Total Pageviews

Bebop Spoken There

JD Allen: "...art in itself is now a luxury that you need a lot of finances to do." - (DownBeat October 2021)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.
Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST! --

Postage

13,806 (and counting) posts since we started blogging 13 years ago. 1223 of them this year alone and, so far, 50 this month (Oct. 13).

From This Moment On ...

October

Fri 15: Rendezvous Jazz @ Monkseaton Arms, Monkseaton. 1:00pm..
Fri 15: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm..
Fri 15: Sue Ferris Quintet @ Traveller's Rest, Cockerton, Darlington. 8:00pm. Opus 4 Jazz Club.
Fri 15: House of the Black Gardenia @ Cobalt Studios, Newcastle. 8:00pm.

Sat 16: Women Play Jazz! workshop @ The Globe, Newcastle. 1:30pm. Tutor Julija Jacenaite: Improvarium..
Sat 16: Emma Fisk & James Birkett @ St Mary's Church, Monkseaton. 7:30pm..
Sat 16: Triptych @ Sage Gateshead. 7:45pm. Trio with live visuals by Lisa Delarny. .
Sat 16: Rendezvous Jazz @ Memorial Hall, Ponteland. 8:00pm. Guest Ian Wynne (piano)..

Sun 17: Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon.
Sun 17: Musicians Unlimited @ South Durham Social Club. 1:00pm.
Sun 17: Shunyata Improvisation Group @ Unitarian Church, Newcastle. 1:30pm.
Sun 17: Vula Viel @ The Globe, Newcastle. 8:00pm.

Mon 18: Jazz in the Afternoon @ Cullercoats Crescent Club. 1:00pm.

Wed 20: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 20: Darlington Big Band @ Darlington & Simpson Rolling Mills Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 20: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.
Wed 20: Jeremy McMurray & the Jazz Pocket Orchestra @ Middlesbrough Town Hall. 8:00pm.

Thu 21: Vieux Carré Jazzmen @ The Holystone, North Tyneside. 1:00pm.
Thu 21: Alter Ego @ St James' & St Basil's Church, Newcastle 7:30pm.
Thu 21: Maine Street Jazzmen @ Sunniside Social Club, Gateshead. 8:30pm.
Thu 21: Tees Hot Club @ Dorman's Club, Middlesbrough. 9:00pm.

Fri 22: Mick Shoulder Quartet @ Lit & Phil, Newcastle. 1:00pm. Quartet featuring Alex Clarke (BBC Young Jazz Musician of the Year finalist).
Fri 22: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 22: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm.
Fri 22: Sue Ferris Quintet @ Traveller's Rest, Darlington. 8:00pm. Opus 4 Jazz Club.
Fri 22: Michael Feinstein @ Sage Gateshead. 8:00pm.
Fri 22: Peter Morgan Trio @ Prohibition Bar, Newcastle. 8:00pm.

Monday, April 29, 2019

Joe Reid: Postgraduate Recital @ Newcastle University - April 29


Joe Reid (drums)
(Review by Russell)

Postgraduate student Joe Reid (heard recently with the Bold Big Band at the Dun Cow) presented his recital in the purpose-built basement Band Room in Newcastle University's Music Studios. The title of his recital probably gained Reid one mark: Shining a spotlight on the unique relationship between Indian and progressive music. How many marks would be awarded for his performance?

A recital under examination conditions must be a nerve-wracking affair. As Reid readied himself behind his extensive Tama kit his bandmates - Neil Graham (guitar, vocals) and Josh Fascia (bass) - took to the stage in a show of support. Three pieces were to be examined. The first piece - Ergonomic Pepper - proved to be an extended six-part power-prog-thrash workout with guitarist Graham shredding for all he was worth. The headbanging Band Room audience whooped in delight.

The second of three pieces required additional artillery - Murray Wankling (keys) and Will Earl (electric drum kit, tabla) - as Reid tackled Pete Lockett's An Excursion into Ambiguity. This extended version (Reid added sections to the original composition) would involve 'concepts of metric modulation' and the phrasing would 'be structured in 2/4, 5/4 & 23/16...' Your correspondent pondered '23/16'...

Prog Whip (comp. J Reid) would demonstrate 'multiple odd time signatures, subdivisions and note displacement'. Better to simply listen, perhaps the 'note displacement' would be all too obvious...perhaps not. As a power Indian music-influenced prog-rock trio Reid (and co) seemingly passed with flying colours. Our examinee thanked Geoff Hutchinson (drum tutor), Mick Wright and Paul Fleet. 

Now then, about that 23/16 time signature..
Russell
(Lance: I knew a club drummer who often played in 23/16 - he sometimes even managed 29/17. This didn't go down too well with the dancers who were trying to do a waltz - he's since retired and taken up teaching.)

No comments :

Blog Archive