Bebop Spoken There

Donovan Haffner ('Best Newcomer' 2025 Parliamentary Jazz Awards): ''I got into jazz the first time I picked up a saxophone!" - Jazzwise Dec 25/Jan 26

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18146 (and counting) posts since we started blogging 17 years ago. 24 of them this year alone and, so far this month (Jan. 7), 24

From This Moment On ...

JANUARY 2026

Thu 08: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £5.00. Subject: Jazz Milestones of 1976.

Fri 09: The House Trio @ Bishop Auckland Methodist Church. 1:00pm. £9.00.
Fri 09: Nauta @ Jesmond Library, Newcastle. 1:00pm. £5.00. Trio: Jacob Egglestone, Jamie Watkins, Bailey Rudd.
Fri 09: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 09: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 09: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 09: Warren James & the Lonesome Travellers @ Saltburn Community Hall. 7:30pm. £15.00.
Fri 09: The Blue Kings @ The Globe, Newcastle. 8:00pm. £10.00. (£8.00. adv.). All-star band.

Sat 10: Mark Toomey Quintet @ St Peter’s Church, Stockton-on-Tees. 7:30pm. £12.00. (inc. pie & peas). Tickets from: 07749 255038.

Sun 11: New ’58 Jazz Collective @ Jackson’s Wharf, Hartlepool. 1:00pm. Free.
Sun 11: Am Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 11: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 11: Eva Fox & the Sound Hounds @ The Globe, Newcastle. 8:00pm.

Mon 12: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 12: Saltburn Big Band @ Saltburn House Hotel. 7:00-9:00pm. Free.

Tue 13: Milne Glendinning Band @ Newcastle House Hotel, Rothbury. 7:30pm. £11.00. Coquetdale Jazz.
Tue 13: Jazz Jam Sandwich @ The Black Swan, Newcastle. 7:30pm. Free.

Wed 14: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 14: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 14: Jam Session @ The Tannery, Hexham. 7:00pm. Free.
Wed 14: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Sunday, April 28, 2019

John McLaughlin and the 4th Dimension @ the Barbican, London – April 23.

John McLaughlin (guitar, vocals); Gary Husband (keyboards, drums, vocals); Etienne M'bappe (bass, vocals); Ranjit Barot (drums, vocals).
(Review by Steve T)

The person who introduced the show observed that you can punctuate your life via the different phases of John McLaughlin. My own experience of the uber guitarist has been more intermittent, with my first in ‘73, two in the mid-nineties and three in the last four years.

I thought we might get some more Mahavishnu Orchestra and they opened with Trilogy, the long piece from Between Nothingness and Eternity (1973), with some added konnakol singing from Ranjit Barot, variously described as Indian scat singing and Indian drum language.

Thereafter, the set was drawn from across his long career, including Love and Understanding from Electric Dreams (1979) and Pharoah Saunder's The Creator Has a Masterplan, which he originally covered on the album he shared with Carlos Santana (also ‘73).
Most of the rest was perfectly enjoyable but, as with much post-seventies fusion, tended to blend into each other, despite inspired musicianship by all concerned. This more or less culminated in the inevitable drawn-out drum duel between Barot and Husband, some more konnakol breaking it up.

After the golden age of rock concerts, drum solos more or less fell out of favour and, while I welcome their recent return, I prefer the concise variety.

A welcome encore but a disappointment that he didn't dip back into the Mahavishnu catalogue, choosing something written by Husband he described, rather dubiously, as rock and roll.

They received an appropriate level of adulation from an ever so nearly sell-out Barbican. At seventy-seven, he's still mighty impressive, though noticeably less so than four years ago or eighteen months ago, which was precisely the motivation for the trip. A final homage to an extraordinary musician and artist who had a massive impact on me all those years ago.

I won't be travelling any distance to see this band again, but don't bet against future collaborations with old sparring partners, including Zakir Hussain, Chick Corea, Jean Luc Ponty, Al DeMiola, Santana, Kenny Garrett, Trilok Gurtu, Stanley Clarke, Joey De Francesco, Christian McBride, L Shankar, Narada Michael Walden, Dave Holland, Billy Cobham, Jan Hammer, Rick Laird, Jerry Goodman etc etc ad infinitum.    
Steve T.

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