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Bebop Spoken There

Chick Corea: "Things feel good when there's a lot of music happening." - (DownBeat August 2005 (unpublished. Published posthumously April 2021 ).

Archive quotes.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Postage

13,107 (and counting) posts since we started blogging 13 years ago. 526 of them this year alone and, so far, 81 this month (April 16).

Bar Manager Required

The Jazz Co-op are looking for an experienced bar manager who can be available to start when The Globe reopens in May.

Preference will be given to a suitably qualified person who lives relatively near to The Globe, 11 Railway St., Newcastle NE4 7AD.

Interested parties please follow this link.

Coming soon ...

April 29: Vieux Carré Jazzmen are back at The Holystone.

May 20 Maine Street Jazzmen are back at Sunniside Social Club.
May 23: Vieux Carré Hot Four are back at The Spanish City.

June 2: Vieux Carré Jazzmen are back at Cullercoats Crescent Club.
June 7: Jazz in the Afternoon are back at Cullercoats Crescent Club.

Friday, April 05, 2019

CD Review: Giovanni Guidi – Avec Le Temps

Giovanni Guidi (piano); Francesco Bearzatti (tenor sax); Roberto Cecchetto (guitar); Thomas Morgan (double bass); João Lobo  (drums). 
(Review by Chris)

The third ECM release in March from the southern shores of Europe, recorded immaculately in southern France at the same studio as Dominic Miller’s Absinthe.  Guidi is a highly regarded pianist on the Italian scene, notably playing extensively with Enrico Rava, as well as the late great trumpeter, Tomasz Stanko.

This is high-class modern chamber jazz, with a distinctive cool feel. The slow, limpid piano lines are embellished with ultra-artful bass and drums (complete with high pitched scraping), augmented in the middle tracks by tenor and guitar.

The opening, title track, Avec Le Temps, is the standout, and one of the most striking, sadly beautiful, pieces I have ever heard. Yes, truly.  It is a cover of Leo Ferre’s much-covered chanson of lost lovewithout lyrics here, but all the more heartbreaking because of the harmonic depths. Even on third or fourth playing I felt compelled to listen spellbound, until released at the last breath, feeling somewhat numb.  

The rest of the album didn’t reach the same heights for me though.  Track 2, 15th of August, starts with a Methenyesque guitar theme, slowing down when joined by sax and sporadic drums. Track 3, Postludium and a kiss, features squawking sax in a much freer improv.  No Taxi is short and direct, reminiscent of Jarrett’s piano on Bop-Be. This is followed by another free number, Caino, littered with clatters and more squawking.

The final two tracks return to tranquillity. Ti Stimo sees a simple, wholesome (Italian?) tune on guitar, which is repeated and worked over with some style.  The closer, Tomasz, is a fitting tribute to Guidi’s late colleague, managing to combine some freedom with interlacing melodic lines.

Overall, beautiful and sad pieces at start and end, but I was not so engaged by the rest. 
For me, best consumed by listening to the first track, then nipping out for a swift Barolo, back in time for the last two tracks…
Chris Kilsby
Release date: 22.03.2019 ECM 2604

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