Bebop Spoken There

Gary Bartz: ''Music is nature's gift to man. It's the only religion. We're living in a terrible era, but what a beautiful thing music is. Look how it brings us together like religion is supposed to; and with no language barriers.'' (Jazzwise September, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18878 (and counting) posts since we started blogging 18 years ago. 742 of them this year alone and, so far this month (Sept. 4.) 21.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

September.

Thu 10: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 10: Jacenaite All Crew @ The Black Swan, Newcastle. 7:30pm. Free.
Thu 10: Emma Rawicz INKYRA @ Glasshouse, Gateshead. 8:00pm. £22.30. Sage Two. Line-up: Emma Rawicz (sax); Scottie Thompson (piano, keyboards, synth); David Preston (guitar); Kevin Glasgow (bass guitar); Jack Thomas (drums).

Fri 11: Esther Bennett @ Bishop Auckland Methodist Church. 1:00pm. £10.00. Esther Bennett (vocals); Rick Laughlin (piano); Mick Shoulder (double bass).
Fri 11: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 11: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 11: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 11: Ray Stubbs’ R&B All Stars @ The White Room, Stanley. 7:45pm. £14.09 (inc. bf).

Sat 12: Tees Bay Swing Band @ Blacksmith’s Arms, Hartlepool. 1:30pm. Free. Open rehearsal.
Sat 12: Lindsay Hannon: Tom Waits for No Man @ The White Room, Stanley. 7:45pm. £16.26 (inc. bf).

Sun 13: 58 Jazz Collective @ Jackson’s Wharf, Hartlepool. 1:00-3:00pm. Free.
Sun 13: Am Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 13: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 13: King Bees @ Shape Patisserie, Darlington. 3:00pm. Free. Duo (Michael Littlefield & Scott Taylor). A Rhythm & Blues Fringe event. Blues excellence.
Sun 13: Alligator Gumbo @ The Cluny. 5:00pm. £17.15.; £11.43; £5.72.
Sun 13: Eternal Triangle + Andy Champion @ The Globe, Newcastle. 8:00pm. JNE.

Mon 14: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 15: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Ben Lawrence, Paul Grainger, Bailey Rudd.

Wed 16: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 16: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 16: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Sunday, April 28, 2019

John McLaughlin and the 4th Dimension @ the Barbican, London – April 23.

John McLaughlin (guitar, vocals); Gary Husband (keyboards, drums, vocals); Etienne M'bappe (bass, vocals); Ranjit Barot (drums, vocals).
(Review by Steve T)

The person who introduced the show observed that you can punctuate your life via the different phases of John McLaughlin. My own experience of the uber guitarist has been more intermittent, with my first in ‘73, two in the mid-nineties and three in the last four years.

I thought we might get some more Mahavishnu Orchestra and they opened with Trilogy, the long piece from Between Nothingness and Eternity (1973), with some added konnakol singing from Ranjit Barot, variously described as Indian scat singing and Indian drum language.

Thereafter, the set was drawn from across his long career, including Love and Understanding from Electric Dreams (1979) and Pharoah Saunder's The Creator Has a Masterplan, which he originally covered on the album he shared with Carlos Santana (also ‘73).
Most of the rest was perfectly enjoyable but, as with much post-seventies fusion, tended to blend into each other, despite inspired musicianship by all concerned. This more or less culminated in the inevitable drawn-out drum duel between Barot and Husband, some more konnakol breaking it up.

After the golden age of rock concerts, drum solos more or less fell out of favour and, while I welcome their recent return, I prefer the concise variety.

A welcome encore but a disappointment that he didn't dip back into the Mahavishnu catalogue, choosing something written by Husband he described, rather dubiously, as rock and roll.

They received an appropriate level of adulation from an ever so nearly sell-out Barbican. At seventy-seven, he's still mighty impressive, though noticeably less so than four years ago or eighteen months ago, which was precisely the motivation for the trip. A final homage to an extraordinary musician and artist who had a massive impact on me all those years ago.

I won't be travelling any distance to see this band again, but don't bet against future collaborations with old sparring partners, including Zakir Hussain, Chick Corea, Jean Luc Ponty, Al DeMiola, Santana, Kenny Garrett, Trilok Gurtu, Stanley Clarke, Joey De Francesco, Christian McBride, L Shankar, Narada Michael Walden, Dave Holland, Billy Cobham, Jan Hammer, Rick Laird, Jerry Goodman etc etc ad infinitum.    
Steve T.

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