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Bebop Spoken There

Jimmy Vaughan: "I don't just want to turn out stuff because I'm supposed to. I'm not a plumber. I don't want it to be just a job" - (Downbeat, August 2019)

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Today Sunday July 21

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden. (See above).

Streets of Brass - Durham city centre. DH1. 11:00am-5:00pm. Free. A Durham Brass Festival event.

Alice Grace & Ben Helm - Bonbar, Fenkle St., Newcastle NE1 5XU. Tel: 0191 232 8695. 1:30pm.

Vieux Carré Hot 4 - Spanish City, Spanish City Plaza, Whitley Bay NE26 1BG. 12 noon. Free.

Musicians Unlimited - Park Inn, Park Road, Hartlepool TS26 9HU. Tel: 01429 233126. 1:00pm (doors 12 noon). Free.

Jazz Social - Charts, Quayside, Newcastle NE1 3DX. Tel: 0191 338 7989. 4:00pm. Free.

Rajasthan Heritage Brass Band - Middlesbrough Town Hall, Albert Road, Middlesbrough TS1 2QJ. Tel: 01642 729729. 2:00pm. Free. A Summer Sessions in the Courtyard event.

Blues/Funk/Soul

Summertyne Americana - Sage Gateshead, St Mary’s Square, Gateshead Quays, Gateshead NE8 2JR. Tel: 0191 443 4661. King Bees 1:30-2:15pm. Free. Jumpin’ Hot Club stage.

Memphis Cruisers - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 3:00pm. Free.

Evening

Jazz

East Coast Jazz Jam - The Exchange, Howard Street, North Shields NE30 1SE. Tel: 0191 258 4111. 6:00pm. Free.

Scottish Swing Orchestra & Festival Broadway Chorus: West End Meets Wharton - Wharton Park, Durham DH1 4FJ. 6:00-8:00pm. Free. A Durham Brass Festival event. Details.

John Garner & Paul Edis + Nathan Lawson - Black Bull, Bridge St., Blaydon NE21 4JJ. Tel: 0191 414 2846. 7:30pm. £7.00. Garner (violin) & Edis (piano) play Bill Evans & original material. Support set from Nathan Lawson (guitar). Blaydon Jazz Club.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Thursday, April 04, 2019

The April Showers' Jam session @ The Dun Cow - April 3

Paul Edis (piano); Paul Grainger (double bass); Rob Walker (drums) + Kay Usher (violin); John Rowland (tenor sax); Faye Thompson (alto sax); Roly Veitch (guitar) 
(Review by Russell)

Following hard on the heels of Tuesday's packed house with numerous sitters-in at the Black Swan events conspired to make Wednesday's monthly jam session at the Dun Cow a more cosy affair if not quite a damp squib. The house trio - Paul Edis, Paul Grainger and Black Swan jam session house drummer Rob Walker - set about rearranging the furniture...

One end of the Dun Cow was undergoing some sort of refit necessitating the temporary siting of the pub's pool table smack dab in the middle of the jam session's usual spot. What to do? The house trio moved tables and chairs from the conservatory space in order to set-up in time for an eight o'clock start. Would the sound be less than perfect? Would the pub's staff sort out the heating or would it be a winter overcoat night for audience and musicians alike? And the weather would have its say...


It was cold with numbers thin on the ground as Messrs Edis, Grainger and Walker made a start playing April in Paris (Jesmond). The proprietor of a fondly remembered (quality jazz) establishment on nearby Osborne Road arrived and in next to no time took the initiative seeing to it that the conservatory should be heated on a night such as this. Dun Cow staff put a shilling in the meter. 

Bassist Paul Grainger invited a togged-up Kay Usher to play some jazz. Our violinist decided upon Undecided to which the house trio responded with feigned confusion...why couldn't Usher make up her mind? Ha! Ha! Night and Day kept the former Northern Sinfonia string player on the stand until reinforcements arrived in the form of John Rowland, Faye Thompson and Blaydon Jazz Club's Roly Veitch. 

Rowland took off his bicycle clips, assembled his tenor sax and called I Can't Give You Anything but Love. Our lugubrious cyclist hung around to offer Love for Sale at which point the rain began to fall. It wouldn't be long before the elements would play a part in proceedings. Alto saxophonist Faye Thompson, fresh from cutting it the previous evening at the Black Swan, upped the tempo on Bag's Groove. Heads were nodding, feet tapping when pianist Edis looked up into the conservatory's rafters. The now torrential rain (April showers!) began to seep through the roofing. Water dripped onto Edis' keyboard. Water + electricity = potential disaster. Our pianist played on, along the way quoting Singin' in the Rain. Guitarist Veitch braved the elements and the next few numbers found the audience with an ear cocked to the cookin' jazz and an eye on the unfolding drip-drip drama up above. Your correspondent's notes became a tad smudged - the rain was finding alternative points of entry! 

Was that September (April) in the RainEverything Happens to Me? It had been a funny old night and the oddest thing...the Black Swan session had opened with Four and this Dun Cow session closed with Four. Now there's a thing!   

Russell

1 comment :

Patti said...

Sounds like an interesting jam session - and let's hope the Dun Cow owners decide to get that conservatory roof checked pronto! They surely won't want the rain dripping through onto their Sunday lunch dining crowd? Anyway, as Ted Lewis sang 'Into Each Life Some Rain Must Fall ......' Finally, kudos to Paul and co. for keeping the music going while the heavens opened.

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance