Total Pageviews

Bebop Spoken There

Abdullah Ibrahim: "For me jazz is the highest form of music." - (DownBeat, September 2019).

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. Part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Today Saturday August 24

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden (see above).

Mellow Baku - St Augustine's Parish Centre, Larchfield Street, Darlington DL3 7TG. 12:30pm. £10.00. (under 16s free). Line-up: Mello Baku (vocals), John Hallam (reeds), Andy Dickens (trumpet), Ian Bateman (trombone), Tom Kincaid (piano), Rachel Hayward (guitar, banjo), John Day (double bass), Nick Millward (drums).

Jo Harrop w Paul Edis Trio - Ushaw College, Ushaw DH7 9RH. 1:00pm. £10.00. Ushaw Jazz Festival.

Boys of Brass - Bill Quay Beer & Music Festival, Brack Terrace, Bill Quay, Gateshead NE10 0TT. 3:00-4:30pm. (Festival 1:00-11pm). Tickets: £10.

Xhosa Cole-Francis Tulip Quintet - Ushaw College, Ushaw DH7 9RH. 4:00pm. £8.00. Ushaw Jazz Festival.

Evening

Matt Anderson & Paul Edis - Ushaw College, Ushaw DH7 9RH. 6:00pm. £6.00. Ushaw Jazz Festival.

Tony Kofi & the Organisation - Ushaw College, Ushaw DH7 9RH. 8:00pm. £14.00. & £12.00. Ushaw Jazz Festival.

Picturehouse Deluxe + Kay Greyson - Bobik’s, Punch Bowl Hotel, Jesmond Road, Jesmond, Newcastle NE2 3JY. 8:00pm. £5.00. Line-up: Georgia Turnbull (vocals & keys), Thomas Dixon (reeds), Jamie Mackay (guitar), Adam Cornell (bass), Ben Fitzgerald (drums).

Jam session - Ushaw College, Ushaw DH7 9RH. 10:00pm. Free. Ushaw Jazz Festival.

Blues/Funk/Soul

Teresa Watson Band - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 9:00pm. Free.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Saturday, April 13, 2019

Film review: The Commemoration of Jazz Musician and Friend Richard Turner: A Life in Music

Richard Turner: A Life in Music, crowd-funded by the London jazz community and directed by Rob Cope. 
(Review by Thomas Harvey/Images © Robe Cope )

Richard Turner was shifting the community of the London jazz scene; showcasing international names in intimate spaces and bringing musicians of the capital together to drive the genre. When he died suddenly at age 27, it was a shock, not only to those around him but also to the scene of which he had become such a key member. ‘Richard Turner: A Life In Music’ comes at the hands of Rob Cope and crowd-funded by the London jazz community who premiered the film at Leeds College of Music and the Royal Academy of Music on the 11th April to a packed out room of family, friends, media and members of the music industry.

“I realised there was an opportunity to create a film about Richard’s life. It’s a remarkable and largely untold story” commented, filmmaker and saxophonist Rob Cope. 


Beginning with photos and interviews describing Richard at a young age, the film moved chronologically from the beginning of his life through chapters of some of his finest achievements. Christine Turner spoke of her son with a wonderful smile, reflecting on the happy memories of his growing up in Leeds, in the North of England with his many childhood talents and a sudden decision that he wanted to play the trumpet. It was clear to say that he never looked back.

In addition to his early life, we were also shown the many steps he took educationally through various renowned musical establishments. With a decision to study a foundation course at the Leeds College of Music; so began Turner’s immersion in jazz and the network of musicians that he built himself around - he was truly in his element. With self-belief that he wouldn’t be picked for the only place available for trumpet at the Royal Academy of Music, he was of course shortly told that he was to be wrong. Jazz Educator and Trumpeter Gerard Presencer stated that without doubt, Taylor was the right choice that year, as people around him viewed him as a mature player for his age. Having this space for learning allowed Turner to become the renowned player he was for his generation and we were shown that this was only the beginning. 

Next came the creation of his contemporary jazz quartet Round Trip. Richard’s exploration into the world as a working-musician led him to convince landlady Wendy Clare of the Constitution Pub to allow him to set up a jazz club in the basement of the venue. Showing various clips of bands playing in the intimate space as well as interviews discussing the experiences of packed out rooms, we were shown the authentic feel of the venue that Turner created and allowed to flourish. These personal accounts from musicians, housemates and friends described to us the personal relationships that Turner had formed and of the love that these people had for him.

Visiting the prestigious Royal Academy of Music, it felt right to watch the stories of Turner in the halls that he himself walked. Gaining a glimpse into his life and his musical achievements, we were shown a human who was held dearly, not only by his friends and family but also by acquaintances and teachers, colleagues and press members. It is important to remind ourselves of how much we must appreciate those around us and it is important to commemorate the lives of wonderful people when they pass onwards from us. 

Thomas Harvey

‘Richard Turner: A Life In Music’ will be released worldwide in May and be sure to listen to the self-titled album by Round Trip. 

No comments :

Blog Archive

About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance