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Bebop Spoken There

Simon Spillett: “ Bebop and hard bop came naturally to him [Tubby Hayes]". Morning Star, March 28, 2024.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

16287 (and counting) posts since we started blogging 16 years ago. 169 of them this year alone and, so far, 41 this month (Mar 18).

From This Moment On ...

March

Thu 28: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 28: Gateshead Jazz Appreciation Society @ Gateshead Central Library, Gateshead. 2:30pm.
Thu 28: Richard Herdman Quartet @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.
Thu 28: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm. Guests: Josh Bentham (alto sax); Alan Marshall (tenor sax); Neil Brodie (trumpet); Adrian Beadnell (bass); Graham Thompson (keys); Steve Hunter (drums).

Fri 29: FILM: Soul @ The Forum Cinema, Hexham. 12:30pm. Jazz-themed film animation.
Fri 29: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 29: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 29: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 29: Abbie Finn Trio @ The Vault, Darlington. 6:00pm. Free. POSTPONED!
Fri 29: Thundercat @ Newcastle City Hall.
Fri 29: John Logan @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

Sat 30: Papa G’s Troves @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.
Sat 30: Pete Tanton’s Cuba Libre @ Whitley Bay Library, York Road, Whitley Bay. 8:00pm.

Sun 31: 4B @ The Ticket Office, Whitley Bay Metro Station. 3:00pm. Free.
Sun 31: Ruth Lambert Trio @ Juke Shed, Union Quay, North Shields NE30 1HJ. 3:00pm. Free. Lambert, Alan Law & Paul Grainger.
Sun 31: Sid Jacobs & Tom Remon @ Prohibition Bar, Newcastle. 7:00pm. Free. A ‘Jar on the Bar’ gig. USA/London jazz guitar duo.
Sun 31: Bellavana @ The Globe, Newcastle. 8:00pm.

April
Mon 01: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 01: Ray Stubbs R&B All Stars @ Billy Bootlegger’s, Ouseburn, Newcastle. 3:00pm. Free.

Tue 02: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Dean Stockdale, Paul Grainger, Abbie Finn.

Wed 03: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 03: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 03: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Wednesday, April 10, 2019

Emma Fisk’s Hot Club du Nord @ the Gala Theatre - April 5

Emma Fisk (Violin); James Birkett, Dave Harris (guitars); Bruce Rollo (double bass).
(Review by Brian Ebbatson/PHOTOS courtesy of Malcolm Sinclair)

Another full house for the Spring Gala Lunchtime Jazz Series, this one sold out back in January, such is the reputation that goes before Emma Fisk’s Hot Club du Nord. There were many first timers today, to the disappointment of regulars unable to get tickets. Across the river from the Studio the model trains slipped in, out and onwards from Durham station, while the colours of the trees down the Wear valley – the first greens of spring, the mauves, maroons and browns of winter – were resplendent in the spring sunshine. A clear blue sky with barely a cloud – that is until the encore.

The Reinhardt/Grappelli repertoire through from the 30s to the 50s (and then on with Grappelli’s various collaborations and groups) is a rich seam from which seasoned musicians such as these can fashion inspired new interpretations, so Hot Club du Nord’s sets, while featuring some of their recorded work, always feature something new for regular followers and much to enthuse newcomers to their music.
HCdN see themselves as paying homage to Reinhardt and Grappelli, so the set consists of Hot Club de France favourites rather than introducing their own compositions in the Hot Club style. Nothing wrong with that, especially as Emma takes pride in detailed introductions to each number, explaining its origin, when recorded and often some idiosyncratic story behind it.


The set opened upbeat with Fats Waller’s 1929 Honeysuckle Rose, a track featured on the CD Hot Club du Nord. James shared the lead with Emma on this first number, the audience seeming keen to show appreciation in anticipation, enthusiastically applauding every solo.  Johnny Green’s 1930 Body and Soul “written for Gertrude Lawrence, the first British star to appear on Broadway” (Emma) slowed things down for the second number, featuring all band members – an exquisite rendition.
Next came the first Django number, Swing 42, taking us forward to Django in wartime Occupied Paris, recorded (again Emma told us) with Hubert Rostaing on clarinet, Stéphane having stayed in London at outbreak of hostilities. Chugging Hot Club guitars, a lengthy solo from David, capturing Django’s percussive guitar tones, Emma soaring from deep notes to the highest octaves on her violin, this was getting very close to classic Hot Club de France.
Back to the 20’s for I Found a New Baby, first recorded by Clarence Williams in 1926, Bruce’s ‘slapping’ bass both in a featured solo and behind his fellow band members, capturing the feel of the earlier decade. Then the divine mid-‘30s Reinhardt – Grappelli composition Sweet Chorus, with Dave again taking two extended solos. Back to Fats Waller (and the ‘20s) for the ever popular Ain’t Misbehavin’, in James’ arrangement; then two ‘classic’ 1937 compositions from the two masters, Minor Swing and Daphne.
Over 100 people in the Gala Studio and music like this, so Emma cooled down the atmosphere with a magical rendering of  A Nightingale Sang in Berkeley Square, a favourite of Stéphane’s enforced sojourn in wartime London (also on the HCdN CD). Then - as is their wont - the quartet closed the set with the 1925 jazz-age favourite Sweet Georgia Brown, another feature for Bruce’s bass, the band capturing the twenties feel once more.
The lengthy applause called for an encore, and although time was up, the audience called for Nuages, written by Django after being captured on the Swiss border and forcibly returned to Paris after his second attempt to escape the Occupation. “This graceful and eloquent melody”, as Django’s biographer wrote, “evoked the woes of the war that weighed on people's souls—and then transcended it all”. Transcendence, at least for a short time, for the audience, then back outside to the (much lesser) woes of our current reality, and a clear blue spring sky.
Brian E
PHOTOS

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