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Bebop Spoken There

Chick Corea: "Things feel good when there's a lot of music happening." - (DownBeat August 2005 (unpublished. Published posthumously April 2021 ).

Archive quotes.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Postage

13,107 (and counting) posts since we started blogging 13 years ago. 526 of them this year alone and, so far, 81 this month (April 16).

Bar Manager Required

The Jazz Co-op are looking for an experienced bar manager who can be available to start when The Globe reopens in May.

Preference will be given to a suitably qualified person who lives relatively near to The Globe, 11 Railway St., Newcastle NE4 7AD.

Interested parties please follow this link.

Coming soon ...

April 29: Vieux Carré Jazzmen are back at The Holystone.

May 20 Maine Street Jazzmen are back at Sunniside Social Club.
May 23: Vieux Carré Hot Four are back at The Spanish City.

June 2: Vieux Carré Jazzmen are back at Cullercoats Crescent Club.
June 7: Jazz in the Afternoon are back at Cullercoats Crescent Club.

Monday, April 29, 2019

Joe Reid: Postgraduate Recital @ Newcastle University - April 29


Joe Reid (drums)
(Review by Russell)

Postgraduate student Joe Reid (heard recently with the Bold Big Band at the Dun Cow) presented his recital in the purpose-built basement Band Room in Newcastle University's Music Studios. The title of his recital probably gained Reid one mark: Shining a spotlight on the unique relationship between Indian and progressive music. How many marks would be awarded for his performance?

A recital under examination conditions must be a nerve-wracking affair. As Reid readied himself behind his extensive Tama kit his bandmates - Neil Graham (guitar, vocals) and Josh Fascia (bass) - took to the stage in a show of support. Three pieces were to be examined. The first piece - Ergonomic Pepper - proved to be an extended six-part power-prog-thrash workout with guitarist Graham shredding for all he was worth. The headbanging Band Room audience whooped in delight.

The second of three pieces required additional artillery - Murray Wankling (keys) and Will Earl (electric drum kit, tabla) - as Reid tackled Pete Lockett's An Excursion into Ambiguity. This extended version (Reid added sections to the original composition) would involve 'concepts of metric modulation' and the phrasing would 'be structured in 2/4, 5/4 & 23/16...' Your correspondent pondered '23/16'...

Prog Whip (comp. J Reid) would demonstrate 'multiple odd time signatures, subdivisions and note displacement'. Better to simply listen, perhaps the 'note displacement' would be all too obvious...perhaps not. As a power Indian music-influenced prog-rock trio Reid (and co) seemingly passed with flying colours. Our examinee thanked Geoff Hutchinson (drum tutor), Mick Wright and Paul Fleet. 

Now then, about that 23/16 time signature..
Russell
(Lance: I knew a club drummer who often played in 23/16 - he sometimes even managed 29/17. This didn't go down too well with the dancers who were trying to do a waltz - he's since retired and taken up teaching.)

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