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Bebop Spoken There

Abdullah Ibrahim: "For me jazz is the highest form of music." - (DownBeat, September 2019).

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. Part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Today Saturday August 24

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden (see above).

Mellow Baku - St Augustine's Parish Centre, Larchfield Street, Darlington DL3 7TG. 12:30pm. £10.00. (under 16s free). Line-up: Mello Baku (vocals), John Hallam (reeds), Andy Dickens (trumpet), Ian Bateman (trombone), Tom Kincaid (piano), Rachel Hayward (guitar, banjo), John Day (double bass), Nick Millward (drums).

Jo Harrop w Paul Edis Trio - Ushaw College, Ushaw DH7 9RH. 1:00pm. £10.00. Ushaw Jazz Festival.

Boys of Brass - Bill Quay Beer & Music Festival, Brack Terrace, Bill Quay, Gateshead NE10 0TT. 3:00-4:30pm. (Festival 1:00-11pm). Tickets: £10.

Xhosa Cole-Francis Tulip Quintet - Ushaw College, Ushaw DH7 9RH. 4:00pm. £8.00. Ushaw Jazz Festival.

Evening

Matt Anderson & Paul Edis - Ushaw College, Ushaw DH7 9RH. 6:00pm. £6.00. Ushaw Jazz Festival.

Tony Kofi & the Organisation - Ushaw College, Ushaw DH7 9RH. 8:00pm. £14.00. & £12.00. Ushaw Jazz Festival.

Picturehouse Deluxe + Kay Greyson - Bobik’s, Punch Bowl Hotel, Jesmond Road, Jesmond, Newcastle NE2 3JY. 8:00pm. £5.00. Line-up: Georgia Turnbull (vocals & keys), Thomas Dixon (reeds), Jamie Mackay (guitar), Adam Cornell (bass), Ben Fitzgerald (drums).

Jam session - Ushaw College, Ushaw DH7 9RH. 10:00pm. Free. Ushaw Jazz Festival.

Blues/Funk/Soul

Teresa Watson Band - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 9:00pm. Free.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Thursday, April 11, 2019

CD Review: Q4 - Uphill Struggle

Tini Thomsen (baritone sax); Nigel Hitchcock (alto sax); Fiete Felsch (alto/soprano sax); Björn Berger (tenor sax).
(Review by Lance)

Saxophone quartets are a rarity these days, at least in public. No doubt there are many who get together in front rooms, back rooms or unused bar rooms - indeed I was once a member of one myself! - but not many have a high profile. The 29th Street Saxophone Quartet and Itchy Fingers, the latter group with whom three of these players have been associated with (Felsch, who tutored Thomsen and Berger, the odd one out) and, nearer to home, Saxophonics are a quartet who also pop up from time to time.

Saxophone quartets are jazz's equivalent, I suppose, of the string quartet or the baroque ensemble, offering up intricate, intertwining lines. However, unlike the perfectly drilled big band sax section, the emphasis isn't on rich harmonies, matched vibratos or unison choruses, but on contrapuntal lines - a fugue for 'tin' horns so to speak.

When they do come together the harmonies are indeed rich but the big deal is the polyphony and the rhythmic impetus that drives them on without an actual rhythm section putting the boot in. 

Unfair to single out anyone in such an ensemble but, unlike a big band where it all hangs around the lead alto, in a sax quartet I always think the bari sax is numero uno. He/she is the anchor - drummer/bass combined as well as having to emerge from the deep to blow octopi tentacled solos which Ms. Thomsen does swimmingly. 

Tini and Nigel composed most of the tracks the latter soloing like the world-class player he is. The title track, Uphill Struggle, is only 20 seconds long but, if it had lasted longer their fingers would have either seized up or dropped off!

Sax players will love it, others will like it very much!
Lance.
Available via usual suspects.

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance