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Bebop Spoken There

YolanDa Brown: "Ron Dennis (former McLaren Formula 1 chairman) introduced me as 'the Lewis Hamilton of the jazz world'. I thought, 'I'll take that'." - (i newspaper July 17, 2019)

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Until July 21

Today Wednesday July 17

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden. See above.

Vieux Carré Jazzmen - Cullercoats Crescent Club, 1 Hudleston, Cullercoats NE30 4QS. Tel: 0191 253 0242. 1:00pm. Free admission.

Julija Jacenaite & Steve Glendinning - Jazz Café, Newcastle Arts Centre, Westgate Road, Newcastle NE1 1SG. Tel: 0191 261 5618. 2:00pm. Free. Café Mezzanine (first floor, access via crafts shop).

Evening

Whiplash - Middlesbrough Town Hall, Albert Road, Middlesbrough TS1 2QJ. Tel: 01642 729729. 7:30pm. £5.00. Screening of Damien Chazelle's award-winning film.

Take it to the Bridge - The Globe, Railway Street, Newcastle NE4 7AD. 7:30pm. £1.00.

Darlington Big Band - Darlington & Simpson Rolling Mills Social Club, Longfield Road, Darlington DL3 0HX. Tel: 01325 380401. 8:00pm. Free.

Levee Ramblers NOJB - Springwell Village Community Venue, Fell Road, Springwell, Gateshead NE9 7RP. 8:15pm. £3.00.

Blues/Folk

Moonshine Sessions - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 8:30pm. Free.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Friday, April 05, 2019

CD Review: Scott Robinson - Tenormore

Scott Robinson (tenor sax); Helen Sung (piano/B3); Dennis Mackrell (bass/bass guitar); Martin Wind (drums) + Sharon Robinson (flute on 1 tk.).
(Review by Lance).

A fine tenor sax outing for a musician who's at home on any of Adolphe Sax's inventions.
Opening up with an unaccompanied take on Lennon and McCartney's And I Love Her he removes all sentiment from the song treating it as one long cadenza beginning somewhere up in the sopranino range.

His own composition, Tenor Eleven, is a more conventional hard bop blower which displays just how awesome his technique is. There's also space for Helen Sung who knocked everyone for six when she appeared in the UK last year with the Mingus Big Band. Ms. Sung does even better here with the extra space allotted. Robinson himself commented in the album notes: "To me, she's kind of the star of the album. She plays so beautifully on everything; there's a lot to like."


Put on a Happy Face offers contrast with a delicate ballad reading of a song from the Broadway musical Bye Bye Birdie. As well as the emotive tenor playing, once again, Helen Sung shares the glory, this time with reflective chords and totally sympathetic harmonies. I'm surprised more musicians haven't realised the possibilities of this song.

Morning Star, written by Robinson as a Valentine's Day gift for his wife - aah! - has a strong melody that, if someone were to add words, it would reopen the GASbook. Listen also to Helen. Maybe next Valentine's Day Scott will loan me the tune and I'll dedicate it to this lovely lady on piano! There's also a fine solo from Wind but I ain't sending him no Valentines!

The Good Life begins with some free improvisation which does nothing to enhance the tune but once that's out of the way more fine tenor playing follows. Robinson's vibrato hangs on the end of a note just deep enough to enhance the tone without sounding maudlin or dated. And Helen's few bars at the end - the icing on the cake.

Tenor Twelve is another Robinson original - a swinger straight out of a recording studio in Hackensack NJ circa 1958. At the risk of becoming a bore, Helen's praises must be sung  once more, she can kick ass with the best of them. Drums also put the boot in and bass doesn't get lost in the shake-up. Indeed it's Wind who composed Rainy River. Our pianist switches to B3 for this one, Robinson is soulful, and the composer lays down one of the more meaningful double bass solos. It has a churchy feel and the leader's solo ends up in the direction of heaven. 

There are some spoken words at the start of Robinson's The Weaver as well as some flute from Sharon Robinson - Scott's wife. Helen switches stools and weaves some intricate  piano patterns that are made even more compelling when Sharon re-enters the fray - a tour de force!

The Nearness of You: Cool tenor, B3, bass guitar, some metronomic drumming and the funkiest workout ever for Hoagy's classic.

Finally, the title track, Tenormore brings an intriguing rotation of combinations between all four players. Mackrell/Robinson/Sung/Wind - perm any 2 from 4. Simply stupendous!
Lance.
Available today (April 5) on Arbors Records.

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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance