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Bebop Spoken There

Abdullah Ibrahim: "For me jazz is the highest form of music." - (DownBeat, September 2019).

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. Part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Today Saturday August 24

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden (see above).

Mellow Baku - St Augustine's Parish Centre, Larchfield Street, Darlington DL3 7TG. 12:30pm. £10.00. (under 16s free). Line-up: Mello Baku (vocals), John Hallam (reeds), Andy Dickens (trumpet), Ian Bateman (trombone), Tom Kincaid (piano), Rachel Hayward (guitar, banjo), John Day (double bass), Nick Millward (drums).

Jo Harrop w Paul Edis Trio - Ushaw College, Ushaw DH7 9RH. 1:00pm. £10.00. Ushaw Jazz Festival.

Boys of Brass - Bill Quay Beer & Music Festival, Brack Terrace, Bill Quay, Gateshead NE10 0TT. 3:00-4:30pm. (Festival 1:00-11pm). Tickets: £10.

Xhosa Cole-Francis Tulip Quintet - Ushaw College, Ushaw DH7 9RH. 4:00pm. £8.00. Ushaw Jazz Festival.

Evening

Matt Anderson & Paul Edis - Ushaw College, Ushaw DH7 9RH. 6:00pm. £6.00. Ushaw Jazz Festival.

Tony Kofi & the Organisation - Ushaw College, Ushaw DH7 9RH. 8:00pm. £14.00. & £12.00. Ushaw Jazz Festival.

Picturehouse Deluxe + Kay Greyson - Bobik’s, Punch Bowl Hotel, Jesmond Road, Jesmond, Newcastle NE2 3JY. 8:00pm. £5.00. Line-up: Georgia Turnbull (vocals & keys), Thomas Dixon (reeds), Jamie Mackay (guitar), Adam Cornell (bass), Ben Fitzgerald (drums).

Jam session - Ushaw College, Ushaw DH7 9RH. 10:00pm. Free. Ushaw Jazz Festival.

Blues/Funk/Soul

Teresa Watson Band - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 9:00pm. Free.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Friday, April 12, 2019

Noel Dennis Quartet @ The Lit & Phil - April 12

Noel Dennis (trumpet, flugelhorn); Paul Edis (piano); Andy Champion (double bass); Russ Morgan (drums).
(Review by Russell/photos courtesy of Brian Ebbatson)

The year is 1958: Thank you, ladies and gentlemen, for coming down to the village this afternoon for a very special performance by the Noel Dennis Quartet. And before the guys make a start can I remind you that next week Noel and the guys will be at 17 East 126th Street in Harlem to take part in some sort of photographic project by a kinda crazy young cat called Art Kane. I don't know if it'll come to anything but a whole bunch of other cats...I've heard that Dizzy will be there, Basie, oh, yeah Sonny Rollins, maybe Monk...so, if you can, get down to see what it's all about. Okay, I think the guys are going to kick things off with Beautiful Love. Over to you Noel...

The year is 2019: Beautiful Love opened the show to a full house here at the Lit & Phil here in downtown Newcastle. Noel Dennis, the hottest trumpet player around, has been working with the guys for some time although their busy schedules mean they rarely get together to play a gig but this afternoon, as easy as you like, they picked up where they left off.  

Miles Davis was a huge fan of Noel, it was clearly evident in his sound at around the time he recorded Kind of Blue that he'd been listening to the Teessider, especially during the Noel Dennis Quartet's sold out week-long run at the Five Spot. Dennis knows Beautiful Love inside out, Miles could only dream of possessing such fluency, invention and full-bodied tone.     

Our trumpeter acknowledged Miles with a sublime take on All Blues and with Bill Evans on this Lit and Phil gig it was just like listening to Paul Edis. Blue in Green is sure to be one of the key numbers the next time Noel Dennis goes into the studio, trumpet or flugelhorn, we were listening to the Teessider's trademark sound backed by the immaculate Paul Chambers and Jimmy Cobb. 

The year is 1969: Here in the village, Noel is running the voodoo down with a killer take on Pharaoh’s Dance, Andy Champion laying down the hypnotic bass line. Unlike Miles, Noel didn't turn his back on the Lit and Phil audience. Cool, that's Noel.

The year is 1959: The Plaza Hotel, NYC, the Noel Dennis Quartet. It's late into the evening, the session is being recorded with a view to releasing it as a 'live' album. Noel is in mellow mood, Victor Young's masterpiece Stella by Starlight holds the audience in its thrall, a master at work. 

The year is 1959/2019: Noel/Miles with the spirit of Bird in his horn here at the Lit and Phil on 52nd Street decided to close the set with Au Privave. Wow! Noel, Paul, Andy and Russ left 'em all in their wake. These guys should record this stuff. Watch this space...         
Russell

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance