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Bebop Spoken There

Jeff Lindberg: "You can have innovative new music and you can play music of the masters. They're not going to cancel each other out" - (DownBeat June 2019).

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2019 Parliamentary Jazz Awards

The voting is open between now and May 31 to enable site visitors to nominate their choices in the various categories of this year's APPJAG awards which can be done here.
BSH was very proud to be nominated and to win the 2018 Media Award and hope we can have your support again this year.

Today Friday May 24

Afternoon

Jazz

Rendezvous Jazz - Monkseaton Arms, Front Street, Monkseaton NE25 8DP. Tel: 0191 251 3928. 1:00pm. Free.

Giles Strong Trio - Bishop Auckland Town Hall, Market Place, Bishop Auckland DL14 7NP. Tel: 03000 269 524. 1:00pm. £5.00.

Evening.

Blues/Soul/Funk

Dave Kelly & Christine Collister - Gala Theatre & Cinema, Millennium Place, Durham DH1 1WA . Tel: 03000 266 600. 8:00pm. £18.00.

The Hookahs - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 9pm. Free.

Groove-a-matics - Lindisfarne Club, West St., Wallsend NE28 8LG. Tel: 0191 262 4258. 9:00pm.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Thursday, April 11, 2019

CD Review: Q4 - Uphill Struggle

Tini Thomsen (baritone sax); Nigel Hitchcock (alto sax); Fiete Felsch (alto/soprano sax); Björn Berger (tenor sax).
(Review by Lance)

Saxophone quartets are a rarity these days, at least in public. No doubt there are many who get together in front rooms, back rooms or unused bar rooms - indeed I was once a member of one myself! - but not many have a high profile. The 29th Street Saxophone Quartet and Itchy Fingers, the latter group with whom three of these players have been associated with (Felsch, who tutored Thomsen and Berger, the odd one out) and, nearer to home, Saxophonics are a quartet who also pop up from time to time.

Saxophone quartets are jazz's equivalent, I suppose, of the string quartet or the baroque ensemble, offering up intricate, intertwining lines. However, unlike the perfectly drilled big band sax section, the emphasis isn't on rich harmonies, matched vibratos or unison choruses, but on contrapuntal lines - a fugue for 'tin' horns so to speak.

When they do come together the harmonies are indeed rich but the big deal is the polyphony and the rhythmic impetus that drives them on without an actual rhythm section putting the boot in. 

Unfair to single out anyone in such an ensemble but, unlike a big band where it all hangs around the lead alto, in a sax quartet I always think the bari sax is numero uno. He/she is the anchor - drummer/bass combined as well as having to emerge from the deep to blow octopi tentacled solos which Ms. Thomsen does swimmingly. 

Tini and Nigel composed most of the tracks the latter soloing like the world-class player he is. The title track, Uphill Struggle, is only 20 seconds long but, if it had lasted longer their fingers would have either seized up or dropped off!

Sax players will love it, others will like it very much!
Lance.
Available via usual suspects.

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