Total Pageviews

Bebop Spoken There

Brian Carrick: "I contacted Max Jones of Melody Maker and offered to be his correspondent in the States, but I should have done what Ken Colyer had done, get a job on a ship and then jump ship in the States. So I didn't make it [to New Orleans] till 1973." - (Just Jazz May 1999)

Archive.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

COVID-19

In the current climate we are doing our best to keep everyone up to date. All gigs, as we all know, are off.

However, good old YouTube has plenty to offer both old and new to help us survive whilst housebound. Plus now is a good time to stock up on your CDs.

Also, keep an eye out for live streaming sessions.

Alternatively, you could do as they do in Italy and sing from your balcony.

Today

As we all know there are no live gigs taking place in the immediate future. However, any links to jazz streaming that are deemed suitable - i.e. with a professional approach - will be considered for posting.

Friday, April 19, 2019

CD Review: Gwen & Tiana - African Time

(Review by Ann Alex)

I would classify this music as soul-influenced, so perhaps it should have been reviewed by Steve T, whose long discussions with Lance about CDs and ‘vinyls’ I’ve enjoyed immensely. (I’m with you Steve, CD’s are the best invention since music itself*). This is happy party-style music, wise lyrics reflecting on life, with clapping, duets, short, snappy solos, fine playing. Right through from the start African Time, (a clever double meaning to introduce African-influenced songs), many with what I believe to be a ‘township’ feel. All the songs are original except for Yesterday.

De La Vie, in French, has a Latin beat; Happy Again has strong guitar chords between the lines of the song; Letting Go features Soweto Kinch and rap; McCartney’s Yesterday is an original version with an African beat and lively percussion. My favourite track was a folky African tune of the sort often sung well by community choirs On The Lane, ‘you’ll see the fireworks of butterflies, you’ll see them from your heart, don’t use your eyes’. The other track titles are: The Quest; Inner Kid; Keep On Going; I’ll Make It; Be Alright; Love Is The Answer. The lyrics are provided in the insert.

This is the debut album from vocalists Gwen and Tiana. Gwen is from Gabon and Togo and Tiana’s roots are in Cameroon and Madagascar. They came to France about 10 years ago to study music and they’ve sung as a duo since 2012. They have gone beyond soul music, using African culture and their own ideas to develop their music further.

The CD was released on April 12 by Ubuntu Music UBU0022. See www.gwentiana.com
Ann Alex
Gwen Thomas, Tiana Ewane (vocals); Femi Temowo (guitar); Oli Rockberger, (keys); Michael Olutuja (bass); Marijus Aleksa (drums); Junior Ali Balogun (perc) Jo Gustin (lyrics); String section by the Symbolic Orchestra; Special guests: Soweto Kinch (sax, vocals); Keyon Harrold (trumpet); Sona Jobarteh (vocals, kora); Gregoire Maret (harmonica).

* Ms. Alex's contract is under review - Blogmaster

No comments :

Blog Archive