Bebop Spoken There

Ludovic Beier (Django Festival Allstars): ''Manouche means 'free man,' and gypsies have been travelers since they migrated west from India to Europe.'' (DownBeat March, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18361 (and counting) posts since we started blogging 18 years ago. 215 of them this year alone and, so far this month (Mar. 8 ), 25

From This Moment On ...

March

Wed 11: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 11: Jam Session @ The Tannery, Hexham. 7:00pm. Free.
Wed 11: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 11: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free

Thu 12: Boomslang @ The Black Swan, Newcastle. 7:30pm. Free.

Fri 13: Paul Skerritt Quartet @ Bishop Auckland Methodist Church. 1:00pm . £9.00.
Fri 13: The SH#RP Collective @ Jesmond Library, Newcastle. 1:00pm. £5.00.
Fri 13: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 13: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 13: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 13: Soothsayers + Rookie Numbers @ Cobalt Studios, Newcastle. 7:00pm (doors). £17.51., £14.33., £11.16.

Sat 14: The Too Bad Jims @ Claypath Deli, Durham. 7:00pm (6:30pm doors). £13.20., £11.00. R&B.
Sat 14: NUJO @ Venue, Newcastle University Students’ Union. Time TBC. £15.00. supporter; £10.00. standard; £5.00. student. Seated event.

Sun 15: Michael Young Trio @ The Engine Room, Sunderland. 2:30pm. Free.
Sun 15: The Too Bad Jims @ The Georgian Theatre, Stockton. 3:00pm. £12.00. R&B.
Sun 15: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 15: Rebecca Poole @ The Globe, Newcastle. 8:00pm. £14.00., £12.00., £7.00. Poole w. Dean Stockdale & Ken Marley. CANCELLED!

Mon 16: Milne Glendinning Band @ Yamaha Music School, Blyth. 1:00pm.
Mon 16: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 16: Russ Morgan Quartet @ The Black Bull, Blaydon. 8:00pm. £10.00.

Tue 17: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Alan Law (piano); Paul Grainger (double bass); Scotty Adair (drums).

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Sunday, April 28, 2019

John McLaughlin and the 4th Dimension @ the Barbican, London – April 23.

John McLaughlin (guitar, vocals); Gary Husband (keyboards, drums, vocals); Etienne M'bappe (bass, vocals); Ranjit Barot (drums, vocals).
(Review by Steve T)

The person who introduced the show observed that you can punctuate your life via the different phases of John McLaughlin. My own experience of the uber guitarist has been more intermittent, with my first in ‘73, two in the mid-nineties and three in the last four years.

I thought we might get some more Mahavishnu Orchestra and they opened with Trilogy, the long piece from Between Nothingness and Eternity (1973), with some added konnakol singing from Ranjit Barot, variously described as Indian scat singing and Indian drum language.

Thereafter, the set was drawn from across his long career, including Love and Understanding from Electric Dreams (1979) and Pharoah Saunder's The Creator Has a Masterplan, which he originally covered on the album he shared with Carlos Santana (also ‘73).
Most of the rest was perfectly enjoyable but, as with much post-seventies fusion, tended to blend into each other, despite inspired musicianship by all concerned. This more or less culminated in the inevitable drawn-out drum duel between Barot and Husband, some more konnakol breaking it up.

After the golden age of rock concerts, drum solos more or less fell out of favour and, while I welcome their recent return, I prefer the concise variety.

A welcome encore but a disappointment that he didn't dip back into the Mahavishnu catalogue, choosing something written by Husband he described, rather dubiously, as rock and roll.

They received an appropriate level of adulation from an ever so nearly sell-out Barbican. At seventy-seven, he's still mighty impressive, though noticeably less so than four years ago or eighteen months ago, which was precisely the motivation for the trip. A final homage to an extraordinary musician and artist who had a massive impact on me all those years ago.

I won't be travelling any distance to see this band again, but don't bet against future collaborations with old sparring partners, including Zakir Hussain, Chick Corea, Jean Luc Ponty, Al DeMiola, Santana, Kenny Garrett, Trilok Gurtu, Stanley Clarke, Joey De Francesco, Christian McBride, L Shankar, Narada Michael Walden, Dave Holland, Billy Cobham, Jan Hammer, Rick Laird, Jerry Goodman etc etc ad infinitum.    
Steve T.

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