Bebop Spoken There

Melissa Aldana: ''Having to play a ballads album, which is something very revealing for a saxophone player, would help me to question some new aspects of how to go deeper into sound." (DownBeat May, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18602 (and counting) posts since we started blogging 18 years ago. 466 of them this year alone and, so far this month (June 8) 17

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

June

Sat 13: Ladies of Midnight Blue + Northern Monkey Brass Band @ Northumberland Miners’ Picnic, Woodhorn Museum, Ashington NE63 9YF. Free. From 10:00am. Ladies of Midnight Blue (3:00-3:45pm); Northern Monkey Brass Band (4:00-4:45pm).
Sat 13: Sarah Spencer’s Transatlantic Jazz Band @ St Augustine’s Parish Centre, Darlington. 12:30pm. £10.00. Darlington New Orleans Jazz Club.
Sat 13: Tees Bay Swing Band @ Saltburn Bandstand. 2:30-4:30pm. Free.
Sat 13: Courtney Pine @ The Glasshouse, Gateshead. 8:00pm. £35.80. Pine (saxophones); Robert Mitchell (piano); Rio Kai (double bass); Romarna Campbell (drums). ‘A Modern-Day Jazz Story 1986 - 2026’.

Sun 14: Front Porch Band: Swing Tyne’s Swing Social @ The Cluny, Newcastle. 12 noon (doors). Donations (£5.00. - £10.00. suggested). Swing dance event w. taster class (12:30pm).
Sun 14: 58 Jazz Collective @ Jackson’s Wharf, Hartlepool. 1:00-3:00pm. Free.
Sun 14: Am Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 14: Paul Skerritt @ Hibou Blanc, Newcastle. 2:00pm. Free. Table reservations (0191 261 8000). Skerritt w. backing tapes.
Sun 14: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 14: Doctor Jazz @ The Old Church, Sacriston, Durham. 3:00-5:00pm . Free (donations welcome). New Orleans, blues & classic 20th century songs. Food & soft drinks available, BYOB.
Sun 14: Eddie Gripper Trio @ The Globe, Newcastle. 8:00pm. Gripper (piano); Clem Saynor (double bass); Patrick Barrett-Donlon (drums). Americana album tour.

Mon 15: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 15: Dan Johnson w. Dean Stockdale Trio @ The Black Bull, Blaydon. 8:00pm. £10.00.

Tue 16: Alan Law Trio @ The Ticket Office, Whitley Bay. 2:00pm. Free.
Tue 16: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Stu Collingwood, Paul Grainger, Abbie Finn.

Wed 17: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 17: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 17: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 18: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 18: Castillo Nuevo Orquesta @ Pilgrim, Newcastle. £6.50. 7:30pm (doors).
Thu 18: Lindsay Hannon: Tom Waits for No Man @ Harbour View, Roker, Sunderland. 8:00pm. Free.
Thu 18: Paul Skerritt @ Angels' Share, St George's Terrace, Jesmond, Newcastle NE2 2SX. 8:00pm. Free. Booking advised (0191 200 1975). Skerritt w. backing tapes.

Fri 19: Joe Steels Group @ The Lit & Phil, Newcastle. 1:00pm. SOLD OUT!
Fri 19: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 19: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 19: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 19: Ferg’s Imaginary Big Band @ Cobalt Studios, Newcastle. 7:00pm. £14.33., £11.16., £8.00.
Fri 19: Martin Litton @ Sunderland Minster. 7:30pm. £13.01 (inc. bf); £6.50 (inc. bf); £15.00 on the door. Solo piano. CANCELLED!
Fri 19: Jools Holland’s R&B Orchestra @ Hippodrome, Darlington. 7:30pm. Joe Webb support set.
Fri 19: Hot Club du Nord @ Warkworth Memorial Hall. 7:30pm.
Fri 19: Jive Aces: The Roots of Rock & Roll @ The Cluny, Newcastle. 7:30pm (doors). £20.00 + bf.

Sunday, April 28, 2019

CD Reviews: Dinah Washington - Blues For a Day & Sarah Vaughan - Lover Man


(Review by Lance)

Another couple from the fantastic Dreyfus Jazz catalogue by two of the most charismatic singers of the era.

Dinah Washington came up through the Lionel Hampton big band and emerged as, arguably, the greatest female blues singer since Bessie Smith. The lyrics are, in the main, raunchy and of the 'my man done gone an' done me wrong' variety and, when Dinah sings the blues, you feel blue with her! 

However, all her eggs weren't in on one basket, she also took a crack at the charts challenging a young Tony Bennett with Cold Cold Heart, helping Sinatra forget about Ava with her version of the song credited to Frank - I'm a Fool to Want You as well as throwing the gauntlet down at Kay Starr with Wheel of Fortune - fortunately, not on this album.

1945-1951: Dinah had the best - Hampton's band, Dizzy's band, soloists such as Lucky Thompson, Milt Jackson, Cootie, Quinichette and Diz himself. The first time I heard Dinah was on Blow Top Blues* - a 78rpm by Lionel Hampton that I bought in The Handy Shop in the cosmopolitan area of South Shields known as Laygate. The shop is long gone but I bought many records there in the pre-CD formats - anyone else out there who remembers the shop?
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Sarah Vaughan could also sing the blues but, unlike Dinah, her preferred genre was the GASbook and her inspirations, the bop guys such as Dizzy and Bird who are well featured on several of the tracks. Miles and JJ are also in there. In her later recordings, I found 'Sassy' to be perhaps a little over-stylised but in these tracks, she hits the perfect groove and, dare I suggest it? much as I love Ella Fitz, in this forties/fifties period I think 'The Divine One' had the edge!
Lance
* There are two versions of  Blow Top Blues on this CD.
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