Blue Lester (1942-1949) has 'the President' Lester Young at his very best away from the Basie Band. Effortless swing with support from pianists such as Nat Cole, Johnny Guarnieri, Hank Jones, Dodo Marmorosa, Joe Albany, Joe Bushkin and Basie himself. Hearing Lester without the snap, crackle and pop is like hearing him as he must have sounded live. Polka Dots and Moonbeams - did any instrumentalist ever sound this good on this tune? The first couple of bars are just a major scale but Lester makes the moment his and that's just the start. Hank on piano and Buddy on drums...
Imagination (1949-1950) features the heir apparent - Stan Getz. Playing the two albums back to back emphasises both the similarities and the differences between the two tenor masters. Certainly, without Lester Young there wouldn't have been the Stan Getz we have here and yet, whereas the sound is easily traceable to Lester, the phrasing is different, more notes, boppier - I wouldn't want to be without either.
Originally, I acquired them on EPs and the recording has been so well cleaned up that, in this case, it gives credence to Steve T's championing of the CD format. Getting back to comparing Lester and his disciples, on Five Brothers, where Getz is joined by Al Cohn, Zoot Sims, Brew Moore and Allen Eager, Moore is the closest in both sound and style, Cohn is slightly heavier-sounding whilst Zoot and Eager are perhaps influenced as much by Bird as they are by Pres.
So that's the first two albums - a kid in a chocolate factory? You betcha!
Lance
No comments :
Post a Comment