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Bebop Spoken There

George "Big Nick" Nicholas: "This band [George Adams-Don Pullen Quartet] is a bitch on roller skates, baby. They'll run you over if you ain't ready" (JazzTimes April, 2022)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.
Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST! --

Postage

14250 (and counting) posts since we started blogging 14 years ago. 469 of them this year alone and, so far, 69 this month (May 19).

From This Moment On ...

May.

Wed 25: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 25: Darlington Big Band @ Darlington & Simpson Rolling Mills Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 25: Four @ The Exchange, North Shields. 7:00pm.
Wed 25: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.

Thu 26: Vieux Carré Jazzmen @ The Holystone, North Tyneside. 1:00pm.
Thu 26: Deep Pope + Garner & Pope @ Cobalt Studios, Newcastle. 7:00pm. £7.00.
Thu 26: 58 Jazz Collective @ Hops & Cheese, Hartlepool. 7:30pm.
Thu 26: Knats @ Hoochie Coochie, Newcastle. 8:00pm.
Thu 26: Jeremy McMurray & the Pocket Orchestra @ Arc, Stockton. 8:00pm.
Thu 26: Maine Street Jazzmen @ Sunniside Social Club, Gateshead. 8:30pm.
Thu 26: Tees Hot Club @ Dorman’s Club, Middlesbrough. 9:00pm.

Fri 27: Alice Grace Quartet @ The Gala, Durham. 1:00pm.
Fri 27: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 27: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm.
Fri 27: Rendezvous Jazz @ The Monkseaton Arms, Monkseaton. 1:00pm.
Fri 27: Fergus McCreadie Trio @ The Witham, Barnard Castle. 7:30pm.

Sat 28: Whitley Bay Carnival: Northern Monkey Brass Band (1:00-1:45pm & 4:00-4:45pm); Baghdaddies (2:00-2:45pm & 5:00-5:45pm) @ Spanish City Plaza Arena, Whitley Bay. Northern Monkey Brass Band (2:30-2:45pm) @ Rainbow Corner (Marine Ave.), Whitley Bay.
Sat 28: Jack Logan & the Swing Section @ Prohibition Bar, Newcastle. 8:00pm.

Sun 29 Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon.
Sun 29: Musicians Unlimited @ Hartlepool United Supporters’ Club, Hartlepool. 1:00pm.
Sun 29: Foundry Jazz Ensemble @ The Exchange, North Shields. 3:00pm.
Sun 29: Groovetrain @ Tyne Bar, Newcastle. 4:00pm. Free.
Sun 29: Zoë Gilby Quartet @ Allendale Village Hall, Northumberland. 7:30pm.
Sun 29: Two of a Mind: Sue Ferris-Steve Summers Quartet @ The Globe, Newcastle. 8:00pm. £10.00 adv., £12.00. door.
Sun 29: Cedric Burnside @ Cluny, Newcastle. Superb Mississippi hill country blues!

Mon 30: Jazz in the Afternoon @ Cullercoats Crescent Club. 1:00pm.

Tue 31: Jam session @ Black Swan, Newcastle. 7:30pm. House trio: Stu Collingwood, Paul Grainger, Rob Walker.

Thursday, May 09, 2019

Cheltenham Jazz Festival: Dave Sanborn Acoustic Band @ Town Hall - May 5

Dave Sanborn (alto sax); Michael Dease (trombone); Geoff Keezer (piano, keyboards); Ben Williams (double bass), Billy Kilson (drums).
(Review by Steve T)

Along with the loud shirts, my mid-life crisis was marked with the revival of band tee shirts, on this occasion, Kamasi Washington. A volunteer told me she had the exact same tee shirt (though much much smaller) and I told her that Sanborn was the Kamasi of his (my) day. Not strictly true, as various friends would describe him as second only to Grover, while others would throw Ronnie Laws into the mix. Occasionally I would raise the spectres of Bird and Trane, but I was generally better at biting my tongue in those days.

I never really cared much for Sanborn, thinking he tortured the damn thing until it sounded like a squawking baby, but I saw him in London a few years back in a quartet with Bob James and Steve Gadd and, although my reason for going was because my friend and landlord IS David Bowie, I really enjoyed it.

Here he came out followed by a sort of minder and sat down, where he remained for the set. At first I thought his formidable band would need to carry him but it soon became apparent he hadn't lost any of his chops. They opened with two by Michael Brecker - whom he described as one of the greatest sax players of his or any other generation. Next up an Africanised version of Maputo, written by Marcus Miller, and I'm sure I heard a reference to James Brown's Funky Good Time, with lots of Fred Wesley in the ‘bone solo, gaining a lift when he removed the mute.

Trombone player and drummer left the stage for a stunningly beautiful rendition of a pop song he remembered from high school seventy-five years ago, which turned out to be It's All In The Game, best known to me by the Four Tops. 

The pianist switched to a Fender Rhodes sound for Spanish Joint by Roy Hargrove and D' Angelo, which must have made him feel right at home with his old partner Bob James such an important purveyor of the sound.

The next piece started with a bass solo, followed by a big piano trio feature getting the audience going, before alternating ‘bone and alto solos, when it morphed into Night in Tunisia, or perhaps it always was.

On the Spot was the final piece and was funky in the old-fashioned sense, sax and ‘bone playing the head before a drum solo juxtaposing light-hearted tinkering - backed by light touch piano and bass - and thunderous technique. Head. Fine.

In London, Bob James had played acoustic piano exclusively and the quartet featured double bass, and this band was advertised as an acoustic band. Perhaps he doesn't want to acknowledge his jazz-funk legacy, despite this being the reason many come to see him and a new generation are less scornful of the genre. Perhaps it's because he's one of the artists who slipped into smooth jazz before reinventing himself as a straight jazzman, without distinction.
It takes two big attractions to get me to this festival and this was number two this year and didn't disappoint. 
Steve T

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