Total Pageviews

Bebop Spoken There

Diana Krall: "It was daunting to play in front of her [Joni Mitchell] but it was also wonderful." - (DownBeat October 2019).

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. Part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Today Friday September 20

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden (see above).

Rendezvous Jazz - Monkseaton Arms, Front Street, Monkseaton NE25 8DP. Tel: 0191 251 3928. 1:00pm. Free.

Classic Swing - Jesmond Royal British Legion Club, West Jesmond Avenue, Jesmond, Newcastle NE2 3EX. Tel: 0191 281 0736. 1:00pm. Free.

Mark Williams Trio - The Merry Monk, 30 Market Place, Bishop Auckland DL14 7NP. 1:00pm. £5.00. Pub adjacent to Bishop Auckland Town Hall.

Evening.

Alexito & Loco Machine - Revoluçion de Cuba, Cloth Market, Newcastle NE1 1EE. Tel: 0191 917 7076. 6:00pm. Free.

Jazz Lads - Saltburn Cricket Club, Marske Mill Lane, Saltburn TS12 1HJ. Tel: 01287 622761. 8:00pm. £5.00.

Zoë Gilby: Watching Sideways - Victoria Tunnel, Ouse Street, Newcastle NE1 2BE. Tel: 0191 230 4210. 8:00pm. £10.00.

Mark Williams & Pete Tanton - The Golden Lion, Market Place, Allendale NE47 9BD. Tel: 01434 683225. 9:00pm. Free.

Blues/Soul etc.

No Time For Jive - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 9pm. Free.

Nick Pride & the Pimptones - Hoochie Coochie, Pilgrim Street, Newcastle NE1 6SF. Tel: 0191 222 0130. 9:00pm. Free.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Wednesday, April 03, 2019

CD Review: Graeme Wilson Quartet - Abscondit

Graeme Wilson (tenor sax/flute/balafon); Paul Edis (piano/keys/flute); Andy Champion (bass/bass guitar/flute); Adam Sinclair (drums/perc)
(Review by Lance).

Back in the early sixties, jazz critics had a shock awakening when they first heard the Newcastle based hardbop quintet the Emcee Five. Back then, if a band wasn't doing the rounds of the London scene they were nowhere men. However, just as the Beatles from Liverpool and the Animals from Newcastle took the London pop world by storm, so did the Emcee Five strike a blow for the provinces in the less publicised world of jazz.

Since then, the standard of jazz has risen to such heights that on most nights in most major cities you can hear jazz of world-class quality. Which leads me to pose the question - are there four better players than these guys anywhere in the country or, maybe, outside of New York?


All eight tracks were composed by Graeme Wilson whose tenor playing you wouldn't want to meet on a dark night at a jam session - or maybe you would - just have a St. John's Ambulance crew standing by. Paul Edis - a legend - a man for the occasion. You wanna symphony composed for next week, a guy to play at your daughter's wedding or someone to play some of the greatest jazz piano this (or maybe the other) side of Keith Jarrett? look no further. When it comes to bass playing no one is more fortuitously named than Andy Champion. On drums, my worthy constituent Russell has Adam Sinclair down as his favourite drummer which is a better call than the one he made for Notts County to win promotion. Adam also engineered four of the tracks as well as handling the mastering and mixing. Now if he had been in charge of Notts County...

Several of the tracks were played and broadcast live on BBC Radio 3 at last Saturday's Free Thinking Festival held at Sage Gateshead. One of the numbers was After School that has Wilson, Edis and Champion forming a flute triumvirate. The compositions are complex, rhythms, time signatures, keys and moods change. It's all done seamlessly and only serves to enhance the music. The Bings is a masterclass in the art of ballad playing. The Bold Sammy features Sinclair beating out an infectious rhythm behind the tenor. Friction Motor, not surprisingly, is fast - apart from the unexpected silences. A blast by tenor, drums digging in and an amazing unison passage by horn and keys.

Jazz as we know it but also with a Scottish feel as befits the composer's heritage. Let's hope it gets picked by the BBC's dwindling jazz content or Jazz FM it deserves worldwide exposure.
Lance.

1 comment :

Roly said...

I think Graeme's Quartet is something quite unique and rather special. As you say Lance they are all great players and it's those compositions that underpin the group. It's music that makes you think, makes you smile, at times exciting, at times gentle and so charming. I would recommend anyone to go hear them if they are playing nearby.

Blog Archive

About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance