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Bebop Spoken There

Raymond Chandler: “ I was walking the floor and listening to Khatchaturian working in a tractor factory. He called it a violin concerto. I called it a loose fan belt and the hell with it ". The Long Goodbye, Penguin 1959.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

16350 (and counting) posts since we started blogging 16 years ago. 230 of them this year alone and, so far, 27 this month (April 11).

From This Moment On ...

April

Tue 16: The Horne Section’s Hit Show @ Middlesbrough Town Hall. 7:30pm.
Tue 16: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Bradley Johnston, Paul Grainger, Bailey Rudd.

Wed 17: Bailey Rudd (Minor Recital) @ The Music Studios, Haymarket Lane, Newcastle University. 11:40am. Bailey Rudd (drums). Open to the public.
Wed 17: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 17: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 17: The Horne Section’s Hit Show @ The Gala, Durham. 7:30pm. SOLD OUT!
Wed 17: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 18: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 18: NONUNONU @ Elder Beer Café, Chillingham Road, Newcastle. 7:30pm.
Thu 18: Knats @ Hoochie Coochie, Newcastle. 8:00pm (doors 7:30pm). £8.00. + bf. Support act TBC.
Thu 18: Merlin Roxby @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig. Ragtime piano.
Thu 18: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm. Guest band night with Just Friends: Ian Bosworth (guitar); Donna Hewitt (sax); Dave Archbold (keys); Ron Smith (bass); Mark Hawkins (drums).

Fri 19: Cia Tomasso @ The Lit & Phil, Newcastle. 1:00pm. ‘Cia Tomasso sings Billie Holiday’. SOLD OUT!
Fri 19: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 19: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 19: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 19: Tweed River Jazz Band @ The Radio Rooms, Berwick. 7:00pm (doors). £5.00.
Fri 19: Lindsay Hannon: Tom Waits for No Man @ Seventeen Nineteen, Hendon, Sunderland. 7:30pm.
Fri 19: Levitation Orchestra + Nauta @ Cluny 2, Newcastle. 7:30pm (doors). £11.00.
Fri 19: Strictly Smokin’ Big Band @ The Witham, Barnard Castle. 8:00pm. ‘Ella & Ellington’.

Sat 20: Record Store Day…at a store near you!
Sat 20: Bright Street Band @ Washington Arts Centre. 6:30pm. Swing dance taster session (6:30pm) followed by Bright Street Big Band (7:30pm). £12.00.
Sat 20: Michael Woods @ Victoria Tunnel, Ouseburn, Newcastle. 7:00pm. Acoustic blues.
Sat 20: Rendezvous Jazz @ St Andrew’s Church, Monkseaton. 7:30pm. £10.00. (inc. a drink on arrival).

Sun 21: Jamie Toms Quartet @ Queen’s Hall, Hexham. 3:00pm.
Sun 21: 4B @ The Ticket Office, Whitley Bay Metro Station. 3:00pm. Free.
Sun 21: Lindsay Hannon: Tom Waits for No Man @ Holy Grale, Durham. 5:00pm.
Sun 21: The Jazz Defenders @ Cluny 2. Doors 6:00pm. £15.00.
Sun 21: Edgar Rubenis @ Prohibition Bar, Newcastle. 7:00pm. Free. A ‘Jar on the Bar’ gig. Blues & ragtime guitar.
Sun 21: Tweed River Jazz Band @ Barrels Ale House, Berwick. 7:00pm. Free.
Sun 21: Art Themen with the Dean Stockdale Trio @ The Globe, Newcastle. 8:00pm. £10.00. +bf. JNE. SOLD OUT!

Mon 22: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.

Thursday, April 04, 2019

CD Review: Sokratis Sinopoulos -Metamodal

Sokratis Sinopoulos (Lyra); Yann Keerim (Piano); Dimitris Tsekouras (Double Bass); Dimitris Emmanouil (Drums). 
(Review by Chris)

The second of three ECM releases in March from the southern shores of Europe. You have to hand it to him, not only has ECM’s Manfred Eicher scoured Europe from North to South in his quest for the new well/spring of world music, but he is also not scared of unfamiliar jazz instrumentation! The bandoneon of Dominic Miller’s latest release (reviewed here on BSH) is outdone (not least in age) by the Cretan lyra played by contemporary master Sinopoulos, recorded in Athens last July. Too hot to have been Eicher’s summer holiday I imagine.

The lyra, which dates back to Byzantine times, is a tiny (29 cm strings) viol played upright on the lap, with three strings played with a bow, but stopped by sideways pressure from the fingernails rather than pinning against the fingerboard as for a violin. My Greek colleague tells me it is the mainstay of southerly Greek folk music, fuelling dancing for millennia, but here undergoing a rather different treatment in Sinopoulous’ hands. 

He studied with Ross Daly, a Brit who has spent 35 years in Crete reviving and redefining the lyra, before forming this quartet with debut album Eight Winds for ECM in 2014.  To my ears, the plaintive cry of the lyra, in a folk framework with a classic chamber jazz trio, recalls the exceptional Polish jazz violin star, Adam Baldych (who has just released his latest work on rival label ACT), but without Baldych’s range and extravagant flourishes.

This album takes the quartet forward with confidence, aiming to explore and extend modal music. All good jazzers will be familiar with a few modes, but we should remember that the Greeks invented it all a long time ago!  Sinopoulos says he aims here to not move beyond modes but to work through them...synthesising something new on the way through the centrepiece tracks of the album:  Metamodal I, II and III.

The opener, Lament, is aptly named, with the lyra weaving a slow and sad line above piano and bass. Track two, Metamodal I – Liquid, has a similarly paced intro, but the abrupt entry of the percussion lends more tempo and drama, over a faster, nimble bass line.  The third track, Transition, is shorter - a light, catchy number with swooping lead on lyra, leading into the 10 minutes of Metamodal II – Illusions

This again starts slowly, and in exploratory style, with sparse piano interleaved with the plangent lyra, changing halfway through to a faster section with all four players fully interlocking.

Metamodal III – Dimensions opens with ponderous piano chords, joined by first the lyra, then the bass, working through modal sequences, like an elegant practice set of arpeggios and scales.  This eventually relaxes into a looser amble through spacey chords under beautiful lyrical melodies from the lyra.

Walking starts with a lively repeated piano figure, and runs at pace joined by a lyra tune which wouldn’t be out of place in Celtic folk. This gives way to a middle section of slower, more modal musing and closes with a reprise of the earlier, jaunty jig. 

Dawn is another subtle exploration of intricate melodic lines over a delicate, rolling wash of piano and percussion, frequently returning to a lovely motif interspersed with freer passages.

Red Thread has perhaps the most languorous and lovely line of the many on the album, sitting over relaxed piano. Not obvious how this mood relates to the “red thread” Theseus used to escape from the labyrinth on Crete after killing the Minotaur! 

The final track, Mnemosyne, is a short collective improvisation, which Eicher encourages all his artists to attempt, with different degrees of success. The title means "remembrance, memory" but, I have to say, it was rather forgettable!

Overall, an intriguing and sophisticated album of chamber jazz with a distinctive Greek flavour from the modal framework and lyra’s yearning sound. The unusual feel draws attention away from Sinopoulos’ extraordinary gift for melodic invention. I for one will look out for future developments from this unlikely direction. Could be consumed on its own, or in the background on a sunny day, relaxing over an ouzo with ice….
Chris Kilsby
Release date: 15.03.2019 ECM 2631

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