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Bebop Spoken There

Aubrey Logan: "I chose trombone because trombone just kicks my ass, and I needed to do something that was hard" - (DownBeat June 2019).

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2019 Parliamentary Jazz Awards

The voting is open between now and May 31 to enable site visitors to nominate their choices in the various categories of this year's APPJAG awards which can be done here.
BSH was very proud to be nominated and to win the 2018 Media Award and hope we can have your support again this year.

Today Wednesday May 22

Afternoon

Jazz

Vieux Carré Jazzmen - Cullercoats Crescent Club, 1 Hudleston, Cullercoats NE30 4QS. Tel: 0191 253 0242. 1:00pm. Free admission.

Julija Jacenaite & Alan Law - Jazz Café, Newcastle Arts Centre, Westgate Road, Newcastle NE1 1SG. Tel: 0191 261 5618. 2:00pm. Free. Café Mezzanine (first floor, access via crafts shop).

Evening

Take it to the Bridge - The Globe, Railway Street, Newcastle NE4 7AD. 7:30pm. £1.00.

Blues

Moonshine Sessions - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 8:30pm. Free.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Tuesday, April 09, 2019

CD Review: Scopes

Ben Van Gelder (alto sax); Tony Tixier (piano); Tom Berkmann (bass); Mathias Ruppnig (drums)
(Review by Lance).

Dutch, French, German, Austrian - four musicians well steeped in the sound that typifies contemporary European jazz. The music floats rather than swings and the mood is ethereal. Avant-garde, maybe, but without the excess of atonality that the term often evokes and the RSPCA can sleep easily - no pet shops have gone up in flames. All four musicians are absolutely top-notch players gelling like the signature dish of a pre-Brexit continental deli.

The prose of the puffery supplied is worthy of a Birdlike bard or maybe a bardlike Bird:
Echo of Their Own Prejudices: "Portamento synth lines. Ravel-like harmonies which ended up in a quite different place, reminding him [Berkmann] of US sculptor John Chamberlain's transformative automobile scrap metal art". We also have, "A fertile under-sea world of serenity"; "Analogous swan-like atmospheres".

Great words but, whilst my bathing suit never got wet, and I didn't see any swans - well you don't in an automobile scrapyard - I did, by ignoring the imagery, find this a most enjoyable and satisfying CD. Van Gelder is the Paul Desmond/Art Pepper of today. Tixier one of the most sympathetic players around, both as a soloist or comping. Berkmann is Herr Bassman and Ruppnig lays it all down "Providing percussively busy undercurrents as synth auras glide over..."

I must apologise for drawing upon so much from the blurb but,  if I could write shit like that, I'd be editor of DownBeat!
Nevertheless, nice one - Whirlwind WR4736.
Lance.

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