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Bebop Spoken There

Bill Reglein (JJ Babbitt m/pieces): "We made this mouthpiece for Eddie Harris. He played tenor sax and trumpet. He played in some pretty rough bars. The story goes that he was afraid he'd get in a fight and get his teeth knocked out. He figured that if even that happened he could still play tenor. So, the request came in, 'Can I get a reed mouthpiece for my trumpet?' the company made exactly one." - (DownBeat October 2019).

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. Part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Today Sunday September 22

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden (see above).

Vieux Carré Hot 4 - Spanish City, Spanish City Plaza, Whitley Bay NE26 1BG. 12 noon.

Musicians Unlimited - Park Inn, Park Road, Hartlepool TS26 9HU. Tel: 01429 233126. 1:00pm. Free.

Sunday Jazz in the Crypt - Middlesbrough Town Hall, Albert Road, Middlesbrough TS1 2QJ. Tel: 01642 729729. 2:00-6:00pm. £12.00. + bf. Line-up: Noel Dennis Trio + Emma Johnson’s Gravy Boat + Anthony Strong.

More Jam - The Globe, Railway St., Newcastle NE4 7AD. 3:00pm. Free.

Jazz Social - Charts, Quayside, Newcastle NE1 3DX. Tel: 0191 338 7989. 4:00pm. Free.

Somethin' Blue Trio - The Pennyweight, Bakehouse Hill, Darlington DL1 5QA. Tel: 01325 468411. 5:00-7:00pm. Free.

Blues/Funk/Soul

Memphis Cruisers - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 3:00pm. Free.

Evening

Jazz

Alexys de Alfaro - Revoluçion de Cuba, Cloth Market, Newcastle NE1 1EE. Tel: 0191 917 7076. 6:00pm. Free.

Paper Moon Trio - The Globe, 11 Railway St., Newcastle NE4 7AD. 7:30pm. Free.

Fabled - Bridge Hotel, Castle Garth, Newcastle NE1 1RQ. Tel: 0191 232 6400. 8:00pm. £8.00. & £6.00. JNE.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Friday, April 19, 2019

The JR Trio @ the Globe Jazz Bar

James Romaine (alto sax); Asaph Tal (double bass); Kai Chareunsy (drums).
(Review/PHOTOS by Lance).

There was no shortage of choice with gigs on Tyne, Tees and Wear - Newcastle alone had three tempting sessions - so BSH's resources were fully stretched. After much deliberation, I opted for the JR Trio from that hotbed of jazz the Birmingham Conservatoire.

I suspected that this pianoless/guitarless trio of young musicians would unleash a sack of 'originals' of the "I wrote this one on the top deck of a bus after I'd split up with my girlfriend" variety.
I couldn't have been more wrong!

The rarely heard Monk tune, Wee See, let the numbers present know that these guys not only knew where they were going but also where they'd been. The music verged on free but without any loss of sensitivity that was typified by the balladic rendition of These Foolish Things. The signature dish of the Great British Songbook had Romaine taking a meandering stab at the theme demonstrating his warm, round tone before going into a more intricate solo that explored the full dynamic range of his instrument. Tal's choice of notes was meaningful and compatible whilst Chareunsy was the soul of discretion on drums. A 5-star performance.

Discretion gave way to valour on Ornette Coleman's Congeniality. All three interacting effectively.

A number by a Danish tenor player whose name I didn't catch on a tune the title of which I didn't catch either was an absolute blast going from A to B via XY and Z - the whole nine yards.

Back to the standards and Cole Porter's What is This Thing Called Love? The extra percussion noises weren't due to Chareunsy but were caused by the sound of Porter turning over in his grave. This isn't a criticism, he did the same thing, according to Larry Adler, when Sinatra sang one of his songs and the composer wasn't even dead then! This was a stupendous end to the first set not least because of the drum solo/fours at the climax.

Time for a beer!

The second set opened with Mack the Knife but this was no Threepenny Opera but the full shilling culminating in a frenetic no-holds-barred ending that somehow segued into I'll Be Seeing You. Could these have been Mack's parting words to the 'body oozing life'?

Alone Together; In Your Own Sweet Way; Ornithology and a couple more then it was all over and time to reflect on what had been a great evening. I tend to think of trios without a chordal instrument to fill in the gaps being rather like a string quartet without the viola or the second violin but this wasn't the case with the JR triumvirate simply because there were no gaps only spaces as demanded by the direction of the music.

I could have saved time and described this evening at the Jazz Coop HQ in one word - MEMORABLE!
Lance. 

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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance