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Bebop Spoken There

Michael Dease: "Slide [Hampton] is also one of the people to expand the range of the horn, so he's popping out high Fs like they're breakfast cereals." - (JazzTimes Oct. 2019).

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. Part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Today Saturday October 19

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden (see centre column).

Dave O'Higgins Masterclass - Hurworth Grange, Hurworth Road, Hurworth, Darlington DL2 2BN. 12 noon - 2:00pm. £20.00. A Jazz Blowers' event, places limited. Details: www.jazzblowers.co.uk

Tees Valley Jazzmen - Central Methodist Church, 21 Cockton Hill Rd., Bishop Auckland DL14 6EN. 2:00pm. £4.00. A memorial concert in memory of Gavin Belton.

Miles Davis: Birth of the Cool - Tyneside Cinema, Pilgrim Street, Newcastle NE1 6QG. Tel: 0191 227 5500. 5:45pm. Screening of Stanley Nelson's documentary film (2019, cert. 15, 1hr 55mins).

Evening

?????

Blues/Funk/Soul

Teresa Watson Band - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 9:00pm. Free.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Tuesday, May 21, 2019

CD Review: Jordon Dixon - On!

Jordon Dixon (tenor sax); Allyn Johnson (piano); Herman Burney (bass); Carroll V. Dashiell III (drums) + J.S. Williams (trumpet on 2 tracks)
(Review by Lance).

The CDs arrive daily via the mailman. They turn up in such abundance that I feel sorry for the postie whose back must surely be near breaking point. The sad thing is that such is the volume that, even after farming out a large percentage, so many of them don't get heard so - maybe I'm missing the next Kind of Blue - maybe not.

The moment that makes it all worthwhile is when you play a CD and, from the first note of the first bar you say, "This is for me!" Which is what happened here.
All the great, big sound, soulful tenor players have settled in Dixon's jeans - sorry genes! - and, whilst the presence of Grover, Dexter, Curtis Amy, Turrentine, and others may be part of his DNA, had time been reversed, Dixon would certainly have been a part of theirs.

This is the tenor playing I want to hear when I go into a jazz club. Keep your impressionistic explorations and all that non-jazz for the concert halls and the cultural, arts-granted salons - I'll stick with the saloons.

Straight down the middle blowing - it could be 1950 or (hopefully) 2050. Dixon composed all of the numbers and he takes them to a cut-price laundrette. Goes for the cheapest, quickest option - maybe a 30-minute wash and a spin dry. Anything more would lose the soul of the material and come out like an emasculated Kenny G.

Yes, this is gutsy playing but not without subtlety. Blues-drenched phrases a-plenty, I agree, but he also reaches the parts similar players often miss out on like the unexpectant nuance that turns a routine phrase into something totally his own!

A rhythm section to die for. Dixon met Johnson when both were studying at the University of the District of Columbia prior to which Dixon had spent 11 years in the Marines - a 'Tough Tenor' as the late Chris Yates may have described him!

Bass and drums are never less than superb and, as a bonus, we have J.S. Williams blowing trumpet on a couple of tracks - more wouldn't have been less!

Bring on the next DownBeat Poll!
Lance
Release date June 7, 2019.

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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance