNE.

Friday, May 03, 2019

Matthew Read Trio @ The Black Swan May 2


Matthew Read (bass); Arthur Newell (drums); Benedict Wood (guitar).
(Review by Steve H)

This may not have been the best-attended gig I have ever attended but what the audience lacked in number the quality and sheer commitment of the band more than made up for. This was the second night of a 25 gig UK tour to promote the band second album anecdotes II (reviewed here by Russell). After the gig Matthew told me that although the numbers had been far lower than that in Manchester the previous night the fact that the Black Swan attendees gave their playing such respect was a really positive experience.

It did appear that the trio were really enjoying themselves on stage and this contributed to the overall feel-good factor of the evening. All but one of the pieces performed were written by Read, the exception being Surprise Flight from guitarist Wood. Read enjoys pairing unlikely combinations when writing tunes,  for example When She Leaves was inspired by a parting from his fiancé for a couple of days and then not being able to listen to Brad Mehldau for a similar period. The most novel of these pairings was between Kurt Rosenwinkel and Kenrick Lamar on the tune ‘K’.

The overall feel of the music was relaxed, intricate and melodious, pyrotechnics were in short supply but that made it easier to focus on what the individual musicians were playing as well as taking in the overall canvas. All three members were not only highly gifted performers but seemed to be a genuine collective - playing for the group rather than themselves.
So, despite the sparseness of the crowd, a highly rewarding night and I wish the band every success with the rest of their tour.
Steve H.

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